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E-grāmata: Notes From An Odin Actress: Stones of Water [Taylor & Francis e-book]

(Odin Teatret, Holstebro, Denmark)
  • Formāts: 206 pages
  • Izdošanas datums: 23-Jul-2010
  • Izdevniecība: Routledge
  • ISBN-13: 9780203847046
Citas grāmatas par šo tēmu:
  • Taylor & Francis e-book
  • Cena: 155,64 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 222,34 €
  • Ietaupiet 30%
  • Formāts: 206 pages
  • Izdošanas datums: 23-Jul-2010
  • Izdevniecība: Routledge
  • ISBN-13: 9780203847046
Citas grāmatas par šo tēmu:

‘As an actress I sit, speak, run, sweat and, simultaneously, I represent someone who sits, speaks, runs and sweats. As an actress, I am both myself and the character I am playing. I exist in the concreteness of the performance and, at the same time, I need to be alive in the minds and senses of the spectators. How can I speak of this double reality?’ – Julia Varley

This is a book about the experience of being an actress from a professional and female perspective. Julia Varley has been a member of Odin Teatret for over thirty years, and Notes from an Odin Actress is a personal account of her work with Eugenio Barba and this world-renowned theatre company.

This is a unique window onto the in-depth exercises and day-to-day processes of an Odin member. It is a journal to enlighten anyone interested in the performances, the discoveries and the hard physical work that accompany a life in theatre.

Foreword ix
Preface xi
Maggie B. Gale
Acknowledgements xv
Introduction 1(6)
Dancing history
1(6)
1 First steps
7(13)
Becoming an actress
7(6)
Odin Teatret
13(2)
Teachers
15(5)
2 The dramaturgy of the actress
20(23)
Personal terminology
20(3)
The echo of silence
23(5)
Stage presence
28(2)
Pursuing oppositions
30(3)
Rodin's torsos
33(3)
Precision and decision: the whole body
36(4)
Precision and decision: the whole voice
40(3)
3 Training
43(13)
Aspects of training
43(2)
My own training
45(3)
The purpose of training
48(5)
Reduction
53(3)
4 Improvisation and composition
56(22)
The creation of material
56(6)
Stimuli, strategies and procedures
62(4)
Repetition, memory, fixing
66(2)
Before, during and after improvisation
68(3)
Elaboration: from the actress's point of view
71(3)
Elaboration: from the director's point of view
74(4)
5 Score and subscore
78(8)
A useful but wrong word
78(1)
The paper song
79(1)
Thought
80(1)
The subscore of creation
81(2)
Chaotic order
83(1)
The subscore of repetition
83(2)
The subscore of performance
85(1)
6 Text and subtext
86(10)
Textual interpretation
86(1)
Textual analysis
87(2)
Physical actions as subtext
89(3)
Vocal actions as subtext
92(2)
Melodies and music as subtext
94(2)
7 The character
96(34)
Identities
96(6)
Mr Peanut
102(8)
Dona Musica
110(4)
Dramaturgy according to Daedalus
114(12)
The puppet character
126(4)
8 The director
130(23)
Meeting a director
130(3)
Working with a director
133(6)
The surgeon and the mountaineer
139(9)
The peasant and the cook
148(5)
9 The performance
153(6)
Replica and difference
153(6)
10 Faces, words, landscapes
159
Julia Varley joined Odin Teatret in 1976. She is an active actor, director, teacher and writer. She is closely involved with ISTA (International School of Theatre Anthropology) and the Magdalena Project, a network of women in contemporary theatre. She is also artistic director of the Transit Festival in Holstebro and editor of The Open Page, a journal devoted to womens work in Theatre. Her articles and essays have been published in journals such as Mime Journal, New Theatre Quarterly, Teatro e Storia, Conjunto, Lapis and Mįscara .