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E-grāmata: Oxford Handbook of Egyptian Epigraphy and Palaeography

Edited by , Edited by (Research Director FNRS and Associate Professor, University of Liége)
  • Formāts: 896 pages
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 28-Feb-2020
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190604660
  • Formāts - PDF+DRM
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  • Formāts: 896 pages
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 28-Feb-2020
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190604660

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The unique relationship between word and image in ancient Egypt is a defining feature of that ancient culture's records. All hieroglyphic texts are composed of images, and large-scale figural imagery in temples and tombs is often accompanied by texts. Epigraphy and palaeography are two distinct, but closely related, ways of recording, analyzing, and interpreting texts and images. This Handbook stresses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. It offers readers three key things: a diachronic perspective, covering all ancient Egyptian scripts from prehistoric Egypt through the Coptic era (fourth millennium BCE-first half of first millennium CE), a look at recording techniques that considers the past, present, and future, and a focus on the experiences of colleagues. The diachronic perspective illustrates the range of techniques used to record different phases of writing in different media. The consideration of past, present, and future techniques allows readers to understand and assess why epigraphy and palaeography is or was done in a particular manner by linking the aims of a particular effort with the technique chosen to reach those aims. The choice of techniques is a matter of goals and the records' work circumstances, an inevitable consequence of epigraphy being a double projection: geometrical, transcribing in two dimensions an object that exists physically in three; and mental, an interpretation, with an inevitable selection among the object's defining characteristics. The experiences of colleagues provide a range of perspectives and opinions about issues such as techniques of recording, challenges faced in the field, and ways of reading and interpreting text and image. These accounts are interesting and instructive stories of innovation in the face of scientific conundrum.

Recenzijas

Recommended. * M.W. Handis, Graduate School and University Center, CUNY, CHOICE * ...this is a detailed, reliable and up-to-date account of practices used by those working with the copying of texts in Egyptology today, and is likely to become a standard work for some time to come. * Campbell Price, Ancient Egypt *

Acknowledgments xi
List of Contributors
xiii
Introduction 1(12)
Vanessa Davies
Dimitri Laboury
I CULTURAL AND MATERIAL SETTING
1 Form, Layout, and Specific Potentialities of the Ancient Egyptian Hieroglyphic Script
13(18)
Pascal Vernus
2 The Content of Egyptian Wall Decoration
31(13)
Niv Allon
3 The Egyptian Theory of Monumental Writing as Related to Permanence or Endurance
44(15)
Boyo G. Ockinga
4 The Historical Record
59(12)
Peter J. Brand
5 Egyptian Epigraphic Genres and Their Relation with Nonepigraphic Ones
71(14)
Julie Stauder-Porchet
Andreas Stauder
6 Designers and Makers of Ancient Egyptian Monumental Epigraphy
85(17)
Dimitri Laboury
7 Audiences
102(13)
Hana Navratilova
8 The Materials, Tools, and Work of Carving and Painting
115(14)
Denys Allen Stocks
9 Recording Epigraphic Sources as Part of Artworks
129(18)
Gabriele Pieke
II HISTORICAL EFFORTS AT EPIGRAPHY
1 When Ancient Egyptians Copied Egyptian Work
147(16)
Tamas A. Bacs
2 When Classical Authors Encountered Egyptian Epigraphy
163(13)
Jean Winand
3 Interpretations and Reuse of Ancient Egyptian Hieroglyphs in the Arabic Period (Tenth-Sixteenth Centuries ce)
176(17)
Annette Sundermeyer
4 The Reception of Ancient Egypt and Its Script in Renaissance Europe
193(12)
Lucie Jiraskova
5 The Epigraphy of Egyptian Monuments in the Description de I'Egypte
205(10)
Eric Gady
6 The Rosetta Stone, Copying an Ancient Copy
215(14)
Ilona Regulski
7 The Epigraphic Work of Early Egyptologists and Travelers to Egypt
229(14)
Lise Manniche
8 Karl Richard Lepsius and the Royal Prussian Expedition to Egypt (1842--1845/6)
243(14)
Christian E. Loeben
9 Nineteenth-Century Foundations of Modern Epigraphy
257(14)
Virginia L. Emery
10 Late Nineteenth- and Early Twentieth-Century Scientific Developments in Epigraphy
271(16)
Vanessa Davies
III TRADITIONAL AND NEW TECHNIQUES OF EPIGRAPHY
1 How to Publish an Egyptian Temple?
287(17)
Claude Traunecker
2 Epigraphic Techniques Used by the Edfu Project
304(12)
Dieter Kurth
3 The So-Called Karnak Method
316(13)
Christophe Thiers
4 The Chicago House Method
329(14)
J. Brett McClain
5 Typical, Atypical, and Downright Strange Epigraphic Techniques
343(13)
William Schenck
6 Online Publication of Monuments
356(14)
Willeke Wendrich
7 Tradition and Innovation in Digital Epigraphy
370(17)
Krisztian Vertes
8 3D Scanning, Photogrammetry, and Photo Rectification of Columns in the Karnak Hypostyle Hall
387(18)
Jean Revez
9 An Assessment of Digital Epigraphy and Related Technologies
405(15)
Peter Der Manuelian
10 Practical Issues Concerning Epigraphic Work in Tombs and Temples
420(14)
Hanane Gaber
11 Graffiti
434(14)
Chiara Salvador
12 Practical Issues with the Epigraphic Restoration of a Biographical Inscription in the Tomb of Djehuty (TT 11), Dra Abu el-Naga
448(16)
Andres Diego Espinel
13 Palaeographic Interpretation in the Wake of a Logic of Writing-Imagery as Applied to the Formative Phase of Writing in the Pre- and Early Dynastic Periods
464(15)
Ludwig Morenz
14 Reading, Editing, and Appreciating the Texts of Greco-Roman Temples
479(13)
Laure Pantalacci
15 History of Recording Demotic Epigraphy
492(16)
Jan Moje
16 Aspects of the Relationships between the Community of Sheikh Abd al-Qurna and Ancient Egyptian Monuments
508(17)
Andrew Bednarski
Gemma Tully
IV ISSUES IN PALAEOGRAPHY
1 The Significance of Medium in Palaeographic Study
525(11)
Dimitri Meeks
2 Hieroglyphic Palaeography
536(14)
Frederic Servajean
3 Methods, Tools, and Perspectives of Hieratic Palaeography
550(16)
Stephane Polis
4 Carved Hybrid Script
566(12)
Mohamed Sherif Ali
5 Cursive Hieroglyphs in the Book of the Dead
578(12)
Rita Lucarelli
6 Some Issues in and Perhaps a New Methodology for Abnormal Hieratic
590(15)
Koenraad Donker van Heel
7 Demotic Palaeography
605(13)
Joachim Quack
Jannik Korte
Fabian Wespi
Claudia Maderna-Sieben
8 Issues and Methodologies in Coptic Palaeography
618(16)
Anne Boud'hors
9 Digital Palaeography of Hieratic
634(13)
Svenja A. Gulden
Celia Krause
Ursula Verhoeven
10 Hieratic Palaeography in Literary and Documentary Texts from Deir el-Medina
647(16)
Hans-Werner Fischer-Elfert
Index 663
Vanessa Davies, Ph.D., is an Egyptologist. She has published on the interplay of ancient Egyptian text and art, epigraphy, and the palaeography of hieroglyphs.

Dimitri Laboury, Ph.D., is Research Director of the FNRS and Associate Professor at the University of Ličge, Belgium. As an Egyptologist, he specializes in the study of ancient Egyptian art and artists.