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E-grāmata: Oxford Handbook of Music Education, Volume 1 [Oxford Handbooks Online E-books]

Edited by (Dean, School of Music, The University of Melbourne, Melbourne, Australia), Edited by (Chair of Music Education, Institute of Education, University of London and Deputy Dean of the Institute's Faculty of Culture and Pedagogy, London, UK)
  • Formāts: 992 pages
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 13-Sep-2012
  • Izdevniecība: Oxford University Press Inc
  • ISBN-13: 9780199971213
  • Oxford Handbooks Online E-books
  • Cena pašlaik nav zināma
  • Formāts: 992 pages
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 13-Sep-2012
  • Izdevniecība: Oxford University Press Inc
  • ISBN-13: 9780199971213
Music education takes place in many contexts, both formal and informal. Be it in a school or music studio, while making music with friends or family, or even while travelling in a car, walking through a shopping mall or watching television, our myriad sonic experiences accumulate from the earliest months of life to foster our facility for making sense of the sound worlds in which we live. The Oxford Handbook of Music Education offers a comprehensive overview of the many facets of musical experience, behavior and development in relation to this diverse variety of contexts. In this first of two volumes, an international list of contributors discuss a range of key issues and concepts associated with music learning and teaching. The volume then focuses on these processes as they take place during childhood, from infancy through adolescence and primarily in the school-age years. Exploring how children across the globe learn and make music and the skills and attributes gained when they do so, these chapters examine the means through which music educators can best meet young people's musical needs. The second volume of the set brings the exploration beyond the classroom and into later life. Whether they are used individually or in tandem, the two volumes of The Oxford Handbook of Music Education update and redefine the discipline, and show how individuals across the world learn, enjoy and share the power and uniqueness of music.
Acknowledgments v
Contributors xi
Introduction 1(4)
Part 1 Music Education And The Role Of Music In People's Lives
Gary E. McPherson
Graham F. Welch
1.1 Introduction and Commentary: Music Education and the Role of Music in People's Lives
5(16)
Graham F. Welch
Gary E. McPherson
1.2 Music's Place in Education
21(19)
Wayne Bowman
1.3 International Perspectives
40(23)
Marie McCarthy
1.4 Music Education Philosophy
63(24)
David J. Elliott
1.5 Cultural Diversity: Beyond `Songs from Every Land'
87(18)
Huib Schippers
Patricia Shehan Campbell
1.6 Some Contributions of Ethnomusicology
105(20)
Bruno Nettl
1.7 Musical Identities Mediate Musical Development
125(18)
David J. Hargreaves
Raymond MacDonald
Dorothy Miell
1.8 Supporting Motivation in Music Education
143(20)
James M. Renwick
Johnmarshall Reeve
1.9 Becoming a Music Learner: Towards a Theory of Transformative Music Engagement
163(24)
Susan A. O'Neill
1.10 Initiating Music Programs in New Contexts: In Search of a Democratic Music Education
187(18)
Graca Mota
Sergio Figueiredo
1.11 Implications of Neurosciences and Brain Research for Music Teaching and Learning
205(22)
Donald Hodges
Wilfried Gruhn
Part 2 Music Learning And Teaching In Infancy And Early Childhood
Margaret S. Barrett
2.1 Commentary: Music Learning and Teaching in Infancy and Early Childhood
227(2)
Margaret S. Barrett
2.2 Musical Lives of Infants
229(19)
Mayumi Adachi
Sandra E. Trehub
2.3 Musicality and Musical Culture: Sharing Narratives of Sound from Early Childhood
248(13)
Colwyn Trevarthen
Stephen Malloch
2.4 Music and Language in Early Childhood Development and Learning
261(18)
Lily Chen-Hafteck
Esther Mang
2.5 Musical Participation from Birth to Three: Toward a Global Perspective
279(17)
Susan Young
Beatrix Ilari
2.6 Creative Meaning-Making in Infants' and Young Children's Musical Cultures
296(21)
Margaret S. Barrett
Johannella Tafuri
Part 3 Music Learning And Teaching During Childhood: Ages 5--12
Kathryn Marsh
3.1 Commentary: Music Learning and Teaching During Childhood: Ages 5--12
317(5)
Kathryn Marsh
3.2 Children's Ways of Learning Inside and Outside the Classroom
322(19)
Eve Harwood
Kathryn Marsh
3.3 Creating in Music Learning Contexts
341(20)
Jackie Wiggins
Magne I. Espeland
3.4 Meaningful Connections in a Comprehensive Approach to the Music Curriculum
361(20)
Janet R. Barrett
Kari K. Veblen
3.5 Multiple Worlds of Childhood: Culture and the Classroom
381(18)
Chee-Hoo Lum
Kathryn Marsh
3.6 Music Education in the Generalist Classroom
399(18)
Neryl Jeanneret
George M. DeGraffenreid
3.7 Instrumental Ensemble Learning and Performance in Primary and Elementary Schools
417(20)
Sharon G. Davis
Part 4 Music Learning And Teaching During Adolescence: Ages 12--18
Oscar Odena
Gary Spruce
4.1 Commentary: Music Learning and Teaching During Adolescence: Ages 12--18
437(4)
Gary Spruce
Oscar Odena
4.2 Teaching, Learning, and Curriculum Content
441(19)
Chris Philpott
Ruth Wright
4.3 Youth Culture and Secondary Education
460(18)
Randall Everett Allsup
Heidi Westerlund
Eric Shieh
4.4 Assessment in the Secondary Music Classroom
478(17)
Martin Fautley
Richard Colwell
4.5 The Community Music Facilitator and School Music Education
495(17)
Lee Higgins
Brydie-Leigh Bartleet
4.6 Creativity in the Secondary Music Classroom
512(17)
Oscar Odena
4.7 Technology in the Lives and Schools of Adolescents
529(22)
S. Alex Ruthmann
Steven C. Dillon
Part 5 Vocal And Choral Music
John Nix
5.1 Commentary: Vocal and Choral Music
551(8)
John Nix
5.2 Solo Voice Pedagogy
559(22)
Jean Callaghan
Shirlee Emmons
Lisa Popeil
5.3 Group and Ensemble Vocal Music
581(13)
Sten Ternstrom
Harald Jers
John Nix
5.4 The Young Singer
594(16)
Ken Phillips
Jenevora Williams
Robert Edwin
5.5 The Older Singer
610(16)
Robert T. Sataloff
Jane Davidson
5.6 Voice Health and Vocal Education
626(25)
John Nix
Nelson Roy
Part 6 Instrumental Music
Susan Hallam
6.1 Commentary: Instrumental Music
651(7)
Susan Hallam
6.2 Processes of Instrumental Learning: The Development of Musical Expertise
658(19)
Susan Hallam
Alfredo Bautista
6.3 Practice
677(17)
Andreas C. Lehmann
Harald Jørgensen
6.4 The Changing Face of Individual Instrumental Tuition: Value, Purpose and Potential
694(18)
Andrea Creech
Helena Gaunt
6.5 Building Musicianship in the Instrumental Classroom
712(19)
Robert A. Duke
James L. Byo
6.6 Psychological and Physiological Aspects of Learning to Perform
731(21)
Ioulia Papageorgi
Reinhard Kopiez
6.7 Musical Instrument Learning, Music Ensembles, and Musicianship in a Global and Digital Age
752(17)
Michael Webb
Frederick A. Seddon
6.8 The Role of Bodily Movement in Learning and Performing Music: Applications for Education
769(16)
Jane Davidson
Part 7 Ensembles
Jere T. Humphreys
7.1 Commentary: Ensembles
785(5)
Jere T. Humphreys
7.2 The Sociology and Policy of Ensembles
790(17)
John W. Richmond
7.3 North American School Ensembles
807(19)
William R. Lee
Michael D. Worthy
7.4 Once from the Top: Reframing the Role of the Conductor in Ensemble Teaching
826(18)
Steven J. Morrison
Steven M. Demorest
7.5 Community Music Ensembles
844(16)
Don D. Coffman
Lee Higgins
7.6 Youth Orchestras
860(18)
Margaret Kartomi
7.7 Popular Music Ensembles
878(12)
Carlos Xavier Rodriguez
7.8 Pathways to Learning and Teaching indigenous and world music Ensembles
890(17)
Robert Burke
Sam Evans
Index 907
Gary E. McPherson is Ormond Chair and Director of the Melbourne Conservatorium of Music, University of Melbourne. He is editor of The Science and Psychology of Music Performance (OUP, 2002, with Richard Parncutt) and The Child as Musician: A Handbook of Musical Development (2006).

Graham Welch is Chair of Music Education at the Institute of Education, University of London and Deputy Dean of the Institute's Faculty of Culture and Pedagogy. He is elected Chair of the internationally based Society for Education, Music and Psychology Research (SEMPRE) and President of the International Society for Music Education (ISME). His publications number over two hundred and embrace musical development and music education, teacher education, the psychology of music, singing and voice science and music in special education and disability.