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From The Simulation Of Creation (1989) |
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1 | (1) |
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Bernard Berenson Writes to His Sister |
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2 | (1) |
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3 | (1) |
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Instructions for Regimental Officers |
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4 | (1) |
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5 | (1) |
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6 | (1) |
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From The Performance In The Nightclub (1990) |
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Analysis and Organization |
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7 | (1) |
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8 | (1) |
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9 | (1) |
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The Noise in Rodin's Studio |
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10 | (1) |
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11 | (1) |
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12 | (1) |
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13 | (1) |
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From The Expedition To Cathay (1991) |
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14 | (1) |
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15 | (1) |
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16 | (1) |
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Letter to the Corinthians |
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17 | (1) |
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18 | (1) |
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19 | (1) |
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20 | (1) |
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Saying Goodbye to a Friend |
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21 | (1) |
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22 | (1) |
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23 | (2) |
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From Slow And Gentle (1993) |
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25 | (1) |
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26 | (1) |
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27 | (1) |
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28 | (1) |
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29 | (1) |
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30 | (1) |
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31 | (1) |
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32 | (1) |
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33 | (1) |
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34 | (2) |
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36 | (1) |
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From Is This Better (1994) |
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37 | (1) |
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38 | (1) |
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39 | (1) |
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40 | (1) |
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41 | (1) |
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42 | (1) |
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43 | (1) |
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The Way You Like to See Me |
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44 | (1) |
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45 | (1) |
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Must You Always Be Reminded of This |
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46 | (1) |
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If There Is Salvation Outside the Law |
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47 | (1) |
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It Has Been Going On for a Long Time |
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48 | (1) |
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49 | (1) |
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50 | (1) |
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Nice Work If You Can Get It |
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51 | (1) |
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52 | (1) |
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53 | (1) |
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It's Still Yours Even If I Now Take It Back |
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54 | (3) |
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57 | (1) |
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58 | (3) |
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61 | (2) |
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63 | (2) |
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65 | (1) |
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Dedicated to the Hours in Front of the Mirror |
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66 | (1) |
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I Can Also Wish Them Something I Know Nobody Gets Anyway |
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67 | (1) |
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His Name Is Lucky, They Ask Him to Carry Out the Proposal |
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68 | (1) |
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The Monologue About Power and Justice |
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69 | (1) |
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70 | (1) |
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71 | (1) |
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72 | (1) |
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73 | (1) |
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74 | (1) |
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75 | (1) |
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76 | (1) |
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77 | (1) |
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78 | (1) |
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79 | (1) |
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80 | (1) |
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81 | (1) |
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82 | (1) |
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From First This, Then That (2004) |
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83 | (1) |
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84 | (1) |
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Su Dongpo, How Did Your Work Go Today? |
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85 | (1) |
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Shotetsu on Shunzei and Teika |
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86 | (1) |
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If Someone Asked Shotetsu This, This Is How He Would Answer |
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87 | (1) |
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88 | (1) |
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89 | (1) |
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90 | (1) |
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91 | (1) |
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92 | (1) |
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93 | (1) |
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94 | (1) |
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95 | (1) |
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Han Yu, Ouyang Xiu, Su Dongpo: At the End of the World |
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96 | (1) |
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97 | (1) |
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98 | (1) |
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99 | (1) |
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100 | (1) |
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101 | (1) |
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102 | (1) |
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103 | (1) |
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104 | (1) |
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105 | (1) |
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106 | (1) |
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107 | (1) |
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108 | (1) |
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109 | (1) |
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110 | (1) |
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What Did You Say, Don't Go Too Far Away |
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111 | (2) |
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113 | (1) |
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Best Not Go Blind as Long as There Is Something Left to See |
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114 | (2) |
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When It Comes to My Health, Nothing Is Too Expensive, but If It Really Helped, It Would Be More Expensive 11s Do I Have the Time Perhaps |
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116 | (1) |
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What an Actor the World Has Lost in You |
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117 | (1) |
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Is That Something I Can Learn? |
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118 | (1) |
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119 | (1) |
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Someone Who Wants to Blow Their Brains Out for Love Takes It Seriously and That Is Important |
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120 | (1) |
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I Know Another One Like That |
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121 | (1) |
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122 | (1) |
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My Father Says That It Is Sensible to Get into Something in Which Mediocrity Is No Disaster, Like the Field in Which I Am a Professor |
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123 | (1) |
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124 | (1) |
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From Divan Of Ghalib (2009) |
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125 | (1) |
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126 | (1) |
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When I Hear Shouting I Can Shout Too |
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127 | (1) |
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Hey, There's a Difference Between the Chance After and the Chance Before. Oh, You Mean You've Done an Experiment? |
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128 | (1) |
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And What Are We Going to Do Then? Can I Write That on the Wall? |
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129 | (1) |
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130 | (1) |
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131 | (1) |
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It Would Be a Good Joke If Ghalib Was the Only Good Poet |
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132 | (1) |
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From If I Arrive First (2011) |
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As Long as Possible and What Will We Say Then? |
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133 | (1) |
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134 | (2) |
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136 | (2) |
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138 | (1) |
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139 | (1) |
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140 | (1) |
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141 | (1) |
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You've Had Dessert and Want to Have the Same Dessert Again, Not Because You're Still Hungry, but Because It's So Good |
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142 | (1) |
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143 | (1) |
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From Of Great Importance (2015) |
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For in the Soup or Salad, or When You Want to Decide for Others as If You Can Say, Yes, You Do Want to Be King of Persia |
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144 | (1) |
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Can You Ask Your Banker, or Another Banker Who's Still Awake, to Quickly Get Some Cheap Money, but a Great Deal, Not a Little? |
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145 | (2) |
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Like a Law or a Poem, for the Salafists or Constitutional Originalists, and Are We Now Suddenly Allowed to Make Jokes About What You're Afraid Of? |
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147 | (2) |
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149 | (1) |
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150 | (2) |
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Power and Knowledge and Justice |
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152 | (1) |
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153 | (1) |
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154 | (1) |
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155 | (1) |
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From For You, To You, Yours (2017) |
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156 | (1) |
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157 | (1) |
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158 | (1) |
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At the Start of the Evening |
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159 | (1) |
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160 | (2) |
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The Last Thing Memory Is Best For |
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162 | (1) |
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163 | (1) |
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From To Give To An Angel (2018) |
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164 | (2) |
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166 | (2) |
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Angels Bring What Can Be Sacrificed |
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168 | (2) |
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170 | (2) |
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172 | (2) |
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174 | (3) |
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From Farewell Game (2019) |
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177 | (1) |
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178 | (1) |
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179 | (1) |
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180 | (1) |
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181 | (1) |
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Is This What a Shallow Loss Is? |
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182 | (1) |
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183 | (1) |
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184 | (1) |
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185 | (1) |
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The Sabbath of Consolation |
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186 | (1) |
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187 | (2) |
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More Than Twenty-Five Years Too Late |
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189 | (2) |
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191 | (2) |
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193 | (1) |
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194 | (2) |
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World, Are You Still There? |
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196 | (1) |
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197 | (1) |
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198 | (2) |
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When the Others Are Far Away |
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200 | (2) |
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202 | (1) |
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203 | (2) |
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Question: So Are Poets Not Allowed to Be Bad at Their Trade? (Answer: If They're Poets, They Can Be as Bad as They Like) |
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205 | (2) |
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Dream of the Beginning and End of Dutch Poetry |
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207 | (1) |
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If I Want to Know What Poetry's Good for, It's a Question I Must Also Allow |
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208 | (3) |
Translator's Acknowledgments |
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211 | |