"This collection of essays by one of the crucially important figures in postwar contemporary music, representative of a renaissance in Boulez's critical writing, illuminates far more than his musical oeuvre alone. These lectures exemplify the ways in which incisive musical thought can create a compelling staging ground for understanding the critical cultural, historical, philosophical, technological, and social issues of our time."--George E. Lewis, author of A Power Stronger Than Itself: The AACM and American Experimental Music "The long-awaited English translation of Pierre Boulez's College de France lectures is a major event. Comprehensive and incisive, his brilliance tempered by wisdom and profound experience, Boulez gives essential insight into the craft of composition."--Alex Ross "What is most refreshing in Boulez's writings is the unfashionable ambition of his questions...many passages here show him as one of the best thinkers of musical creativity of the past hundred years." --Times Literary Supplement "While also picking up steam as a composer, appearing internationally as a conductor, and leading a computer music lab in Paris, Pierre Boulez in his fifties and sixties was bringing his theoretical contemplations to a summit in the lectures contained in this volume. This is a book to set beside Schoenberg's Style and Idea as one of the great documents of musical thought from the last century, essential reading for young composers and all who are concerned with where we are musically, how we got here, and whither we might go."--Paul Griffiths, author of Modern Music: A Concise History from Debussy to Boulez "Not since the nineteenth century has a composer of major stature written so eloquently, elegantly, and profoundly as Boulez did in these lecons. They read, engagingly, like a journal of discovery, evolution, and defining of a personal artistic aesthetic. From iconoclastic enfant terrible of the European avant-garde to the equally demanding but avuncular orchestra maestro, Boulez insists (autocratically) on the obligation of composer, performer, and listener to think about music, not just feel it. The translations are rendered sensitively and comprehensively, resulting in a book of historical significance."--Bernard Rands, Pulitzer Prize- and Grammy-winning composer and Bigelow Rosen Professor Emeritus, Harvard University "Readers can now take stock of the daunting, demanding Boulezian worldview and, whether they warm to his own works or not, appreciate him as one of the most important writers ever about music. Although Boulez was to live over 20 years after the final lecture, Music Lessons has the feel of a vast expository Gesamtkunstwerk that ponders and probes musical experience to its very essence. It ranges over music's fundamental building blocks -- its modes of organization and how we perceive it, both acoustically and culturally -- to how memory both aids and interferes with the process of cognition, and on to matters of notation, style, idea, technology and tradition."--John Adams "The New York Times "
