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E-grāmata: Nuyorican and Diasporican Visual Art: A Critical Anthology

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  • Formāts: PDF+DRM
  • Izdošanas datums: 13-Dec-2024
  • Izdevniecība: Duke University Press
  • Valoda: eng
  • ISBN-13: 9781478060208
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  • Formāts: PDF+DRM
  • Izdošanas datums: 13-Dec-2024
  • Izdevniecība: Duke University Press
  • Valoda: eng
  • ISBN-13: 9781478060208
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Although Puerto Rican artists have always been central figures in contemporary American and international art worlds, they have largely gone unrecognized and been excluded from art history canons. Nuyorican and Diasporican Visual Art provides a critical survey of Puerto Rican art production in the United States from the 1960s to the present. The contributors assert the importance and contemporaneity of the Nuyorican art movement by tracing its emergence alongside other American vanguardist movements, highlighting its innovations, and exploring it as an expression of Puerto Rican culture beyond New York to include cities such as Chicago, Philadelphia, and Orlando. They also foreground the contributions and radical aesthetics of female, Black, and queer Puerto Rican artists. Following the expansion and decentralization of the Puerto Rican diaspora and its artistic output, this volume is a call to action for scholars, curators, and artists to address the historical inequalities that have marginalized Diasporican artists and reassess the presence of Puerto Rican artists.

With: NÉstor David Pastor, Gabriel Magraner, and Nikki Myers

Contributors. Joseph Anthony CĮceres, TaĶna Caragol, Arnaldo M. Cruz-MalavÉ, Deborah Cullen-Morales, Arlene DĮvila, Kerry Doran, Elizabeth Ferrer, Yomaira C. Figueroa-VĮsquez, Al Hoyos-Twomey, TerÉz Iacovino, Johnny Irizarry, Johana LondoŃo, UrayoĮn Noel, NÉstor David Pastor, Yasmin Ramirez, Melissa M. Ramos Borges, Raquel Reichard, Rojo Robles, Abdiel D. Segarra RĶos, Wilson ValentĶn-Escobar

Recenzijas

An indispensable volume that traces the formation of Nuyorican identity through the intersections of visual and performance art with urban activist politics. The art of all marginalized people is inherently political, and these cogent and impactful essays by an array of quintessential contributors are a loving tribute to Puerto Ricos rapidly expanding diasporic arts community. From the Nuyorican Poets CafÉ to Taller Boricua to barrio aesthetics in Philadelphia, Chicago, and beyond, Nuyorican and Diasporican Visual Art finally brings a long-ignored story to light. - Ed Morales, author of (Fantasy Island: Colonialism, Exploitation, and the Betrayal of Puerto Rico) Making an important contribution to the fields of art history and cultural studies, this volume constitutes a groundbreaking study of the varied and wide-ranging visual art and aesthetics of Nuyorican and Diasporican communities. This unique and much-needed book challenges the elitism and racism that continues to characterize the art world and demonstrates that art-historical accounts of American and contemporary art that ignore or obscure the contributions of Nuyorican/Diasporican artists are incomplete and uninformed. - Adriana Zavala, author of (Becoming Modern, Becoming Tradition: Women, Gender, and Representation in Mexican Art) "What these and so many more Nuyorican/Diasporican artists share is a perspective that confronts an increasingly aggressive financial speculation in housing and space in contemporary cities. Their art comprises a demand to be visible, recognised, and valued in a metropolitan space ordered by an imperial culture bent on erasing the singularity of its colonial peoples." - Gavin O'Toole (Latin American Review of Books)

Acknowledgments  ix
Introduction / Arlene DĮvila and Yasmin Ramirez  1
Part I. From Puerto Rican to Nuyorican Forging Diasporican Art in New York
1. The Way Out=Left Out? Paradoxes of Puerto Rican Avant-Garde Art / Melissa
M. Ramos Borges  27
2. Nuyorican Vanguards: The Puerto Rican Alternative Art Space Movement in
New York / Yasmin Ramirez  45
3. The Construction of Nuyorican Identity in the Art of Taller Bouricua /
TaĶna Caragol  70
4. The Politics and Poetics of MĮximo ColÓns Activist Photography /
Elizabeth Ferrer  90
5. Artistic Decoloniality as Aesthetic Praxis: Making and Transforming
Imaginations and Communities in NYC / Wilson ValentĶn-Escobar  104
6. The Art of Survival: The Visual Art Activism of Maria Dominguez / Al
Hoyos-Twomey  131
7. The Parallel Aesthetics of Nilda Peraza / NÉstor David Pastor  149
8. Creative Camaraderie: Puerto Rican / Nuyorican Artists and Robert
Blackburns Printmaking Workshop / Deborah Cullen-Morales  167
Part II. Diasporican Sites Reports from the Field
9. Unpacking the Portmanteau: Locating Diasporican Art / TerÉz Iacovino 
189
10. Puerto Rican Arts in Philadelphia: Una Perla Boricua en Filadelfia /
Johnny Irizarry  212
11. A pesar de todo: The Survival of an Afro-Puerto Rican Family in Frank
Espadas Puerto Rican Diaspora Project / Yomaira C. Figueroa-VĮsquez  233
12. The Fight to Make Art in Borilando / Raquel Reichard  250
13. Abstractions between Puerto Rico and Chicago: An Ongoing Conversation
about Nationalism and Nonprepresentational Art / Abdiel D. Segarra RĶos  270
Part III. All of the Above: Diasporican Aesthetics
14. Nuyorican Poets Art of Making Books / UrayoĮn Noel  291
15. Visual Artists, Surrealist Communions: Lois Elaine Griffith and Jorge
Soto SĮnchez at the Nuyorican Poets CafÉ / Joseph Anthony CĮcares  311
16. SAMO© . . . AS AN EPIC POEM WITH FLAMES: Al DĶazs Poetics of
Disruption / Rojo Robles  329
17. ”No te luzcas! Nuyorican Performance and Spectacularity in the Visual
Art of AdĮl, David Antonio Cruz, and Luis Carle / Arnaldo M. Cruz-MalavÉ 
352
18.  Bridging Gaps and Building Communities: Wanda Raimundi-Ortizs Ask
Chuleta and Afro-Latinx Identity beyond the White Box / Kerry Doran  372
19. A Modernist Nuyorican Casita and the Aesthetics of Gentrification /
Johana LondoŃo  393
Conclusion. The Spatial Politics of Shellyne Rodriguez, Rigoberto Torres,
Lee QuiŃones, and Daniella De Jesus-With Some Concluding Comments / Arlene
DĮvila  407
Contributors  427
Index  435
Arlene DĮvila is Professor of Anthropology and American Studies at New York University and author, most recently, of Latinx Art: Artists, Markets, and Politics, also published by Duke University Press.

Yasmin Ramirez is Adjunct Professor of Art at the City College of New York and an independent curator who has collaborated with The Bronx Museum, El Museo del Barrio, and Taller Boricua, among others.
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