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Old Buildings New Designs [Mīkstie vāki]

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  • Formāts: Paperback / softback, 144 pages, height x width x depth: 214x181x10 mm, weight: 360 g
  • Izdošanas datums: 20-Nov-2011
  • Izdevniecība: Princeton Architectural Press
  • ISBN-10: 1616890355
  • ISBN-13: 9781616890353
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  • Mīkstie vāki
  • Cena: 31,73 €*
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  • Formāts: Paperback / softback, 144 pages, height x width x depth: 214x181x10 mm, weight: 360 g
  • Izdošanas datums: 20-Nov-2011
  • Izdevniecība: Princeton Architectural Press
  • ISBN-10: 1616890355
  • ISBN-13: 9781616890353
Citas grāmatas par šo tēmu:
The 2008 global recession and the nearly universal awareness of significant climate change have begun to alter architectural thinking. Even though architects will continue to dream up seemingly function-free building forms for the most conspicuous consumers, mainstream architects are being asked to provide energy efficient, cost-driven forms that also delight the eye. The movement to preserve and reuse existing structures has gained momentum, and the incidence of new and old architectural juxtapositions has increased. Forward-thinking planners are advocating m ore concentrated urban density, in part to decrease inefficient use of energy for transportation. As this thinking becomes public policy, architects will be challenged to adapt historically significant buildings for new uses, often by creating additions to existing forms. Although not entirely new, architectural dilemmas concerning how new meets old will occur revealing issues that most architects w ho design new buildings have not often thought about. Historic preservationists and sustainability advocates seem to concentrate solely on single issues leading to aesthetically clumsy architecture while agency review panels and the public approval process continue to erode the integrity of building designs making the creation of truly excellent designs difficult. Reclaimed Buildings: New Meets Old explores these topics in depth, with a focus on architectural design. The book addresses the question of aesthetic sustainability given the new influences and design tools that have emerged during the first decade of the 21st century. It is written for practitioners as well as students of architecture, and includes examples and case studies of built works that have successfully wrestled with the question of how new meets old in architecture.
Foreword 7(4)
Hugh Hardy
Preface 11(4)
Chapter 1 Old Buildings
Appeal of Old Buildings
15(1)
Familiar Idioms
15(3)
The Urge to Preserve
18(2)
Buildings Have Finite Useful Lives
20(2)
Not Everything Old Is Good
22(2)
Interventions
24(3)
Chapter 2 Sustainable Urban Environments
Critical Components for Urban Sustainability
27(2)
Reuse and Repurposing of Old Buildings
29(3)
Public Policy
32(2)
Will Smart Growth Take Place?
34(1)
Sustainable Design Implications
35(2)
Aesthetic Implications
37(2)
Chapter 3 Design Propositions
The Question of Context
39(1)
Lessons from History
40(3)
Design Integrity
43(2)
Contrast
45(1)
Critical Viewpoints
46(1)
Exemplary Work
46(3)
Chapter 4 Project Execution
Stakeholders
49(2)
Expectations
51(5)
Design Difficulties
56(3)
Building in the Already-Built Environment
59(1)
Successful Execution
60(3)
Chapter 5 Case Studies
Case Study Selections
63(4)
Small Interventions
67(18)
Dovecote Studio, Haworth Tompkins
68(4)
Hutong Bubble 32, MAD Architects
72(4)
Bar Guru Bar, KLab Architects
76(2)
Ozuluama Penthouse, Architects Collective, at. 103
78(2)
II Forte di Fortezza, Markus Scherer and Walter Dietl
80(5)
Major Additions
85(34)
Knocktopher Friary, ODOS Architects
86(4)
Walden Studios, Jensen & Macy Architects
90(4)
Contemporary Jewish Museum, Studio Daniel Libeskind
94(4)
Morgan Library, Renzo Piano Building Workshop
98(4)
Moderna Museet Malmo, Tham & Videgard Arkitekter
102(4)
CaixaForum Madrid, Herzog & de Meuron
106(4)
1 Kearny Street, Office of Charles Bloszies
110(4)
Hearst Tower, Foster + Partners
114(5)
Repurposed Buildings
119(12)
Village Street Live-Work, Santos Prescott & Associates
120(4)
Selexyz Dominicanen Bookshop, Merkx + Girod Architects
124(2)
California College of the Arts, Leddy Maytum Stacy Architects, KMD Architects, Jensen & Macy Architects, David Meckel
126(5)
None of the Above
131(7)
185 Post Street, Brand + Allen Architects
132(2)
Hotel Fouquet's Barriere, Edouard Francois
134(2)
Recycled Batteries, Office of Charles Bloszies
136(2)
Afterword 138(2)
Notes 140(3)
Acknowledgments 143
Charles Bloszies is both teacher and practitioner with many years of experience in architectural transformations