Atjaunināt sīkdatņu piekrišanu

Oxford Handbook of Dance and Reenactment [Mīkstie vāki]

Edited by (Professor of Dance, University of California-Santa Cruz)
  • Formāts: Paperback / softback, 680 pages, height x width x depth: 241x168x38 mm, weight: 1134 g, 4 line art; 54 halftones
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 22-Sep-2020
  • Izdevniecība: Oxford University Press Inc
  • ISBN-10: 0197533892
  • ISBN-13: 9780197533895
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 47,61 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Standarta cena: 56,01 €
  • Ietaupiet 15%
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Paperback / softback, 680 pages, height x width x depth: 241x168x38 mm, weight: 1134 g, 4 line art; 54 halftones
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 22-Sep-2020
  • Izdevniecība: Oxford University Press Inc
  • ISBN-10: 0197533892
  • ISBN-13: 9780197533895
Citas grāmatas par šo tēmu:
The Oxford Handbook of Dance and Reenactment brings together a cross-section of artists and scholars engaged with the phenomenon of reenactment in dance from a practical and theoretical standpoint. Synthesizing myriad views on danced reenactment and the manner in which this branch of choreographic performance intersects with important cultural concerns around appropriation this Handbook addresses originality, plagiarism, historicity, and spatiality as it relates to cultural geography. Others topics treated include transmission as a heuristic device, the notion of the archive as it relates to dance and as it is frequently contrasted with embodied cultural memory, pedagogy, theory of history, reconstruction as a methodology, testimony and witnessing, theories of history as narrative and the impact of dance on modernist literature, and relations of reenactment to historical knowledge and new media.

Recenzijas

Overall, this volume provides an invaluable platform for profound engagement with a complex layering of possibilities and experiments in which documentary and remembered evidence of past dances dialogues with the reality of present-day corporeality. * Dance Research *

Acknowledgments ix
List of Contributors xi
1 Introduction: The Power Of Recall In A Post-Ephemeral Era
1(18)
Mark Franko
Part I. Phenomenology Of The Archive
2 Tracing Sense/reading Sensation: An Essay On Imprints And Other Matters
19(14)
Martin Nachbar
3 Giving Sense To The Past: Historical D(ist)ance And The Chiasmatic Interlacing Of Affect And Knowledge
33(24)
Timmy De Laet
4 Martha@...The 1963 Interview: Sonic Bodies, Seizures, And Spells
57(22)
Richard Move
Part II. Historical Fiction And Historical Fact
5 Reenactment, Dance Identity, And Historical Fictions
79(22)
Anna Fakes
6 Bound And Unbound: Reconstructing Merce Cunningham's Crises
101(42)
Carrie Noland
7 The Motion Of Memory, The Question Of History: Recreating Rudolf Laban's Choreographic Legacy
143(22)
Susanne Franco
Part III. Proleptic Iteration
8 To The Letter: Lettrism, Dance, Reenactment
165(12)
Frederic Pouillaude
9 Letters To Lila And Dramaturg's Notes On Future Memory: Inheriting Dance's Alternative Histories
177(38)
Kate Elswit
With Letters By Rani Nair
Part IV. Investigative Reenactment: Transmission As Heuristic Device
10 (Re)enacting Thinking In Movement
215(14)
Maaike Bleeker
11 . Not Made By Hand, Or Arm, Or Leg: The Acheiropoietics Of Performance
229(18)
Branislav Jakovljevic
12 Pedagogic In(ter)ventions: On The Potential Of (Re)enacting Yvonne Rainer's Continuous Project/Altered Daily In A Dance Education Context
247(22)
Yvonne Hardt
Part V. Enacting Testimony/performing Cultural Memory/spectatorship As Practice
13 What Remains Of The Witness? Testimony As Epistemological Category: Schlepping The Trace
269(16)
Susanne Foellmer
14 Baroque Relations: Performing Silver And Gold In Daniel Rabel's Ballets Of The Americas
285(26)
V.K. Preston
15 Reenacting Kaisika Natakam: Ritual Dance-Theater Of India
311(16)
Ketu H. Katrak
Anita Ratnam
16 Gloriously Inept And Satisfyingly True: Reenactment And The Practice Of Spectating
327(12)
P.A. Skantze
Part VI. The Politics Of Reenactment
17 Blasting Out Of The Past: The Politics Of History And Memory In Janez Janga's Reconstructions
339(16)
Ramsay Burt
18 Reenactment As Racialized Scandal
355(20)
Anthea Kraut
19 Reenacting Modernist Time: William Kentridge's The Refusal Of Time
375(24)
Christel Stalpaert
Part VII. Redistributions Of Time In Geography, Architecture, And Modernist Narrative
20 Quito-Brussels: A Dancer's Cultural Geography
399(14)
Fabian Barba
21 Dance And The Distributed Body: Odissi And Mahari Performance
413(36)
Anurima Banerji
22 Choreographic Re-Embodiment Between Text And Dance
449(22)
Susan Jones
Part VIII. Epistemologies Of Inter-Temporality
23 Affect, Technique, And Discourse-being Actively Passive In The Face Of History: Reconstruction Of Reconstruction
471(16)
Gerald Siegmund
24 Epilogue To An Epilogue: Historicizing The Re- In Danced Reenactment
487(18)
Mark Franko
25 The Time Of Reenactment In Basse Danse And Bassadanza
505(20)
Seeta Chaganti
26 Time Layers, Time Leaps, Time Loss: Methodologies Of Dance Historiography
525(10)
Christina Thurner
Part IX. Reenactment In/as Global Knowledge Circulation
27 (In)distinct Positions: The Politics Of Theorizing Choreography
535(14)
Jens Richard Giersdorf
28 Scenes Of Reenactment/logics Of Derivation In Dance
549(22)
Randy Martin
29 A Proposition For Reenactment: Disco Angola By Stan Douglas
571(16)
Catherine M. Soussloff
30 Dance In Search Of Its Own History: On The Contemporary Circulation Of Past Knowledge
587(20)
Sabine Huschka
Afterword: Notes After The Fact 607(14)
Lucia Ruprecht
Index 621
Mark Franko, Laura H. Carnell Professor of Dance and Chair of Dance, Boyer College of Music and Dance (Temple University), has published six books: Martha Graham in Love and War: the Life in the Work; Excursion for Miracles: Paul Sanasardo, Donya Feuer, and Studio for Dance; The Work of Dance: Labor, Movement, and Identity in the 1930s; Dancing Modernism/Performing Politics; Dance as Text: Ideologies of the Baroque Body; The Dancing Body in Renaissance Choreography. Franko was editor of Dance Research Journal, edited Ritual and Event: Interdisciplinary Perspectives, co-editor of Acting on the Past: Historical Performance Across the Disciplines; and, founding editor of the Oxford Studies in Dance Theory book series. He is recipient of the 2011 Outstanding Scholarly Research in Dance Award from the Congress in Research in Dance. Choreograping Discourses: A Mark Franko Reader (edited with Alessandra Nicifero) is forthcoing at Routledge.