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E-grāmata: Navigating the Transnational in Modern American Literature and Culture

Edited by (Oxford University, UK), Edited by (University of Sussex, UK)
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This study develops the important work carried out on American literature through the frameworks of transnational, transatlantic, and trans-local studies to ask what happens when these same aspects become intrinsic to the critical narrative. Much cultural criticism since the 1990s has sought to displace perceptions of American exceptionalism with broader notions of Atlanticism, transnationalism, world-system, and trans-localism as each has redefined the US and the world more generally. This collection shows how the remapping of America in terms of global networks, and as a set of particular localities, or even glocalities, now plays out in Americanist scholarship, reflecting on the critical consequences of the spatial turn in American literary and cultural studies. Spanning twentieth and twenty-first century American poetry, fiction, memoir, visual art, publishing, and television, and locating the US in Caribbean, African, Asian, European, and other contexts, this volume argues for a re-modelling of American-ness with the transnational as part of its innate rhetoric. It includes discussions of travel, migration, disease, media, globalization, and countless other examples of inflowing. Essays focus on subjects tracing the contemporary contours of the transnational, such as the role of the US in the rise of the global novel, the impact of Caribbean history on American thought (and vice versa), transatlantic cultural and philosophical genealogies and correspondences, and the exchanges between the poetics of American space and those of other world spaces. Asking questions about the way the American eye has traversed and consumed the objects and cultures of the world, but how that world is resistant, this volume will make an important contribution to American and Transatlantic literary studies.

Permissions vii
Introduction: Axes of Influence: Navigating the Transnational 1(8)
Tara Stubbs
Doug Haynes
1 Dickinson, Plath, and the Ballooning Tradition of American Poetry
9(24)
Will May
2 "Nature is bad art": Bad Transnationalism from Earthrise to Deep Horizon
33(19)
Stephen Ross
3 The Man and the Echo: W. B. Yeats in Contemporary American Poetry and Song
52(21)
Tara Stubbs
4 Good Grief: Paul Muldoon's Elegies from Ireland to America and Beyond
73(19)
Erica McAlpine
5 "Thus he ran from home / toward home": Influence and Authority in the Poetry of John Berryman
92(12)
Philip Coleman
6 Ginsberg, Burroughs, and the Ghosts of the Avant-Garde
104(18)
Will Norman
7 "Gray and Waiting": Telepathy and Terror in Don DeLillo's Falling Man and Gerhard Richter's October 18, 1977
122(22)
Doug Haynes
8 The Culture of Realignment: Enlightened and "I can't breathe"
144(18)
Stephen Shapiro
9 Locating Transnationalism: Circle Magazine and California Modernism in the 1940s
162(23)
Joanna Pawlik
10 Shifting Peripheries: Basil Bunting, Lorine Niedecker, and the Translocal Avant-Garde
185(24)
Annabel Haynes
11 Stuttered Orientations: Robert Creeley and Paul Celan via Jean Daive
209(23)
John Steen
12 "A Selective Embrace": Singling Out All Our Names in Obama's End Times
232(20)
John Masterson
13 Antagonism, Antagonism! Faulkner, Haiti, Text
252(20)
James Harding
14 Typology and Subjectivity in Faulkner and Beowulf
272(19)
Hannah McKendrick Bailey
Afterword 291(6)
Paul Giles
List of Contributors 297(4)
Index 301
Tara Stubbs is a University Lecturer in English Literature and Creative Writing in the Department for Continuing Education at Oxford University, UK.











Doug Haynes is a Lecturer in American Studies at the School of English, University of Sussex, UK.