Narrating the New Nation's purpose is to engage with South African Indian writings through a critical examination of the oeuvre of key writers within a postcolonial theoretical framework. The advent of democracy in South Africa has witnessed new writings which either reflected on apartheid with elements of restoration for past atrocities and centered around reflective nostalgia, or looked ahead with optimism and foregrounded new beginnings. The end of the interregnum in 1994 drove people to narrate the relationship between past, present, and future which revealed an exciting diversity and rituals of bourgeois lives or reflected upon disadvantaged and marginalized homes in townships, casbahs and ghettos. These innovative narratives attempt to conquer and spatialize different histories, while at the same time finding creative ways to assemble shattered fragments of memory. A critical question this study asks is whether South African literature continues to address themes of journey, exile, migration and identity within the major concern of place and displacement in apartheid and post-apartheid South Africa Indian writing, or whether the new writings foreground critical self-awareness as citizens of a democratic and neo-colonial nation-state. What analytical questions and concerns do new writings from the Global South address? The volume of critical essays hopes to endorse social and culturalrace, class, gender, sexuality analysis, problematize them, expand them, and in the end enrich South African literature. In so doing, we attempt to encourage a critical, creative and empowering space for a plurality of voices, minds and stories and hope to reveal how literature involves itself in the unfinished business of the collective in South African history and literature.
Narrating the New Nation's purpose is to engage with South African Indian writings through a critical examination of the oeuvre of key writers within a postcolonial theoretical framework.
| Acknowledgments |
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| Introduction: Resilience in Diaspora Writings of the Indian Community in South Africa |
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1 | (8) |
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Chapter One Ethical versus Ethnic Pre-eminence: The Centrality of South African Indian Writing |
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9 | (16) |
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Chapter Two Excavating Cultural Memories: Social Justice and Social Change in Fatima Meer and Sita Gandhi's Texts |
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25 | (14) |
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Chapter Three Black Lives Matter: The Significance of Fatima Meer's Prison Diary |
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39 | (14) |
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Chapter Four Diaspora and Imperialism: An Analysis of Ronnie Govender's The Lahnee's Pleasure |
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53 | (12) |
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Chapter Five Apartheid and Postapartheid Literary Imagination in Ahmed Essop's Fiction |
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65 | (12) |
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Chapter Six The Global North and South: Comparative Postcolonial Poetics in Diasporic South Asian Women's Texts |
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77 | (28) |
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Chapter Seven Representing Durban in South African Indian Writing |
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105 | (12) |
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Chapter Eight From the Individual to the Collective: Acts of Resistance and Social Transformation in Pregs Govender's Love and Courage: A Story of Insubordination |
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117 | (12) |
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Chapter Nine Queering South Asian Indian Diaspora: Theories and Intersectionalities |
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129 | |
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Jaspal Kaur Singh is Professor of English Literature at Northern Michigan University. Her publications include a monograph, Representation and Resistance: South Asian and African Womens Texts at Home and in the Diaspora, and three co-edited books, Negotiating Gender and Sexuality in Contemporary Turkey; Indian Writers: Transnationalisms and Diasporas; and Trauma,Resistance, Reconstruction in Post-1994 South African Writing.
Rajendra Chetty is Professor of Language Education at the University of the Western Cape. His publications include a literary biography, At the Edge: The Writings of Ronnie Govender, two books, The Vintage Book of South African Indian Writing and South African Indian Writings in English, and three co-edited books, Indias Abroad: The Diaspora Writes Back; Indian Writers: Transnationalisms and Diasporas; and Trauma, Resistance, Reconstruction in Post-1994 South African Writing.
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