How many times have you experienced a musical that was fabulous or just didn't work at all, but you had no idea how to communicate why? How do you differentiate between a flaw in the performance portrayal of a character to a structural flaw in the musical itself? How do you analyse musical theatre songs that are so subjective in its very nature? Is there even a common link of analysis between musicals from the Golden Age and musicals from the present day?
Musical Theatre Script and Song Analysis Through the Ages answers these questions and gives students of musical theatre the tools they need to understand and articulate how musicals work.
At the heart of any musical lie its music and lyrics, yet it is this area that is least understood. This book offers a brand new terminology of analysis that gets to the core of what holds a musical together: the libretto, music, and lyrics. Through identifying methods of lyric and musical analysis and applying these to ten different musicals throughout history, students are able to ask questions such as: why does this song sound this way ; what is this lyric doing to identify character purpose ; and how is a character communicating this feeling to an audience?
From classroom analysis through to practical application, this text guides readers through a structured approach to understanding, disseminating and more importantly, articulating how a musical works. A perfect tool for students of musical theatre, its practical benefits of understanding the form, and realizing that it can be applied to any age musical, will benefit any theatre person in helping articulate all of those abstract feelings that are inherent in this art form. It offers a roadmap to the musical's innermost DNA.
Papildus informācija
A structured approach to understanding, disseminating and more importantly, articulating how a musical works, offers a practical road-map to the musicals innermost DNA.
Foreword |
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ix | |
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Acknowledgements |
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xi | |
Introduction |
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1 | (2) |
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3 | (8) |
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2 Need Energy in Lyric Analysis |
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11 | (10) |
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3 Life Force Energy in Lyric Analysis |
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21 | (10) |
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4 Alignment Energy in Lyric Analysis |
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31 | (4) |
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5 Growth Moment Energy in Lyric Analysis |
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35 | (6) |
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6 Basic Need and Life Force Energy Characteristics in Music Analysis |
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41 | (8) |
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7 The Need Energy Music Circle of Truth |
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49 | (16) |
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8 The Life Force Energy Music Circle of Truth |
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65 | (14) |
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79 | (6) |
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10 The Analytical Process |
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85 | (28) |
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11 1927 -- The Birth of the Musical: Show Boat |
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113 | (10) |
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12 1940s -- The Beginning of the Golden Age: Oklahoma! |
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123 | (12) |
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13 1950s -- The Late Golden Age: West Side Story |
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135 | (14) |
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14 1960s -- The Extravaganza Musical: Fiddler on the Roof |
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149 | (12) |
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15 1970s -- The Concept Musical: The Wiz |
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161 | (10) |
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16 Stephen Sondheim -- The Through-Music Musical: Sweeney Todd: The Demon Barber of Fleet Street |
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171 | (12) |
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17 1980s -- The Spectacle Musical: The Phantom of the Opera |
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183 | (10) |
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18 1990s -- The Voice of a New Generation: Rent |
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193 | (10) |
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19 2000s -- Corporate Broadway: Gems in the Rough: Spring Awakening |
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203 | (12) |
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20 2015 to What Will the Future Bring?: Hamilton |
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215 | (12) |
Conclusion |
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227 | (2) |
List of Contributors |
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229 | (1) |
List of Abbreviations |
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230 | (1) |
Bibliography |
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231 | |
James Olm, a composer/lyricist/librettist, has written four musicals: Obits, Emerald Green, Mulberry, and The Magdalene. The Magdalene, in collaboration with lyricist Shad Olsen, opened Off Broadway under the direction of Tony-Award winner, Richard Maltby, Jr. James musical score for the play Flight, by Arthur Giron, is published with Concord Theatricals. James was Chair of the Department of Theatre and Dance at Casper College in Casper, Wyoming, and taught musical theatre there for fourteen years before his retirement. He is now working on a new musical opera based on the Lake Superior storm of 1905. His musicals are licensed through his production company at EmeraldGreenProductions.com.