Exploring the experiments in individual and national self-consciousness conducted during the Romantic period, this essential comparative study of European literature, philosophy and politics makes original and often surprising connections and contrasts to reveal how personal and social identities were re-orientated and disorientated from the French Revolution onwards. Reviving a contested moment in the history of aesthetic theory, this study shows how the growing awareness of irresolution in Kant's third Kritik allowed Romantic writers to put the aesthetic to radical uses not envisaged by its parent philosophy. It also recounts how they would go on to force philosophy to revise received notions of authority, empowering women and subordinated ethnic groups to re-orientate existing hierarchies. The sheer range and variety of writers covered is testament both to the breadth of writing that Kant's philosophy so rashly legitimated and to the wider importance of philosophy to the understanding of Romantic literature.
Exploring the Romantic period's experiments in individual and national self-consciousness, this essential comparative study of European literature, philosophy and politics makes striking connections and contrasts to reveal identities being re-orientated and disorientated in response to historical change from the French Revolution onwards.
Recenzijas
'Orientation in European Romanticism lends itself to specialists and nonspecialists alike if one has the grit and raw passion for further exploration of European Romanticism and its continued aesthetic influence. This is indeed a worthy, if challenging, addition to the current critical literature on European Romanticism and aesthetics in general.' Wayne Deakin, European Romantic Review
Papildus informācija
This book frames Romanticism as the epicentre of modern Europe's fascination with orientation and disorientation in literature and politics.
Part I. Disorientating Kant:
1. Introduction: sublimity and abjection;
2. Kleist and the Kant-crisis;
3. Hölderlin and the philosophers; Part II.
The Uses of Abjection:
4. The feminist humanism of Felicia Hemans: the
poetics of Records of Woman (1828);
5. Thomas Moore and the national lyric;
6. Ugo Foscolo's literary hypocrisy; Part III. Optimism and Pessimism:
7.
Balzac's comic pessimism;
8. George Sand's optimism; Part IV. Romancing the
Modern:
9. Retrospect: Rilke translates Leopardi.
Paul Hamilton is Professor of English at Queen Mary University of London. He has been Visiting Fellow at Ludwig Maximilian University of Munich and Visiting Professor at La Sapienza University of Rome. His book Metaromanticism: Aesthetics, Literature, Theory (2003) won the Jean-Pierre Barricelli book prize. His most recent books are, as editor, The Oxford handbook of European Romanticism (2016) and, as author, Realpoetik: European Romanticism and Literary Politics (2013).
