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O: Apostrophic Ghosts and the Disappearing Acts of Lyric Poetry [Hardback]

(Buffalo State College, SUNY)
  • Formāts: Hardback, 200 pages, height x width: 229x152 mm, 13 Figures; 2 Tables, black and white
  • Sērija : SUNY series, Literature... in Theory
  • Izdošanas datums: 01-Oct-2025
  • Izdevniecība: State University of New York Press
  • ISBN-13: 9798855804089
Citas grāmatas par šo tēmu:
O: Apostrophic Ghosts and the Disappearing Acts of Lyric PoetryPalielināt
  • Formāts: Hardback, 200 pages, height x width: 229x152 mm, 13 Figures; 2 Tables, black and white
  • Sērija : SUNY series, Literature... in Theory
  • Izdošanas datums: 01-Oct-2025
  • Izdevniecība: State University of New York Press
  • ISBN-13: 9798855804089
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9798855804089.html

Considers how a series of poets reimagined the possibilities of "O" as a gesture of apostrophe and, even more so, of writing.

In poetry circles, "O" is commonly associated with apostrophe—a dramatized turn to call out to an absent friend or idea. This call, however, is made possible by a graphic sign it pretends not to acknowledge. O follows poets who were rethinking the apostrophic "O" alongside its symbolic, iconic, and material forms. Organized conceptually rather than chronologically, the book explores how works by W. B. Yeats, Wallace Stevens, Elizabeth Bishop, James Merrill, Emily Dickinson, and Terrance Hayes, as well as the singer-songwriter Carly Simon and the band The Cure, each turn at deeply human moments to call forth an alternative to the present. Culminating in an experimental epilogue cowritten with the Romanticist Manu Samriti Chander, O engages with ongoing, sometimes excessive debates about lyric poetry and literary critical method, finding modest ground between their respective sides.

Recenzijas

"A very impressive book. Ben-Merre's focus is 'the language of the poetic O,' especially lyric apostrophe and address, often accompanied by an 'O' (e.g., Shelley's 'O wild west wind'). But he also stresses apostrophe's grounding in written languagethat it is not simply a sign of voicingand takes special interest in aspects of the written character, such as the multiplication of circular forms (O's, and even X's that might alternate with or accompany O's). This is poetics more than hermeneuticsnot striving to work out what a poem 'really means' but to illuminate distinctive poetic techniques." Jonathan Culler, author of Theory of the Lyric

"O makes a significant contribution to the field of lyric studies. David Ben-Merre compellingly argues that lyric readings have tended to overlook the material elements of the text, and that the 'O' of apostrophe marks the privileged place where the material and the vocal coalesce. The volume offers a series of sustained, incisive readings of an admirably wide range of canonical authors with new insights into their method and mode of address. Readers interested in new interpretations of Dickinson, Yeats, Stevens, Bishop, Merrill, and Hayes, as well as deconstruction, Agambenian readings, and material poetics, will find a great deal to learn from this book." Margaret Ronda, author of Remainders: American Poetry at Nature's End

Papildus informācija

Considers how a series of poets reimagined the possibilities of "O" as a gesture of apostrophe and, even more so, of writing.
David Ben-Merre is Professor of English at Buffalo State, the State University of New York. He is the coauthor (with Robert Scholes) of Super Schoolmaster: Ezra Pound as Teacher, Then and Now and the author of Figures of Time: Disjunctions in Modernist Poetry, both published by SUNY Press.