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E-grāmata: Net Works: Case Studies in Web Art and Design

3.50/5 (13 ratings by Goodreads)
(University of Texas, Dallas, USA)
  • Formāts: 264 pages
  • Izdošanas datums: 23-May-2012
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781136944833
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  • Formāts: 264 pages
  • Izdošanas datums: 23-May-2012
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781136944833
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Net Works offers an inside look into the process of successfully developing thoughtful, innovative digital media. In many practice-based art texts and classrooms, technology is divorced from the socio-political concerns of those using it. Although there are many resources for media theorists, practice-based students sometimes find it difficult to engage with a text that fails to relate theoretical concerns to the act of creating. Net Works strives to fill that gap.

Using websites as case studies, each chapter introduces a different style of web project--from formalist play to social activism to data visualization--and then includes the artists' or entrepreneurs' reflections on the particular challenges and outcomes of developing that web project. Scholarly introductions to each section apply a theoretical frame for the projects. A companion website offers further resources for hands-on learning.

Combining practical skills for web authoring with critical perspectives on the web, Net Works is ideal for courses in new media design, art, communication, critical studies, media and technology, or popular digital/internet culture.

Recenzijas

"A fascinating look at net-based art and design, and a compelling read. What makes Net Works unique, and particularly useful, is the rigor and insight with which the contributors discuss their own projects. It will quickly appear on many syllabi, including my own."--Mark Tribe, Assistant Professor of Modern Culture and Media Studies, Brown University 'A fascinating look at net-based art and design, and a compelling read. What makes Net Works unique, and particularly useful, is the rigor and insight with which the contributors discuss their own projects. It will quickly appear on many syllabi, including my own.' - Mark Tribe, Assistant Professor of Modern Culture and Media Studies, Brown University

'The result is a lively and successful interplat that clearly relates theoretical constructs to the actual practice-based act of creating new media projects.' - Karie Hollerbach, Professor of Mass Media Studies, Southeast Missouri State University

'Recommended. Media artist and educator burrough succeeds in creating a text to support the teaching of new media from both practical and theoretical perspectives. Although the structure of the book (short essays divided by subheadings) mirrors the typical textbook, the projects included will appeal to a wider professional audience. While new media inherently becomes outdated quickly (or, depending on one's viewpoint, new quickly), the thematic approach will be adaptable to future projects.' CHOICE, E.K. Mix, Butler University

List of Figures
x
Acknowledgments xiii
List of Contributors
xiv
Introduction to Net Works 1(2)
Xtine Burrough
PART I Formalism and Conceptual Art
3(22)
Formalism and Conceptual Art, introduction
3(4)
Edward A. Shanken
1 Color Field Paintings (Browser)
7(9)
Michael Demers
2 YouTube as a Subject
16(9)
Constant Dullaart
PART II Collections and Communities
25(22)
Virtual Communities: An Interview with Howard Rheingold
25(2)
Xtine Burrough
Howard Rheingold
3 WTF?!
27(11)
Robert Nideffer
4 SF Garden Registry
38(9)
Amy Franceschini
David Lu
Myriel Milicevic
PART III Crowdsourcing and Participation
47(29)
Cheaper by the Dozen: An Introduction to "Crowdsourcing"
47(8)
Trebor Scholz
5 Mechanical Olympics
55(11)
Xtine Burrough
6 Google Maps Road Trip
66(10)
Peter Baldes
Marc Horowitz
PART IV Data Visualization
76(24)
On Data Visualization
76(3)
7 Superfund365
79(11)
Brooke Singer
8 Pastiche
90(10)
Christian Marc Schmidt
PART V Error and Noise
100(21)
Seductive Errors: A Poetics of Noise, introduction
100(4)
Mark Nunes
9 Luscious
104(7)
Fernanda Viegas
Martin Wattenberg
10 Tumbarumba
111(10)
Ethan Ham
PART VI Surveillance
121(24)
Web 2.0 Surveillance and Art, introduction
121(7)
Christian Fuchs
11 F'Book: What My Friends Are Doing in Facebook
128(9)
Lee Walton
12 Traceblog
137(8)
Eduardo Navas
PART VII Tactical Media and Democracy
145(21)
Tactical Media, introduction
145(3)
Critical Art Ensemble
13 The Good Life/La Buena Vida
148(10)
Carlos Motta
Eva Diaz
Freckles Studio
Stamatina Gregory
14 Oiligarchy
158(8)
Molleindustria
Paolo Pedercini
PART VIII Open Source
166(23)
Open Source Creativity, introduction
166(4)
David M. Berry
15 The Real Costs
170(9)
Michael Mandiberg
16 Add-Art: Sharing, Freedom, and Beer
179(10)
Steve Lambert
PART IX Hacking and Remixing
189(21)
Hacking and Remixing, introduction
189(3)
Stefan Sonvilla-Weiss
17 Pigeonblog
192(8)
Beatriz Da Costa
18 Joyce Walks
200(10)
Conor Mcgarrigle
PART X Performance and Analog Counterparts
210(18)
Performance and Analog Counterparts, introduction
210(2)
Ken Goldberg
19 The Gandhi Complex: The Mahatma in Second Life
212(9)
Joseph Delappe
20 Alerting Infrastructure! Challenging the Temporality of Physical versus Virtual Environments
221(7)
Jonah Brucker-Cohen
Index 228
xtine burrough is a media artist, educator, and co-author of Digital Foundations. She believes art shapes social experiences by mediating consumer culture and envisioning rebellious practices. As an educator at California State University, Fullerton, she bridges the gaps between art and design histories, theories, and practices. Her website is: www.missconceptions.net.