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E-grāmata: Narrative

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(London Metropolitan University, UK)
  • Formāts: 304 pages
  • Sērija : The New Critical Idiom
  • Izdošanas datums: 04-Dec-2013
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781135049713
  • Formāts - PDF+DRM
  • Cena: 25,04 €*
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  • Formāts: 304 pages
  • Sērija : The New Critical Idiom
  • Izdošanas datums: 04-Dec-2013
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781135049713

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Human beings have constantly told stories, presented events and placed the world into narrative form. This activity suggests a very basic way of looking at the world, yet, this book argues, even the most seemingly simple of stories is embedded in a complex network of relations. Paul Cobley traces these relations, considering the ways in which humans have employed narrative over the centuries to ‘re-present’ time, space and identity.

This second, revised and fully updated edition of the successful guidebook to narrative covers a range of narrative forms and their historical development from early oral and literate forms through to contemporary digital media, encompassing Hellenic and Hebraic foundations, the rise of the novel, realist representations, narratives of imperialism, modernism, cinema, postmodernism and new technologies. A final chapter reviews the way that narrative theory in the last decade has re-orientated definitions of narrative.

Written in a clear, engaging style and featuring an extensive glossary of terms, this is the essential introduction to the history and theory of narrative.

Series editor's preface xi
Acknowledgements xii
1 In the beginning: the end
1(27)
Story, plot and narrative
3(3)
Sequence
6(5)
Space
11(4)
Time
15(4)
Phylogeny and ontogeny
19(9)
2 Early narrative
28(24)
Narrative and history
29(1)
Orality, literacy and narrative
30(2)
Universality and narrative
32(4)
Narrative and identity
36(3)
Hellenic and Hebraic foundations
39(9)
Hybridity and the Western tradition
48(2)
A voyage to the self
50(2)
3 The rise and rise of the novel
52(28)
Mimesis
53(3)
Aristotelian mimesis
56(2)
Imitation, quotation and identity
58(4)
Epic, identity and the mixed mode
62(2)
Questioning the voice in the Middle Ages
64(4)
The low form of the romance and the rise of the novel
68(3)
The triple rise thesis and beyond
71(3)
Instruction, telling and narrative mode
74(6)
4 Realist representation
80(26)
Secretaries to the nineteenth century
81(2)
Battles over realism
83(2)
Middlemarch and `classic realism'
85(5)
Omniscient narration
90(3)
Realism and the voices of narrative
93(4)
Narrative with dirt under its fingernails
97(9)
5 Beyond realism
106(26)
Identity and the analysis of Heart of Darkness
108(3)
Imperialism and repression
111(4)
Imperialism and sexuality
115(5)
Narrative, imperialism and the conflict of Western identity
120(2)
The reader and the narrative
122(3)
Narrative levels
125(7)
6 Modernism and the cinema
132(23)
Writing in light
138(9)
The cinema and modernism
147(4)
Just another `realism'?
151(4)
7 Postmodernism
155(27)
`Meta' levels
158(3)
History
161(4)
The decline of the `grand narrative'
165(6)
New technologies
171(11)
8 In the end: the beginning
182(29)
Narrative entertainment now
183(3)
Reading narrative
186(3)
Diversity and genres
189(9)
Closure, verisimilitude and the narrative sign
198(7)
The future of the narrative sign
205(6)
9 What is narrative?
211(32)
Narrative in social science
213(6)
Narrative and cognition
219(10)
Narrative and identity revisited
229(4)
Narrative modelling
233(10)
Glossary 243(19)
Bibliography 262(22)
Index 284
Paul Cobley is Professor in Language and Media at Middlesex University. He is the author of a number of books including The American Thriller (2000) as well as editor of a number of volumes including The Routledge Companion to Semiotics (2010).