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E-grāmata: Oxford Handbook of Modern Irish Poetry

Edited by (Lecturer in English, University of Edinburgh), Edited by (Reader in English, Queen's University Belfast)
  • Formāts: EPUB+DRM
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 25-Oct-2012
  • Izdevniecība: Oxford University Press
  • Valoda: eng
  • ISBN-13: 9780191636752
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  • Formāts: EPUB+DRM
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 25-Oct-2012
  • Izdevniecība: Oxford University Press
  • Valoda: eng
  • ISBN-13: 9780191636752

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Forty chapters, written by leading scholars across the world, describe the latest thinking on modern Irish poetry. The Handbook begins with a consideration of Yeats's early work, and the legacy of the 19th century. The broadly chronological areas which follow, covering the period from the 1910s through to the 21st century, allow scope for coverage of key poetic voices in Ireland in their historical and political context. From the experimentalism of Beckett, MacGreevy, and others of the modernist generation, to the refashioning of Yeats's Ireland on the part of poets such as MacNeice, Kavanagh, and Clarke mid-century, through to the controversially titled post-1969 'Northern Renaissance' of poetry, this volume will provide extensive coverage of the key movements of the modern period.

The Handbook covers the work of, among others, Paul Durcan, Thomas Kinsella, Brendan Kennelly, Seamus Heaney, Paul Muldoon, Michael Longley, Medbh McGuckian, and Ciaran Carson. The thematic sections interspersed throughout - chapters on women's poetry, religion, translation, painting, music, stylistics - allow for comparative studies of poets north and south across the century. Central to the guiding spirit of this project is the Handbook's consideration of poetic forms, and a number of essays explore the generic diversity of poetry in Ireland, its various manipulations, reinventions and sometimes repudiations of traditional forms. The last essays in the book examine the work of a 'new' generation of poets from Ireland, concentrating on work published in the last two decades by Justin Quinn, Leontia Flynn, Sinead Morrissey, David Wheatley, Vona Groarke, and others.

Recenzijas

As a whole, the work offers many astute analyses of poetic form, providing a rich understanding of literary movements in 20th-century Irish poetry... Essential. * C. E. Epple, Choice *

List of Contributors
xv
PART I POETRY AND THE REVIVAL
1 Recovering Ancient Ireland
3(17)
Matthew Campbell
2 Yeats and Symbolism
20(22)
Warwick Gould
3 Yeats, Clarke, and the Irish Poet's Relationship with English
42(19)
Michael O'Neill
PART II THE POETRY OF WAR
4 `The Roses are Torn': Ireland's War Poets
61(18)
Jim Haughey
5 `Pledged to Ireland': The Poets and Poems of Easter 1916
79(16)
Gerald Dawe
6 W. B. Yeats: Poetry and Violence
95(18)
Edna Longley
PART III MODERNISM AND TRADITIONALISM
7 Yeats, Eliot, and the Idea of Tradition
113(17)
Edward Larrissy
8 Irish Poetic Modernism: Portrait of the Artist in Exile
130(15)
Susan Schreibman
9 Samuel Beckett: Exile and Experiment
145(16)
David Wheatley
10 Voice and Voiceprints: Joyce and Recent Irish Poetry
161(20)
Dillon Johnston
PART IV MID-CENTURY IRISH POETRY
11 Patrick Kavanagh's `Potentialities'
181(15)
Kit Fryatt
12 MacNeice Among His Irish Contemporaries: 1939 and 1945
196(14)
Tom Walker
13 The Poetics of Partition: Poetry and Northern Ireland in the 1940s
210(15)
Richard Kirkland
14 Disturbing Irish Poetry: Kinsella and Clarke, 1951-1962
225(15)
John McAuliffe
15 Memory and Starlight in Late MacNeice
240(11)
Jonathan Allison
PART V POETRY AND THE ARTS
16 Modern Irish Poetry and the Visual Arts: Yeats to Heaney
251(15)
Neil Corcoran
17 Poetry, Music, and Reproduced Sound
266(16)
Damien Keane
18 `Private Relations': Selves, Poems, and Paintings---Durcan to Morrissey
282(15)
Rui Carvalho Homem
19 Contemporary Northern Irish Poetry and Romanticism
297(14)
Peter Mackay
PART VI ON THE BORDERS: A FURTHER LOOK AT THE LANGUAGE QUESTION
20 `Ghosts of metrical procedures': Translations from the Irish
311(17)
Aodan MacPoilin
21 Translation as Collaboration: Ni Dhomhnaill and Muldoon
328(13)
Eric Falci
22 Incoming: Irish Poetry and Translation
341(14)
Justin Quinn
23 A Stylistic Analysis of Modern Irish Poetry
355(18)
Paul Simpson
PART VII POETRY AND POLITICS: THE 1970s AND 1980s
24 Befitting Emblems: The Early 1970s
373(14)
Heather Clark
25 `Neurosis of Sand': Authority, Memory, and the Hunger Strike
387(16)
Shane Alcobia-Murphy
26 Engagements with the Public Sphere in the Poetry of Paul Durcan and Brendan Kennelly
403(16)
John Redmond
27 Domestic Violences: Medbh McGuckian and Irish Women's Writing in the 1980s
419(18)
Leontia Flynn
PART VIII CULTURAL LANDSCAPES
28 Catholic Art and Culture: Clarke to Heaney
437(19)
Gail McConnell
29 In Belfast
456(17)
Elmer Kennedy-Andrews
30 `Our Lost Lives': Protestantism and Northern Irish Poetry
473(19)
Peter McDonald
31 Walking Dublin: Contemporary Irish Poets in the City
492(21)
Maria Johnston
PART IX THE POET AS CRITIC
32 The Irish Poet as Critic
513(21)
Hugh Haughton
33 The Poet as Anthologist
534(14)
Steven Matthews
34 Irish Poetry and the News
548(19)
Jahan Ramazani
PART X ON POETIC FORM
35 The Modern Irish Sonnet
567(21)
Alan Gillis
36 Irish Elegy After Yeats
588(19)
Stephen Regan
37 `Repeat the changes change the repeats': Alternative Irish Poetry
607(22)
John Goodby
38 `The nothing-could-be-simpler line': Form in Contemporary Irish Poetry
629(22)
Fran Brearton
PART XI ON RECENT POETRY
39 New Irish Women Poets: The Evolution of (In)determinacy in Vona Groarke
651(17)
Catriona Clutterbuck
40 `A potted peace/lily'? Northern Irish Poetry Since the Ceasefires
668(16)
Miriam Gamble
Select Bibliography 684(13)
Index 697
Fran Brearton is Reader in English at Queen's University Belfast. Her books include The Great War in Irish Poetry(2000), Reading Michael Longley(2006), and, as co-editor, Modern Irish & Scottish Poetry (2011) and Incorrigibly Plural: Louis MacNeice and His Legacy(2012).



Alan Gillis is Lecturer in English at The University of Edinburgh, and editor of Edinburgh Review. His books include Irish Poetry of the 1930s(2005) and, as co-editor, The Edinburgh Introduction to Studying English Literature (2010), as well as three collections of poetry: Here Comes the Night(2010), Hawks and Doves (2007) and Somebody, Somewhere(2004)