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E-grāmata: Naturally Hypernatural III: Hypernatural Landscapes in the Anthropocene

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  • Formāts: PDF+DRM
  • Sērija : Art Knowledge Theory 5
  • Izdošanas datums: 06-Sep-2017
  • Izdevniecība: Peter Lang AG, Internationaler Verlag der Wissenschaften
  • Valoda: eng
  • ISBN-13: 9783034326131
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  • Formāts: PDF+DRM
  • Sērija : Art Knowledge Theory 5
  • Izdošanas datums: 06-Sep-2017
  • Izdevniecība: Peter Lang AG, Internationaler Verlag der Wissenschaften
  • Valoda: eng
  • ISBN-13: 9783034326131
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This third volume of Naturally Hypernatural explores contemporary concepts of landscape in the humanities and the arts in relation to the notion that our age is defined by a geology of the human and that this reckoning constitutes a new epoch, aptly named the anthropocene. The thesis of this volume that there is no homogeneous concept of landscape, just as there is no uniform definition of nature or culture was developed concurrently at a conference at the University of Graz and at a series of exhibitions centered on film, painting and photography at the Kunsthaus Graz. This thesis has been fortified by registering the simultaneity of land art, the ecological movement and the view of the earth from space. Art since the modern period reveals how divergent ideas of landscape are intertwined with differently chanted conceptions of subjectivity, perception and space.
Acknowledgements 7(2)
Introduction 9(10)
1 AGENCY AND LANDSCAPE
Agency at the Time of the Anthropocene
19(20)
Bruno Latour
Agency in Biosphere
39(12)
Markus Jeschaunig
Movement and Perception. Landscapes of modernity
51(28)
Gerhard Scharbert
Die Leinwand ist voll. Politische Landschaft. Kunst Widerstand Salzkammergut
79(22)
Dirck Mollmann
Water, Mud, and Sand: Dutch Re-scaping the Land
101(24)
Irene J. Klaver
2 HYPERNATURAL LANDSCAPE
The Third Table
125(8)
Graham Harman
Tree-Ness. Roxy Paine's altered States of Art and Nature
133(16)
Sabine Flach
What has that to do with Trees? Zu den Raumkompositionen von Gordon Matta-Clark
149(12)
Nadine Marker
Tue Greenfort. Vom kaleidoskopischen Blick zu Amilkorkim
161(20)
Elisabeth Fiedler
Landschaft in Bewegung
181(10)
Katrin Bucher Trantow
Sedes Pacis Martis Austriaci seu Palatium et Hortus Serenissimi principis Eugenii. Die Anlage des Belvedere als barockes Beispiel fur einen gestalteten Landschaftsraum
191(22)
Dagmar Probst
3 DEFAMILIARIZED LANDSCAPE
The Spiral Jetty
213(8)
Robert Smithson
Robert Smithson: Writing Landscape
221(14)
Susanne Knaller
A Force of Nature: Surface Tensions
235(20)
Gary Sherman
Hacking the Future and Planet
255(14)
Klaus Schafler
Geography is History (Geologische Zeit, Zeit Orte und Raume, Sehnsuchtstraume)
269(10)
Matthias Kessler
Susie S. Lee
Contributors 279
Sabine Flach is Professor of Modern and Contemporary Art at the University of Graz where she is also Chair of the Art History Institute. She studied art history, theory of literature, philosophy and humanities in Marburg, Perugia, Kassel and Berlin.



Gary Sherman is an artist represented by the Phatory, LLC in New York. He is a Director of Operations and an instructor of Interdisciplinary practices and Urban Botanicals in the undergraduate Fine Arts Department at the School of Visual Arts in New York.