Bethan Robertss Nightingale begins with a declaration that this book isnt about what I think or feel . . . she concentrates on the common nightingale (Luscinia megarhynchos) rather than the thrush nightingale (Luscinia luscinia) or their myriad imposters. Roberts balances glee with bewilderment, asking why this hectic, infinitely various yell has been a source of enchantment . . . In her chapters on music and conservation, Roberts offers welcome critiques of Athanasius Kirchers failure to preserve nightingale songs in formal notation and of the composer Ottorino Respighi, who called for a phonograph recording of a nightingale to conclude his tone poem of 1924, The Pines of Rome . . . Reaching after fact and reason, Bethan Roberts, who is also a scholar of Romantic literature, alights on uncertainty. I expected to wonder at the bird through Keats and others, she admits, in a rare confessional aside. Yet, there in the green and dark, all else falls away: that moment, the song and sound, and nothing else. * TLS * This excellent monograph, small and inexpensive but very thorough, is a masterful summary of the incomparable singer's presence in poetry, literature, art, and history. Famously eulogized in the poetry of Keats and Shelley, the nightingale also figures in the works of hundreds of other writers, philosophers, and musicians, as recounted here . . . But Roberts touches on this bird's influence not just as inspiration for these Western lights but also farther afield in various Asian and Middle Eastern cultural venues. The text is strong in highlighting the bird's nineteenth-century associations. Backing up this splendid textual overview are 100 illustrations, 75 in color. The images go back as far as ancient Pompeii and are rich in German, Italian, and French figures as well as, of course, those from England . . . All readers interested in birds will enjoy this book. Recommended. * Choice * Ive never seen or heard a nightingale for myself, unfortunately. Whether youre like me or are lucky enough to hear this renowned songster every year, this new book is the perfect introduction to the bird itself and its place in literature and the arts. * Birder's Library * With grace and vision, Roberts lets us hear the music and mystery of nightingales sounding across centuries and cultures. This powerfully attentive study of an astonishing bird is also a miniature history of literature and of human efforts to find words for nature. Deeply researched, lyrical, elegiac, rich with hope and vitality, this is a book for our times. * Alexandra Harris, Professorial Fellow in English at the University of Birmingham and author of 'Romantic Moderns * Bethan Robertss book is lucid, exhaustive, generous and intelligent . . . all poets should read it. All birdwatchers should too. It reads true to the bird as well as to the long history of its human-imagined existence. To have seen what we have made of nightingales and to be able to leave us with the bird restored to itself is a great achievement. * Tim Dee, author of 'Greenery' and 'The Running Sky' *
