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E-grāmata: Oxford Handbook of the Eighteenth-century Novel [Oxford Handbooks Online E-books]

Edited by (Professor of English, Goldsmiths, University of London)
  • Formāts: 620 pages
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 01-Oct-2014
  • Izdevniecība: Oxford University Press
  • ISBN-13: 9780191749674
  • Oxford Handbooks Online E-books
  • Cena pašlaik nav zināma
  • Formāts: 620 pages
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 01-Oct-2014
  • Izdevniecība: Oxford University Press
  • ISBN-13: 9780191749674
Although the emergence of the English novel is generally regarded as an eighteenth-century phenomenon, this is the first book to be published professing to cover the 'eighteenth-century English novel' in its entirety. This Handbook surveys the development of the English novel during the 'long' eighteenth century-in other words, from the later seventeenth century right through to the first three decades of the nineteenth century when, with the publication of the novels of Jane Austen and Walter Scott, 'the novel' finally gained critical acceptance and assumed the position of cultural hegemony it enjoyed for over a century. By situating the novels of the period which are still read today against the background of the hundreds published between 1660 and 1830, this Handbook not only covers those 'masters and mistresses' of early prose fiction-such as Defoe, Richardson, Fielding, Sterne, Burney, Scott and Austen-who are still acknowledged to be seminal figures in the emergence and development of the English novel, but also the significant number of recently-rediscovered novelists who were popular in their own day. At the same time, its comprehensive coverage of cultural contexts not considered by any existing study, but which are central to the emergence of the novel, such as the book trade and the mechanics of book production, copyright and censorship, the growth of the reading public, the economics of culture both in London and in the provinces, and the re-printing of popular fiction after 1774, offers unique insight into the making of the English novel.
List of Illustrations
ix
List of Contributors
xi
Prologue xvii
PART I 1660--1770: FROM `NOVELS' TO WHAT IS NOT YET `THE NOVEL'
The Economics of Culture, 1660--1770
1 The Book Trade at the Turn of the Eighteenth Century
5(17)
Peter Hinds
2 Business of Fiction: Novel Publishing, 1695--1774
22(17)
Michael F. Suarez
3 Social Structure, Class, and Gender, 1660--1770
39(16)
Pat Rogers
4 Making Publics and Making Novels: Post-Habermasian Perspectives
55(18)
Brian Cowan
Influences on the Early English Novel
5 The Continental Influence on the Eighteenth-Century Novel: `The English Improve What Others Invent'
73(15)
Walter L. Reed
6 Criss-Crossing the Channel: The French Novel and English Translation
88(17)
Gillian Dow
7 Religious Writings and the Early Novel
105(16)
W. R. Owens
8 Travel Literature and the Early Novel
121(16)
Cynthia Wall
9 Secret History, Politics, and the Early Novel
137(18)
Rebecca Bullard
Early `Novels' and Novelists
10 Restoration Fiction
155(17)
Thomas Keymer
11 Testing the Market: Robinson Crusoe and After
172(15)
David Oakleaf
12 Gulliver Effects
187(18)
Clement Hawes
13 `Labours of the Press': The Response to Pamela
205(16)
Peter Sabor
14 Samuel Richardson and the Epistolary Novel
221(16)
John Dussinger
15 Henry Fielding and the Progress of Romance
237(15)
Scott Black
16 Novels of the 1750s
252(12)
Simon Dickie
17 Sterne's Fiction and the Mid-Century Novel: The `Vast Empire of Biographical Freebooters' and the `Crying Volume'
264(27)
Tim Parnell
Epilogue: The English Novel at the End of the 1760s
282(9)
J. A. Downie
PART II 1770--1832: THE MAKING OF THE ENGLISH NOVEL
Literary Production, 1770--1832
18 The Book Trade, 1770--1832
291(17)
John Feather
19 The Rise of the Illustrated English Novel to 1832
308(31)
Robert Folkenflik
Authors, Readers, Reviewers, and Critics, 1770--1832
20 Social Structure, Class, and Gender, 1770--1832
339(16)
W. A. Speck
21 `Male' and `Female' Novels? Gendered Fictions and the Reading Public, 1770--1832
355(17)
Barbara M. Benedict
22 Reviewing the Novel
372(16)
Antonia Forster
23 `Ordering' Novels: Describing Prose Fiction, 1770--1832
388(21)
Peter Garside
Novels and Novelists, 1770--1832
24 The Rise and Decline of the Epistolary Novel, 1770--1832
409(17)
Ros Ballaster
25 Developments in Sentimental Fiction
426(14)
Geoffrey Sill
26 Philosophical Fictions and `Jacobin' Novels in the 1790s
440(17)
Deidre Shauna Lynch
27 The Anti-Jacobin Novel
457(15)
M. O. Grenby
28 The Gothic Novel and the Lingering Appeal of Romance
472(17)
David H. Richter
29 Novel and Empire
489(16)
Markman Ellis
30 The Popular Novel, 1790--1820
505(16)
Gary Kelly
31 The Evangelical Novel
521(15)
Lisa Wood
32 `Pictures of Domestic Life in Country Villages': Jane Austen and the `Realist' Novel
536(15)
Jan Fergus
33 Authorizing the Novel: Walter Scott's Historical Fiction
551(16)
Ina Ferris
34 Parody and Satire in the Novel, 1770--1832
567(20)
Gary Dyer
Epilogue: The English Novel at the End of the 1820s
582(5)
J. A. Downie
Index 587
J. A. Downie is Professor of English at Goldsmiths, University of London, where he was formerly Dean of the Faculty of Arts and Pro-Warden (Academic). The author of five monographs, he has also edited three collections of essays, as well as editions of Defoe's political and social writings for Pickering & Chatto's The Complete Works of Daniel Defoe. For many years he was the editor of the section of The Scriblerian devoted to Defoe and the Early Novelists. His most recent book is A Political Biography of Henry Fielding.