Atjaunināt sīkdatņu piekrišanu

New Directions in Israeli Media: Film, Television, and Digital Content [Hardback]

Edited by , Edited by , Edited by
  • Formāts: Hardback, 364 pages, height x width x depth: 229x152x33 mm, weight: 680 g, 10 b&w photos
  • Izdošanas datums: 06-May-2025
  • Izdevniecība: University of Texas Press
  • ISBN-10: 1477331034
  • ISBN-13: 9781477331033
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 59,92 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
New Directions in Israeli Media: Film, Television, and Digital ContentPalielināt
  • Formāts: Hardback, 364 pages, height x width x depth: 229x152x33 mm, weight: 680 g, 10 b&w photos
  • Izdošanas datums: 06-May-2025
  • Izdevniecība: University of Texas Press
  • ISBN-10: 1477331034
  • ISBN-13: 9781477331033
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781477331033.html
Keywords:

A comprehensive analysis of the major trends and developments in contemporary Israeli media.

In the twenty-first century, Israeli filmmaking has transformed from a localized industry into a globally recognized and diverse national cinema, its filmmakers gaining prominence internationally and introducing new themes, aesthetics, and voices to the scene. At the same time, Israeli television shows have emerged as a dominant force, propelled by the spread of streaming. Through the rise of online content creation and consumption, especially in the 2010s, new voices have revolutionized the creative landscape.

With Israel’s position at the cutting edge of technology and virtual platforms, Israeli media has seen a boom, winning prizes at international film festivals and adapting shows like Euphoria, Homeland, and Fauda for wider audiences. In New Directions in Israeli Media, thirteen contributors detail the shifting dynamics of Israeli cinema, television, and online content in the digital age, exploring how globalization, technological advances, and changing audience preferences are reshaping creative industries. Editors Yaron Peleg, Eran Kaplan, and Ido Rosen have assembled a volume that prompts critical reflection on the intersection of art, technology, and culture in a rapidly changing media landscape.



A comprehensive analysis of the major trends and developments in contemporary Israeli media.

Recenzijas

This exciting collection explores the vibrant landscape of Israeli cinema and multimedia, delving into diverse themes, including LGBTQ culture, the place of the Holocaust, militarism, Palestinian narratives, Mizrahi identity, and Haredi representation. Spanning film, television, streaming platforms, and social media, it presents cutting-edge scholarship that redefines how Israeli culture and identity are portrayed and contested across diverse and evolving media landscapes. - Rachel S. Harris, Florida Atlantic University, author of Warriors, Witches, Whores: Women in Israeli Cinema By delving into the realm of new Israeli creations in an era characterized by excessive globalization in television networks and streaming platforms, New Directions in Israeli Media not only introduces fresh topics for discussion and examination but also explores the emerging landscape of online media platforms. A highly innovative and enlightening book, this volume offers a diverse range of perspectives on Israeli media, presenting innovative topics that stem from within Israeli society. - Yvonne Kozlovsky Golan, University of Haifa, author of Site of Amnesia: The Lost Historical Consciousness of Mizrahi Jewry

Introduction
Part I. Israeli Film in a Post-Cinematic Age

1. Toward a Mystical Society: Transcending the Israeli in Israeli Cinema
(Dan Chyutin)
2. Avi Neshers Present-Past Trilogy (Shmulik Duvdevani)
3. Palestinian Ghosts on Israeli Screens (Olga Gershenson)
4. Track Changes: The New Wave of Palestinian Cinema (Yael Ben-Zvi Morad)
5. A Look at Ageing: Old Age in Israeli Documentary (Yael Shenker)


Part II. The Global Context of Israeli National Television

6. Set within a Set: TVs in Israeli Cinema, between the Local and the Global
(Eran Kaplan)
7. Inevitable Lies and Impossible Truths: Our Boys as Transnational
Docudrama (2019) (Itay Harlap)
8. Valley of Tears (2020) and the Aesthetics of Populism (Oded Nir)
9. The New Black: Haredi Jews on Israeli Television (Shayna Weiss)


Part III. The Creative Imperatives of Online Media in Israel and Beyond

10. Uploading Memory: Repurposing Historical Icons as Rituals of Remembrance
in Sagi Bornstein and Udi Nirs #Uploading_Holocaust (2016) (Yael Mazor)
11. Dont Grow Up, Its a Trap: The Temporality of Israeli Web Comedies (Ido
Rosen)
12. Genre Fluidity: The Case of Zot Vezoti (2019) (Yaron Peleg)
13. Welcome to the Middle East: Ethnicity, Disidentification, and Queer
Performativity in the Arisa Gay Mizrahi Videos (Raz Yosef)


Contributors
Index
Yaron Peleg is Kennedy-Leigh Professor in Modern Hebrew Studies at the University of Cambridge. He is the author or editor of several books, including Israeli Cinema: Identities in Motion.

Eran Kaplan is the Richard and Rhoda Goldman Professor in Israel Studies at San Francisco State University. He is the author of several books, including Projecting the Nation: History and Ideology on the Israeli Screen.

Ido Rosen completed his PhD studies at the University of Cambridge. He was a member of the Israeli Film Critics Association and has worked as a journalist in a variety of leading media in his home country.