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Netflix' Spain: Critical Perspectives [Mīkstie vāki]

Edited by (University of Limerick, Ireland), Edited by (University of Michigan-Dearborn, USA)
  • Formāts: Paperback / softback, 258 pages, height x width: 229x152 mm, weight: 453 g, 2 Line drawings, black and white; 2 Halftones, black and white; 4 Illustrations, black and white
  • Izdošanas datums: 02-Oct-2023
  • Izdevniecība: Routledge
  • ISBN-10: 1032557370
  • ISBN-13: 9781032557373
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  • Mīkstie vāki
  • Cena: 50,80 €
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Netflix' Spain: Critical PerspectivesPalielināt
  • Formāts: Paperback / softback, 258 pages, height x width: 229x152 mm, weight: 453 g, 2 Line drawings, black and white; 2 Halftones, black and white; 4 Illustrations, black and white
  • Izdošanas datums: 02-Oct-2023
  • Izdevniecība: Routledge
  • ISBN-10: 1032557370
  • ISBN-13: 9781032557373
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781032557373.html
Keywords:
"This edited collection analyzes the tensions, contradictions, contributions, and new horizons generated and/or imposed by Netflix within Spain's audiovisual culture. This book provides invaluable insight into how Netflix - first in its role as distributor and then as content creator - has changed the audiovisual landscape in Spain. It discusses how Netflix both challenges the traditional method of categorizing film and television output by nationality, while also examining how Spain is presented to other countries through the Netflix catalogue and questioning what its chosen output - light comedies, mystery/thrillers, narco-fiction, and crime - means for Spain's national brand. With chapters addressing themes such as reproducibility, pan-Europeanism after Brexit, gender representation, identity, and globalization, this book explores how - under the influence of Netflix - Spain is transitioning from an importer of audiovisual content to a center of export. This book will appeal to students and scholars of Film and Media Studies, Hispanic and Iberian Studies, and Spanish with a specific interest in Spanish film, television, media, and culture, and global media industries"--

This edited collection analyzes the tensions, contradictions, contributions, and new horizons generated and/or imposed by Netflix within Spain’s audiovisual culture.

This book provides invaluable insight into how Netflix—first in its role as distributor and then as content creator—has changed the audiovisual landscape in Spain. It discusses how Netflix challenges the traditional method of categorizing film and television output by nationality while also examining how Spain is presented to other countries through the Netflix catalog and questioning what its chosen output—light comedies, mystery/thrillers, narco-fiction, and crime—means for Spain’s national brand. With chapters addressing themes such as reproducibility, pan-Europeanism after Brexit, gender representation, identity, and globalization, this book explores how—under the influence of Netflix—Spain is transitioning from an importer of audiovisual content to a center of export.

This book will appeal to students and scholars of Film and Media Studies, Hispanic and Iberian Studies, and Spanish with a specific interest in Spanish film, television, media, and culture, as well as global media industries.



This edited collection analyzes the tensions, contradictions, contributions, and new horizons generated and/or imposed by Netflix within Spain’s audiovisual culture.

Introduction: Critical Perspectives on Netflix Spain Jorge Gonzįlez del
Pozo and Xosé Pereira Boįn Part I Streaming In and Out Cultures and
Identities
1. Multinational Netflix: Toward a Streaming Matrix of
Reproducibility Xosé Pereira Boįn
2. Is Spain Still Different?
Pan-Europeanism Through Criminal Series in the Times of Brexit Jorge Gonzįlez
del Pozo
3. Mainstream Feminism: Female Identities in Valeria and Toy Boy
Ingrid Luna López
4. Between Well-Intended Drama and Easy Light Comedy:
Peninsular (Mis)Representations of Otherness in Netflix Spain Cristina
Martķnez Istillarte
5. You Are Not Special: Commodification,
Precariousness, and the Spanish Antihero in El Vecino Xavier Dapena Part II
Dislocations and Delocations Between Center and Periphery
6. Making Visible
the Invisible: Contemporary Spaniards in Netflix Paquita Salas Ximena
Venturini
7. Netflix Madrid and the Madrid of Netflix: An Interdisciplinary
Approach to the Imaginary of an Urban Region Deborah Castro, Agustķn Gįmir,
and Carlos Manuel
8. The Promotion of Spanish Cinemas on Netflix and the
Private Experience of National (Hi)stories Elena Cueto
9. Netflix Hache:
Not-so-local Noir Fiction for a Post-Political World Francisca López Part III
Globalizing Netflix Spains Effects
10. Branded by Netflix: Money Heist, a
Globalized Phenomenon Beyond Spanish Borders Vanessa Rodrķguez de la Vega
11.
The Professor Is In: A Critical Approach to Money Heists Sexism Ana Corbalįn
12. O que teńo que facer pra non ter que ir o mar Post-Memory,
Post-Identity, and Global Narco-Fictions: The Farińa Phenomenon Diego
Espińa-Barros
13. A Global Narco Culture: Streaming Scenes of Respect and the
Illusion of Justice Wladimir Mįrquez
Jorge Gonzįlez del Pozo is Professor of Spanish and Film Studies at the University of Michigan-Dearborn, USA. His work has appeared in journals (60+ articles) such as Hispanic Studies Review and Bulletin of Spanish Studies, among many others. He is the author/editor of several books (14), including Quinqui Film in Spain (2020), and he recently published a co-edited book with Iberoamericana/Vervuert about transatlantic film. He is currently working on a manuscript about Spanish national identity through its gastronomy.

Xosé Pereira Boįn is Assistant Professor in Iberian Studies at the University of Limerick, Ireland. His scholarly work has appeared in publications such as Journal of Comic Studies (2021), Quarterly Review of Film and Video (2020), Romance Studies (2019), Transitions: Journal of Franco-Iberian Studies (2018), Revista de Estudios Hispįnicos (2018), and Variaciones Borges (2016).