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E-grāmata: Otherness and Pathology: The Fragmented Self and Madness in Contemporary African Fiction

  • Formāts: 160 pages
  • Izdošanas datums: 24-Dec-2021
  • Izdevniecība: Mwanaka Media and Publishing
  • Valoda: eng
  • ISBN-13: 9781779272645
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  • Formāts: 160 pages
  • Izdošanas datums: 24-Dec-2021
  • Izdevniecība: Mwanaka Media and Publishing
  • Valoda: eng
  • ISBN-13: 9781779272645
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Scholars have problematized otherness and madness in diverse ways. There are those who hold that otherness is madness in itself of which leading voices are Michel Foucault and Gregory Reid. Other scholars contradict these voices and single out madness as a clinical condition that arises from strands of othering such as political, gender, class, age and racial. Frantz Fanon is the leading voice of this school of thought that demonstrates how othering destroys the psyche of the marginalised groups. This book extends Fanon's thesis with regard to madness in selected works of African fiction. Whereas Fanon stops at conceptualisation of the nexus between othering and madness, in this book, the authors incorporate the fragmented self, which is equally disabling.
Introduction 1(9)
1.1 Otherness and Madness: Psychological and Post-colonial Reading of Selected Works of African Fiction
6(4)
Chapter One Otherness and the fragmented Self in Contemporary African Fiction
10(41)
The Non-Self in Alex la Guma's A Walk in the Night
11(4)
Otherness and the Fragmented Selves in La Guma's A Walk in the Night
15(6)
The Non-self Self and the Mental: the Body as the Other in A Walk in the Night
21(4)
Conclusion
25(1)
1.2 The Shattered Self and Wanner's London, Cape Town, Joburg
26(12)
Suicide and the Fragmented Self and Farah's Close Sesame
38(4)
Annihilation of the other Self: Suicide and the Detestable "other" in Self
42(8)
Conclusion
50(1)
Chapter Two Fragmented Natures in Selected works of African Drama
51(33)
Introduction
51(1)
Othering and the Fragmented Self in John Ruganda's Shreds of Tenderness
52(1)
Otherness and the Fragmented characters in Shreds of Tenderness
53(6)
Political Otherness and the Fragmented Self: Shattered and Multiple Selves
59(8)
Othering and the Fragmented Self: Ideological Relegation and Pathology in David Mulwa's Inheritance
67(2)
Age Othering and Pathology: Fragmented Antagonist in Mulwa's Inheritance
69(7)
Political Othering and the Shattered Self: Disorders of the Self at the Marginal Space
76(7)
Conclusion
83(1)
Chapter Three Otherness and Madness in African Fiction
84(46)
Introduction
84(2)
Gender Othering and Schizophrenia in Farah's Gifts and El Saadawi's God Dies by the Nile
86(3)
Gender Othering and Pathology: multiple Selves and Madness in Gifts and God Dies by the Nile
89(10)
Conclusion
99(1)
Madness and the Other in Farah's Close Sesame and Matar's The Return
100(4)
3.3 Political Otherness and Psychopathy in Close Sesame and The Return
104(18)
3.4 Racial Otherness and Pathology in The Return and Close Sesame
122(7)
Conclusion
129(1)
Chapter Four Otherness and Madness in African Drama
130(15)
Introduction
130(1)
Political Otherness and Psychopathy in Three Works of Drama
131(1)
Othering Conditions and Pathology: Schizophrenic Characters in the Three Selected Plays
132(12)
Conclusion
144(1)
Chapter Five Summary and Conclusions
145(3)
Works Cited 148