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Narrative [Hardback]

3.35/5 (57 ratings by Goodreads)
(London Metropolitan University, UK)
  • Formāts: Hardback, 288 pages, height x width: 198x129 mm, weight: 390 g, 2 Tables, black and white
  • Sērija : The New Critical Idiom
  • Izdošanas datums: 20-Sep-2001
  • Izdevniecība: Routledge
  • ISBN-10: 0415212626
  • ISBN-13: 9780415212625
Citas grāmatas par šo tēmu:
  • Formāts: Hardback, 288 pages, height x width: 198x129 mm, weight: 390 g, 2 Tables, black and white
  • Sērija : The New Critical Idiom
  • Izdošanas datums: 20-Sep-2001
  • Izdevniecība: Routledge
  • ISBN-10: 0415212626
  • ISBN-13: 9780415212625
Citas grāmatas par šo tēmu:
This comprehensive, accessible guidebook traces the ways in which human beings have used narrative to make sense of time, space and identity over the centuries. Particular attention is given to:
* early narrative, from Hellenic and Hebraic
* the rise of the novel
* realist representation
* imperialism and narrative
* modernism and cinema
* postmodern narrative
* narrative and new technologies.
With a strong emphasis on clarity and a range of examples from oral cultures to cyberspace, this is the ideal guide to an essential critical topic.
Series Editor's Preface ix
Acknowledgements x
In the beginning: the end
1(28)
Story, plot and narrative
4(3)
Sequence
7(5)
Space
12(4)
Time
16(5)
Phylogeny and ontogeny
21(8)
Early narrative
29(27)
Narrative and history
30(2)
Orality, literacy and narrative
32(1)
Universality and narrative
33(4)
Narrative and identity
37(4)
Hellenic and Hebraic foundations
41(10)
Hybridity and the Western tradition
51(2)
A voyage to the self
53(3)
The rise and rise of the novel
56(32)
Mimesis
57(4)
Aristotelian mimesis
61(2)
Imitation, quotation and identity
63(4)
Epic, identity and the mixed mode
67(3)
Questioning the voice in the Middle Ages
70(4)
The low form of the romance and the rise of the novel
74(3)
The triple rise thesis and beyond
77(4)
Instruction, telling and narrative mode
81(7)
Realist representation
88(29)
Secretaries to the nineteenth century
89(2)
Battles over realism
91(3)
Middlemarch and `classic realism'
94(6)
Omniscient narration
100(4)
Realism and the voices of narrative
104(3)
Narrative with dirt under its fingernails
107(10)
Beyond realism
117(29)
Identity and the analysis of Heart of Darkness
119(4)
Imperialism and repression
123(4)
Imperialism and sexuality
127(5)
Narrative, imperialism and the conflict of Western identity
132(2)
The reader and the narrative
134(4)
Narrative levels
138(8)
Modernism and the cinema
146(25)
Writing in light
153(10)
The cinema and modernism
163(4)
Just another `realism'?
167(4)
Postmodernism
171(30)
`Meta' levels
174(5)
History
179(4)
The decline of the `grand narrative'
183(6)
New technologies
189(12)
In the end: the beginning
201(28)
Narrative in cyberspace
202(3)
Reading narrative
205(4)
Diversity and genres
209(6)
Closure, verisimilitude and the narrative sign
215(8)
The future of the narrative sign
223(6)
Glossary 229(17)
Bibliography 246(15)
Index 261


Paul Cobley is Reader in Communications at London Guildhall University. He is author of The American Thriller and Introducing Semiotics, and editor of The Communication Theory Reader, The Routledge Companion to Semiotics and Linguistics and (with Adam Briggs) The Media: An Introduction. Guildhall University. He is the author of Routledge's Communication Theory Reader.