Community music around the world reflects the growing and diverse ways humans collectivise and express themselves in ways that articulate our cultural, social, and environmental complexity. Revisiting, redevising, and reimagining some of the fields approaches, ideologies, and contexts, this co-edited volume investigates beyond generalist intercultural and internationalist concepts to reveal the complexity of social ways people come together to make music and to making music be central to this sociality.
The authors explore the role community music plays out around the world and how various instrumentally based music-making communities operate as ecologies that allow notions of social, political, and cultural agency and identity/ies. Chapters cover various instrumental community music ensembles, observing how they, as social microcosms of change and stasis, provide working methods new and old, extol values, and model ethical behaviours that are fluid and dynamic, steadfast and unyielding, and that contribute to the ebb and flow of people and their agency that remains under-researched. Insights are provided on variously functioning ensembles throughout the world, showing how myriad instrumental music communities act as drivers, complex environments, and apparati for musical and social expression that accommodates the musical aspirations of their members.
Taken as a whole, this book explores community music as local, glocal, global phenomena, critically discussing the redefinition of community music and what music-making means to people in the twenty-first century.
List of Contributors
Foreword
Chapter
1. Introduction - Redefining the Field
Leon R de Bruin and Jane Southcott
PART 1: MAINTAINING AND DISRUPTING TRADITIONS: CULTURAL, POLITICAL,
ENVIRONMENTAL ECOLOGIES OF COMMUNITY MUSIC PRACTICES
- Maintaining/ disrupting traditions
- Theoretical perspectives and landscapes
re-territory/deterritorialization
- Reimagining the community music ensemble
- Innovation/stasis/ in the community ensemble
Chapter
2. Shifting the Conservatory Narrative: Designing University
Curriculum that Celebrates Communities Musics
Te Oti Rakena and John Coulter
Chapter
3. Optimising the Feedback Loop Between Community and Community
Ensemble: A Case Study
Adam Starr
Chapter
4. The Venda tshikona Reed-Pipe Dance as Community Music: Mapping the
Ecology of a South African Traditional Music
Susan Harrop-Allin and Dean Salant
Chapter
5. An Inclusion Strategy Approach for Deepening Community Music
Engagement in Non-Metropolitan Australia
Graham Sattler and Phil Mullen
PART 2: THE RHYZOMAL ASSEMBLAGE: INTERACTIONS AND LOCALIZED MICRO-SYSTEMS OF
INDIVIDUALS COMMUNAL EXISTENCE
- Musical ecologies and ecosystems
- Multiple participation, diverse agencies and identities
- Individual and group agency
- Action and intra-action in community musicking
Chapter
6. Agua! The flourishing of Latin Music in Melbourne, Australia
Leon R de Bruin
Chapter
7. Synthesis and Embodiment: The Lowell String Project as Complex
Musical Ecosystem
Elissa Johnson-Green
Chapter
8. Mount Gambier's Generations in Jazz: The Impact of Community and
Cross-Regional Partnerships
Adam Hardcastle
Chapter
9. Friends in Concert: Growing Music Teacher Identities through
Community Music Making
Yan Chen Alvyn Eng, Siew Ling Chua and James Lee
Chapter
10. Training and Retaining Traditions: The Grainger Wind Symphony
Jane Southcott and Leon R de Bruin
PART 3: WIDER MESO-SYSTEMS OF SOCIAL AND CULTURAL CHANGE, EVOLUTION AND
INNOVATION
- Specific practices, interactions environments, partnerships and
collaborations
- The ethics of specific instrumental community music ensembles
- Local/glocal/international perspectives and movements
- Creativities in instrumental community music how is it different/ same
between prof and amateur
Chapter
11. The Armidale Symphony Orchestra: The Ecology of a Regional
Orchestra
Alana Blackburn
Chapter
12. Friends in Music: The Chao Feng Chinese Orchestra, Melbourne,
Australia
Jane Southcott and Vicky Liao
Chapter
13. The Golden Age Ensemble: A Community Music Partnership
Chi Ying Lam
Chapter
14. PUBlic Choir: Facilitating an Emergent Musicking Community
Graham Sattler
Chapter
15. Jazz, Improvisation, Community: The Affective Constitution of
Social Identity
Chris Stover
Chapter
16. Postlude
Leon R de Bruin and Jane Southcott
References
Index
Leon R de Bruin is an educator, performer, and researcher in music education, creativity, cognition, creative pedagogies, and improvisation. He is Lecturer in Music at the University of Melbourne, Conservatorium of Music, co-ordinating the Master of Music Performance Teaching degree (MMPT). He is a staunch advocate for quality music education in Australia and music teacher education, and is Australian Society for Music Education National President, and an executive of ISME Instrumental and Vocal Teaching Commission (IVMTC). He has published over 50 articles, chapters, and edited books, including Revolutions in Music Education: Historical and Social Implications, Creativities in Arts Education, Research and Practice: International Perspectives for the Future of Learning and Teaching, and Creativity in Education in the Oxford Research Encyclopaedia of Education.Jane Southcott is a professor, Faculty of Education, Monash University, Australia. Jane researches the history of the music curriculum in Australia, America, and Europe, and she is also a hermeneutic phenomenologist researching community engagement with the arts, multicultural music education, and cultural identity with a focus on lifelong education. Jane teaches in postgraduate programs and supervises many postgraduate research students. Dr Southcott is co-editor of the International Journal of Music Education, a member of the editorial boards of international and national refereed journals, and a life member of the Australian and New Zealand Association for Research in Music Education.
