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E-grāmata: Oxford Handbook of English Prose 1500-1640

Edited by (Professor of English, University of Sussex)
  • Formāts: PDF+DRM
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 04-Jul-2013
  • Izdevniecība: Oxford University Press
  • Valoda: eng
  • ISBN-13: 9780191655067
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  • Formāts: PDF+DRM
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 04-Jul-2013
  • Izdevniecība: Oxford University Press
  • Valoda: eng
  • ISBN-13: 9780191655067

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The Oxford Handbook of English Prose1500-1640 is the only current overview of early modern English prose writing. The aim of the volume is to make prose more visible as a subject and as a mode of writing. It covers a vast range of material vital for the understanding of the period: from jestbooks, newsbooks, and popular romance to the translation of the classics and the pioneering collections of scientific writing and travel writing; from diaries, tracts on witchcraft, and domestic conduct books to rhetorical treatises designed for a courtly audience; from little known works such as William Baldwin's Beware the Cat, probably the first novel in English, to The Bible, The Book of Common Prayer and Richard Hooker's eloquent statement of Anglican belief, The Laws of Ecclesiastical Polity. The work not only deals with the range and variety of the substance and types of English prose, but also analyses the forms and styles of writing adopted in the early modern period, ranging from the Euphuistic nature of prose fiction inaugurated by John Lyly's mannered novel, to the aggressive polemic of the Marprelate controversy; from the scatological humour of comic writing to the careful modulations of the most significant sermons of the age; and from the pithy and concise English essays of Francis Bacon to the ornate and meandering style of John Florio's translation of Montaigne's famous collection. Each essay provides an overview as well as comment on key passages, and a select guide to further reading.

Recenzijas

Fascinating ... Across a multitude of genres - romances, sermons, domestic manuals, news pamphlets, jest books, and a plethora of othersācontributors chart the tensions between theory and practice, private reading and public performance, ephemera and established traditions. Beyond the sections on genres, there are essays for individual authors, including Gascoigne, Robert Greene, Lyly, and Thomas Nashe, as well as Sidney and Wroth ... By gathering such a distinguished and talented group, Hadfield has shown how much more we could do, as a collective field, as prose returns to the fore. * Studies in English Literature * This volume presents a landmark contribution to our understanding of early modern prose and its multitude of themes, subjects and authors ... a scholarly triumph. * Patrick J. Murray, Journal of the Northern Renaissance * This is a sturdy tome, expansive and comprehensive given the period it covers is one of no little interest. There is a 46 page bibliography as befits the width of the subject matter and a twelve page index. Without doubt an academic tome, it will sit well on any academic, public or specialist library's shelves and should be expected to meet a good cross-section of borrowers' needs. * Stuart Bentley, Reference Reviews * a most useful addition to the Oxford Handbooks series * The Year's Work in English Studies *

List of Figures
xi
List of Abbreviations
xii
List of Contributors
xiii
Introduction 1(8)
Andrew Hadfield
PART I TRANSLATION, EDUCATION, AND LITERARY CRITICISM
1 Englishing Eloquence: Sixteenth-Century Arts of Rhetoric and Poetics
9(18)
Catherine Nicholson
2 All Talk and No Action? Early Modern Political Dialogue
27(16)
Cathy Shrank
3 Commonplacing and Prose Writing: William Baldwin and Robert Burton
43(16)
Jennifer Richards
4 Romance: Amadis de Gaule and John Barclay's Argenis
59(18)
Helen Moore
5 Montaigne and Florio
77(14)
Peter Mack
6 Italianate Tales: William Painter and George Pettie
91(15)
Neil Rhodes
7 Classical Translation
106(15)
Gordon Braden
8 Lazarillo de Tormes and the Picaresque in Early Modern England
121(18)
Alexander Samson
PART I PROSE FICTION
9 William Baldwin's Beware the Cat and Other Foolish Writing
139(17)
Thomas Betteridge
10 The Adventures Passed by Master George Gascoigne: Experiments in Prose
156(16)
Gillian Austen
11 `Turne Your Library to a Wardrope': John Lyly and Euphuism
172(16)
Katharine Wilson
12 Robert Greene
188(16)
R. W. Maslen
13 Nashe's Stuff
204(15)
Jason Scott-Warren
14 Sir Philip Sidney's Arcadia
219(16)
Gavin Alexander
15 Topicality in Mary Wroth's Countess of Montgomery's Urania: Prose Romance, Masque, and Lyric
235(18)
Mary Ellen Lamb
PART II VARIETIES OF EARLY MODERN PROSE 1: PUBLIC PROSE
16 Utopia and Utopianism
253(15)
Robert Appelbaum
17 English Scientific Prose: Bacon, Browne, Boyle
268(24)
Claire Preston
18 Richard Hakluyt
292(18)
Nandini Das
19 Raphael Holinshed and Historical Writing
310(16)
Bart Van Es
20 Astrology, Magic, and Witchcraft
326(17)
P. G. Maxwell-Stuart
21 Jest Books
343(17)
Ian Munro
Anne Lake Prescott
22 Political Prose
360(20)
Nicholas Mcdowell
23 Modes of Satire
380(16)
Dermot Cavanagh
24 News Writing
396(21)
Joad Raymond
PART I VARIETIES OF EARLY MODERN PROSE 2: PRIVATE PROSE
25 Letters
417(17)
Alan Stewart
26 Diaries
434(18)
Adam Smyth
27 Life Writing
452(16)
Danielle Clarke
28 Essays
468(16)
Paul Salzman
29 Domestic Manuals and the Power of Prose
484(21)
Catherine Richardson
PART V RELIGIOUS PROSE
30 Immethodical, Incoherent, Unadorned: Style and the Early Modern Bible
505(17)
Kevin Killeen
31 The Style of Authorship in John Foxe's Acts and Monuments
522(22)
Thomas S. Freeman
Susannah Brietz Monta
32 The Marprelate Controversy
544(16)
Joseph L. Black
33 Sermons
560(16)
Peter Mccullough
34 The Book of Common Prayer
576(16)
Daniel Swift
35 Richard Hooker's Of the Lawes of Ecclesiasticall Politie
592(19)
Rudolph P. Almasy
PART V MAJOR PROSE WRITERS
36 Gabriel Harvey
611(20)
H. R. Woudhuysen
37 John Knox, George Buchanan, and Scots Prose
631(15)
Caroline Erskine
38 Robert Burton and The Anatomy of Melancholy
646(23)
Angus Gowland
39 `When all things shall confesse their ashes': Science and Soul in Thomas Browne
669(17)
Kevin Killeen
Bibliography 686(47)
Index 733
Andrew Hadfield is Professor of English at the University of Sussex and visiting Professor at the University of Granada. He is the author of a number of works on early modern literature, including Shakespeare and Republicanism (Cambridge University Press, 2005); Literature, Travel and Colonialism in the English Renaissance, 1540-1625 (Oxford University Press, 1998); Sand Literature, Politics and National Identity: Reformation to Renaissance (Cambridge, 1994). He has also edited, with Matthew Dimmock, Religions of the Book: Co-existence and Conflict, 1400-1660 (Palgrave, 2008); with Raymond Gillespie, The Oxford History of the Irish Book, Vol. III: The Irish Book in English, 1550-1800 (Oxford, 2006); with Paul Hammond, Shakespeare and Renaissance Europe (Cengage, Arden Critical Companions, 2004); and Literature and Censorship in Renaissance England (Palgrave, 2001). He is a regular reviewer for The Times Literary Supplement.