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Through his radio and film works, such as The War of the Worlds and Citizen Kane, Orson Welles became a household name in the United States. Yet Welless multifaceted career went beyond these classic titles and included lesser-known but nonetheless important contributions to television, theater, newspaper columns, and political activism. Orson Welles in Focus: Texts and Contexts examines neglected areas of Welless work, shedding light on aspects of his art that have been eclipsed by a narrow focus on his films. By positioning Welless work during a critical period of his activity (the mid-1930s through the 1950s) in its larger cultural, political, aesthetic, and industrial contexts, the contributors to this volume examine how he participated in and helped to shape modern media. This exploration of Welles in his totality illuminates and expands our perception of his contributions that continue to resonate today.
Recenzijas
"This is a fascinating collection, several of the contributions making the reader wish for more."Film International "Anyone who thinks they know Welles will have their eyes opened [ by this book]."Paul Heyer, author of The Medium and the Magician: Orson Welles, the Radio Years
Foreword
vii
James Naremore
Acknowledgments
xi
Introduction: The Totality of Orson Welles
1
(10)
Sidney Gottlieb
James N. Gilmore
1 The Death of the Auteur: Orson Welles, Asadata Dafora, and the 1936 Macbeth
11
(23)
Marguerite Rippy
2 Revisiting "War of the Worlds": First-Person Narration in Golden Age Radio Drama
34
(18)
Shawn VanCour
3 Old-Time Movies: Welles and Silent Pictures
52
(28)
Matthew Solomon
4 Orson Welles's Itineraries in It's All True: From "Lived Topography" to Pan-American Transculturation
80
(31)
Catherine L. Benamou
5 Orson Welles as Journalist: The New York Post Columns
111
(20)
Sidney Gottlieb
6 Progressivism and the Struggles against Racism and Antisemitism: Welles's Correspondences in 1946
131
(19)
James N. Gilmore
7 Multimedia Magic in Around the World: Orson Welles's Film-and-Theater Hybrid
150
(26)
Vincent Longo
8 "The Worst Possible Partners for Movie Production": Orson Welles, Louis Dolivet, and the Filmorsa Years (1953--56)
176
(25)
Francois Thomas
9 Presenting Orson Welles: An Exhibition Challenge
201
(22)
Craig S. Simpson
Index
223
James N. Gilmore is Associate Instructor in the Media School at Indiana University. He is editor (with Matthias Stork) of Superhero Synergies: Comic Book Characters Go Digital. Sidney Gottlieb is Professor of Media Studies at Sacred Heart University. He is the editor of Hitchcock on Hitchcock: Selected Writings and Interviews and (with Richard Allen) the Hitchcock Annual.