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E-grāmata: Nineteenth-Century Transcriptions of Works by Fryderyk Chopin

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Nineteenth-Century Transcriptions of Works by Fryderyk ChopinPalielināt

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"This book is the first monographic study of nineteenth-century transcriptions of Chopin's music. The work is based on the quantitatively and qualitatively rich source material, which formed the basis for considerations from the perspective of social history, music analysis and aesthetics. Thanks to these multiple perspectives, as well as the time range and the source base, this study may contribute to the history of the reception of Chopin's work in nineteenth-century culture; it may also prove significant in overcoming the attitude that aesthetically deprecates transcriptions and in adopting a different stance, regarding such adaptations as valuable texts of musical culture"--
List of abbreviations
9(4)
Introduction 13(2)
1 Transcriptions of works by Chopin as sources for research into the reception of his music in nineteenth-century musical culture - methodological issues
15(12)
1.1 The subject and terminology
15(4)
1.2 The source material
19(8)
2 Composers, publishers and receivers: transcriptions of works by Chopin in nineteenth-century cultural communication
27(90)
2.1 Works by Chopin and their transcriptions in nineteenth-century musical culture - quantitative aspects
30(16)
2.2 The musical professions of the transcribers of Chopin's works
46(23)
1 Performers: instrumentalists, singers
49(10)
2 Composers
59(7)
3 Organisers of musical life
66(3)
2.3 The economic and legal conditions behind the dissemination of transcriptions during the nineteenth century
69(15)
2.4 The cultural contexts of the social reception of transcriptions of works by Chopin (taking nineteenth-century Wroclaw as an example)
84(33)
3 Between adhering to substance and trivialising content: a systematics of nineteenth-century transcriptions of works by Chopin
117(76)
3.1 The adopted criteria of the systematics
117(11)
3.2 Substantial transcriptions
128(11)
3.3 Structural transcriptions
139(14)
3.4 Syntactic transcriptions
153(9)
3.5 Recontextual transcriptions
162(20)
3.6 Functional transcriptions
182(9)
3.7 The diffusion of'ideal types'
191(2)
4 Nineteenth-century transcriptions of works by Chopin as a form of the manifestation of artistic values in the musical culture of the nineteenth century: Trivialtnusiki
193(50)
4.1 The category of Trivialmusik and its effect on the valuation of transcriptions
195(13)
4.2 The value of transcriptions of Chopin's works within the context of the adopted criterion
208(7)
4.3 Transcriptions of Chopin's works as documents of stylistic changes in nineteenth-century European music
215(24)
Conclusion. Contemporary transcriptions of works by Chopin: prospects for further research
239(4)
Appendix
243(14)
1 Selected literary texts from vocal-instrumental transcriptions
243(9)
2 List of Michal Biernacki
252(5)
List of figures 257(2)
List of examples 259(6)
List of tables 265(2)
Sources 267(1)
Literary sources 267(2)
Musical sources 269(16)
Cited literature 285(1)
Primary subject literature 285(1)
Secondary subject literature 286(5)
Auxiliary literature 291(3)
Encyclopaedias and lexicons 294(3)
Index of names and musical titles 297
Barbara Literska is Dean of the Faculty of Arts and Professor of Musical Education at the University of Zielona Góra. She specializes in nineteenth- and twentieth-century music history and theory, reception of Chopin's music and the works of the eminent Polish composer Tadeusz Baird.
Biežāk uzdotie jautājumi par e-grāmatām Biežāk uzdotie jautājumi par e-grāmatām
Permanent link: https://www.kriso.lv/db/97836318048412e.html
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