A unique look at the craft of writing from a bestselling master of storytelling.
In this engaging book, the internationally best-selling author shares with readers what he thinks about being a novelist; his thoughts on the role of the novel in our society; his own origins as a writer; and his musings on the sparks of creativity that inspire other writers, artists, and musicians.
Readers who have long wondered where the mysterious novelist gets his ideas and what inspires his strangely surreal worlds will be fascinated by this highly personal look at the craft of writing.
'An insightful collection of essays on his work and methods... You end this collection of beautiful essays vowing to never let life, or writing, get so complicated again' Guardian
'Murakami is like a magician who explains what he's doing as he performs the trick and still makes you believe he has supernatural powers' New York Times Book Review
'A fascinating glimpse of the peculiar writerly life' Sunday Times
** A TIMES, SUNDAY TIMES and NEW STATESMAN BOOK OF THE YEAR**
Recenzijas
Every creative person should read this short book. No rules are laid down, but for those with an open mind there are hints galore and the occasional precept. * Literary Review * A fascinating glimpse of the peculiar writerly life * Sunday Times *Books of the Year* * One of the most read authors around the world... You end this collection of beautiful essays vowing to never let life, or writing, get so complicated again. * Guardian, *Book of the Day* * A quirky, chatty collection of essays by the award-winning Japanese novelist... this charming collection opens up much of the Japanese master's thinking on a life of luck, hard work, and joy in his long vocation as a novelist. * Irish Independent * Intriguing glimpses inside the singular mind of Murakami -- Sean OHagan * Observer * Some of [ Murakami's] best books are non-fiction: Underground, about the Tokyo sarin gas attack, and this year's Novelist as a Vocation, a book of essays about his life, writing method and the wellsprings of his extravagant imagination. -- Richard Lloyd Parry, Books of the Year * New Statesman * At any moment on our planet there are at most a few dozen novelists working with great power, for a broad audience, with the material of consciousness, which is what the novel is so uniquely good at handling, how it feels to be inside us, what it means, the devastations and beauties it brings. Murakami is one of them. * New York Times Book Review * It's safe to say there is no one like Murakami * Literary Review * A true original * The Times * A master storyteller * Sunday Times *
In 1978, Haruki Murakami was twenty-nine and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers' award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, that turned Murakami from a writer into a phenomenon.
In works such as The Wind-Up Bird Chronicle, 1Q84, What I Talk About When I Talk About Running and Men Without Women, Murakami's distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring his place as one of the world's most acclaimed and well-loved writers.
Philip Gabriel is the author of Mad Wives and Island Dreams: Shimao Toshio and the Margins of Japanese Literature and Spirit Matters: The Transcendent in Modern Japanese Literature and has translated many novels and short stories by the writer Haruki Murakami and other modern writers. He is recipient of the Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature (2001) for his translation of Senji Kurois Life in the Cul-de-Sac, and the 2006 PEN/Book-of-the-Month Club Translation Prize for his translation of Murakami's Kafka on the Shore. Theodore (Ted) Goossen has translated the work of many Japanese writers, most notably Naoya Shiga, Haruki Murakami, and Hiromi Kawakami. He is the editor of The Oxford Book of Japanese Short Stories (1997) and the co-editor and founder, with Motoyuki Shibata, of the annual literary journal Monkey Business (now Monkey: new writing from Japan), which, since 2011, has introduced a new generation of Japanese writers to English-speaking readers. Essays and stories by, as well as interviews with, Murakami are a staple of every issue.
