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E-grāmata: Musics with and after Tonality: Mining the Gap

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This volume is a journey through musics that emerged at the turn of the 20th Century and were neither exclusively tonal nor serial. Works include those by Frank Bridge, Ferruccio Busoni, Mikalojus Konstantinas Ciurlionis, Rebecca Clarke, and more.

This volume is a journey through musics that emerged at the turn of the 20th Century and were neither exclusively tonal nor serial. They fall between these labels as they are metatonal, being both with and after tonality, in their reconstruction of external codes and gestures of Common Practice music in new and idiosyncratic ways.  The composers and works considered  are approached from analytic, cultural, creative, and performance angles by musicologists, performers and composers to enable a deeper reading of these musics by scholars and students alike. Works include those by Frank Bridge, Ferruccio Busoni, Mikalojus Konstantinas Ciurlionis, Rebecca Clarke, John Foulds, Percy Grainger, Mary Howe, Carl Nielsen, Franz Schreker, Erwin Schulhoff, Cyril Scott and Alexander Scriabin.  In the process of engaging with this book the reader, will find an enrichment to their own understanding of music at the turn of the 20th Century.
 
List of music analysis abbreviations
x
List of contributors
xii
Acknowledgements xvi
1 Mining the gap of musics with and after tonality
1(10)
Paul Fleet
Western European Art Music from roughly 1880--1930
2 Mining the gap: what gap?
11(22)
Alistair Hinton
Arnold Schoenberg (1899), Verklarte Nacht
Franz Liszt (1878-9), Via Crucis
Frederic Chopin (1847), Melodia
Leo Ornstein (1915), Sonata for Violin and Piano
3 Savage minds in British early-twentieth-century music
33(21)
Annika Forkert
Cyril Scott (1914), Diatonic Study
Rebecca Clarke (1918--19), Sonata for Viola and Piano
Frank Bridge (1913--17), Cello Sonata
John Foulds (1905), Cello Sonata
4 Space and structure in metatonal musics
54(31)
Paul Fleet
Percy Grainger (1916), `Pastoral' from In a Nutshell
Rebecca Clarke (1922), `The Seal Man'
Mary Howe (1928), `Sand'
5 Carl Nielsen's musical vitalism
85(21)
Christopher Tarrant
Carl Nielsen (1894), Symphonic Suite
Nielsen (1916), Fourth Symphony (`The Inextinguishable')
Nielsen (1922), Fifth Symphony
Nielsen (1924), Sixth Symphony (`Sinfonia Semplice')
6 The cautious experiments of M. K. Ciurlionis (1875--1911): tonalities and realisms in his art and music
106(20)
George Ken Naway
Mikalojus Konstantinas Ciurlionis (190415), `Besacas' Variations (VL 265)
Ciurlionis (1904), `Sefaa Esec' Variations (VL 258)
Ciurlionis (1904), Prelude (VL 256)
Ciurlionis (1904), `Pater Noster' VL (260)
Ciurlionis (1900), Fugue in B flat minor (VL 345)
7 J. S. Bach and metatonality in the early piano pieces of Ferruccio Busoni
126(24)
Erinn Knyt
Ferruccio Busoni (unknown), Fuga a 2 voci in stile libero
Busoni (unknown), Invenzione in C Major
Busoni 1878), Racconti Fantastici
Busoni (1883), Macchietta medioevali
Busoni (1884), Variationen und Fuge in freier Form uber
Fr. Chopin's C moll Praludium
8 Ferruccio Busoni -- mirror and enigma: transcendence and the later piano works
150(32)
Fred Scott
Ferruccio Busoni (1904), Piano Concerto, Op. 39
Busoni (1881), Prelude in B minor, Op. 37, No. 6
Busoni (1912), Sonatina seconda
Busoni (1917), Sonatina in Diem Nativitatis Christi MCMXVII
Busoni (1921), Drei Albumbldtter
9 Diatonic refraction through metatonal spaces
182(23)
Kenneth Smith
Franz Schreker (1912), Das Spielwerk und die Prinzessin
Schreker (1918), Der Schatzgraber
Schreker (1915), Die Gezeichneten: Overture
Schreker (1916), Kammersymphonie
10 Transformed desire: Scriabin's transition away from functional tonality
205(24)
Jeffrey Scott Yunek
Alexander Scriabin (1910), Prometheus
Scriabin (1912), Op. 63, No. 2
Scriabin (1889), Op. 2, No. 2
Scriabin (1905), Op. 49, No. 3
Scriabin (1905), Op. 45, No. 2
11 Musicology, mediation, metatonality: rethinking the music of Rebecca Clarke and Erwin Schulhoff
229(15)
Chris Dromey
Rebecca Clarke (1918--19), Sonata for Viola and Piano
Erwin Schulhoff (1925), Duo for Violin and Cello
Index 244
Paul Fleet is a Senior Lecturer in Music at Newcastle University, UK with research specialty in Authentic Music Theory. He is also a QAA Subject Expert and Reviewer, HEA-qualified External Examiner, Senior Fellow of the HEA all whilst remaining a music theory lecturer, keynote popular-music education speaker, and a published author.