|
List of music analysis abbreviations |
|
|
x | |
|
|
xii | |
Acknowledgements |
|
xvi | |
|
1 Mining the gap of musics with and after tonality |
|
|
1 | (10) |
|
|
Western European Art Music from roughly 1880--1930 |
|
|
|
2 Mining the gap: what gap? |
|
|
11 | (22) |
|
|
Arnold Schoenberg (1899), Verklarte Nacht |
|
|
|
Franz Liszt (1878-9), Via Crucis |
|
|
|
Frederic Chopin (1847), Melodia |
|
|
|
Leo Ornstein (1915), Sonata for Violin and Piano |
|
|
|
3 Savage minds in British early-twentieth-century music |
|
|
33 | (21) |
|
|
Cyril Scott (1914), Diatonic Study |
|
|
|
Rebecca Clarke (1918--19), Sonata for Viola and Piano |
|
|
|
Frank Bridge (1913--17), Cello Sonata |
|
|
|
John Foulds (1905), Cello Sonata |
|
|
|
4 Space and structure in metatonal musics |
|
|
54 | (31) |
|
|
Percy Grainger (1916), `Pastoral' from In a Nutshell |
|
|
|
Rebecca Clarke (1922), `The Seal Man' |
|
|
|
|
|
5 Carl Nielsen's musical vitalism |
|
|
85 | (21) |
|
|
Carl Nielsen (1894), Symphonic Suite |
|
|
|
Nielsen (1916), Fourth Symphony (`The Inextinguishable') |
|
|
|
Nielsen (1922), Fifth Symphony |
|
|
|
Nielsen (1924), Sixth Symphony (`Sinfonia Semplice') |
|
|
|
6 The cautious experiments of M. K. Ciurlionis (1875--1911): tonalities and realisms in his art and music |
|
|
106 | (20) |
|
|
Mikalojus Konstantinas Ciurlionis (190415), `Besacas' Variations (VL 265) |
|
|
|
Ciurlionis (1904), `Sefaa Esec' Variations (VL 258) |
|
|
|
Ciurlionis (1904), Prelude (VL 256) |
|
|
|
Ciurlionis (1904), `Pater Noster' VL (260) |
|
|
|
Ciurlionis (1900), Fugue in B flat minor (VL 345) |
|
|
|
7 J. S. Bach and metatonality in the early piano pieces of Ferruccio Busoni |
|
|
126 | (24) |
|
|
Ferruccio Busoni (unknown), Fuga a 2 voci in stile libero |
|
|
|
Busoni (unknown), Invenzione in C Major |
|
|
|
Busoni 1878), Racconti Fantastici |
|
|
|
Busoni (1883), Macchietta medioevali |
|
|
|
Busoni (1884), Variationen und Fuge in freier Form uber |
|
|
|
Fr. Chopin's C moll Praludium |
|
|
|
8 Ferruccio Busoni -- mirror and enigma: transcendence and the later piano works |
|
|
150 | (32) |
|
|
Ferruccio Busoni (1904), Piano Concerto, Op. 39 |
|
|
|
Busoni (1881), Prelude in B minor, Op. 37, No. 6 |
|
|
|
Busoni (1912), Sonatina seconda |
|
|
|
Busoni (1917), Sonatina in Diem Nativitatis Christi MCMXVII |
|
|
|
Busoni (1921), Drei Albumbldtter |
|
|
|
9 Diatonic refraction through metatonal spaces |
|
|
182 | (23) |
|
|
Franz Schreker (1912), Das Spielwerk und die Prinzessin |
|
|
|
Schreker (1918), Der Schatzgraber |
|
|
|
Schreker (1915), Die Gezeichneten: Overture |
|
|
|
Schreker (1916), Kammersymphonie |
|
|
|
10 Transformed desire: Scriabin's transition away from functional tonality |
|
|
205 | (24) |
|
|
Alexander Scriabin (1910), Prometheus |
|
|
|
Scriabin (1912), Op. 63, No. 2 |
|
|
|
Scriabin (1889), Op. 2, No. 2 |
|
|
|
Scriabin (1905), Op. 49, No. 3 |
|
|
|
Scriabin (1905), Op. 45, No. 2 |
|
|
|
11 Musicology, mediation, metatonality: rethinking the music of Rebecca Clarke and Erwin Schulhoff |
|
|
229 | (15) |
|
|
Rebecca Clarke (1918--19), Sonata for Viola and Piano |
|
|
|
Erwin Schulhoff (1925), Duo for Violin and Cello |
|
|
Index |
|
244 | |