Atjaunināt sīkdatņu piekrišanu

E-grāmata: Oklahoma!: The Making of an American Musical, Revised and Expanded Edition

(David G. Frey Distinguished Professor of Music, University of North Carolina at Chapel Hill)
  • Formāts: 384 pages
  • Sērija : Broadway Legacies
  • Izdošanas datums: 31-Jul-2020
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190665234
Citas grāmatas par šo tēmu:
  • Formāts - EPUB+DRM
  • Cena: 29,23 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: 384 pages
  • Sērija : Broadway Legacies
  • Izdošanas datums: 31-Jul-2020
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190665234
Citas grāmatas par šo tēmu:

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

First published in 2007, "Oklahoma!": The Making of an American Musical tells the full story of the beloved Rodgers and Hammerstein musical. Author Tim Carter examines archival materials, manuscripts, and journalism, and the lofty aspirations and mythmaking that surrounded the musical from its very inception. The book made for a watershed moment in the study of the American musical: the first well-researched, serious musical analysis of this landmark show by a musicologist, it was also one of the first biographies of a musical, transforming a field that had previously tended to orient itself around creators rather than creations.

In this new and fully revised edition, Carter draws further on recently released sources, including the Rouben Mamoulian Papers at the Library of Congress, with additional correspondence, contracts, and even new versions of the working script used - and annotated - throughout the show's rehearsal process. Carter also focuses on the key players and concepts behind the musical, including the original play on which it was based (Lynn Riggs's Green Grow the Lilacs) and the Theatre Guild's Theresa Helburn and Lawrence Langner, who fatefully brought Rodgers and Hammerstein together for their first collaboration. The crucial new perspectives these revisions and additions provide make this edition of Carter's seminal work a compulsory purchase for all teachers, students, and lovers of musical theater.

Recenzijas

...highly recommended. * R. D. Johnson, CHOICE * Tim Carter has written the most comprehensive account ever of the origins, development, and production history of the world renowned Rodgers and Hammerstein musical play. * Journal of American Cultures * Carter's virtuosic handling of archival material, forming the basis of an astonishingly detailed narrative account, sets his study apart. * Journal of the American Musicological Society * If you want to know how Oklahoma! became Oklahoma! you must read this book. * Geoffrey Block * Carter's well-documented treatment should delight both musical aficionados and researchers alike. * Studies in Musical Theater *

List of Illustrations
ix
Foreword xi
Preface xv
List of Abbreviations
xix
1 Setting The Stage
1(30)
The Theatre Guild
5(7)
Lynn Riggs's Green Grow the Lilacs (1930--31)
12(8)
Rodgers and Hammerstein Before "Rodgers and Hammerstein"
20(7)
Two Predecessors
27(4)
2 Contracts And Commitments
31(52)
Rodgers and Hammerstein (and Hart?)
36(9)
The Backstage Team
45(8)
Auditions and Casting
53(16)
Finding Investors
69(10)
Opening Schedules
79(4)
3 Creative Processes
83(52)
Drafting the Text
84(16)
The Lyrics
100(11)
Crafting the Music
111(9)
The Dream-Ballet
120(15)
4 Heading For Broadway
135(36)
Rehearsals
135(18)
New Haven
153(6)
Boston
159(8)
New York
167(4)
5 Some Musical (And Other) Readings
171(42)
"Sing it, Andrew!"
175(7)
"Your sighs are so like mine"
182(3)
"There's a bright, golden haze on the meadow"
185(6)
"Plen'y of air and plen'y of room"
191(2)
"I know I mustn't fall into the pit..."
193(4)
"Hambushed"
197(3)
"Oh, why did sich a feller have to die?"
200(8)
"Ev'rythin's up to date..."
208(5)
6 From Stage To Screen
213(42)
Rewards and Recognition
222(9)
On Tour
231(5)
The Oklahoma! Family
236(5)
Changing Fortunes
241(6)
The Silver Screen
247(8)
Appendix A A Time Line for Oklahomal: 5 May 1942 to 31 March 1943 255(16)
Appendix B Archival and Other Sources 271(10)
Permissions 281(4)
Bibliography 285(4)
Index 289
Tim Carter is David G. Frey Distinguished Professor of Music at the University of North Carolina at Chapel Hill. He is the author of Rodgers and Hammerstein's Carousel (OUP, 2017), Understanding Italian Opera (OUP, 2015), and a wide range of other books on opera and musical theater.