Atjaunināt sīkdatņu piekrišanu

E-grāmata: Oxford Handbook of Music Making and Leisure

Edited by (Facilitator of Online Learning, Department of Music Education, Boston Univesity), Edited by (Assistant Professor of Music Education, Arizona State University)
  • Formāts: 544 pages
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 01-Dec-2016
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190244729
Citas grāmatas par šo tēmu:
  • Formāts - EPUB+DRM
  • Cena: 136,97 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: 544 pages
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 01-Dec-2016
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190244729
Citas grāmatas par šo tēmu:

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music as an integral part of the human condition. The chapters in The Oxford Handbook of Music Making and Leisure present myriad ways for reconsidering and refocusing attention back on the rich, exciting, and emotionally charged ways in which people of all ages make time for making music. The contexts discussed are broadly Western, including an eclectic variety of voices from scholars across fields and disciplines, framing complex and multifaceted phenomena that may be helpfully, enlighteningly, and perhaps provocatively framed as music making and leisure. This volume may be viewed as an attempt to reclaim music making and leisure as a serious concern for, amongst others, policy makers, scholars, and educators who perhaps risk eliding some or even most of the ways in which music - a vital part of human existence - is integrated into the everyday lives of people. As such, this handbook looks beyond the obvious, asking readers to consider anew, "What might we see when we think of music making as leisure?"

Recenzijas

With this unique and comprehensive volume, Mantie and Smith, both scholars of music education, fill a gap in scholarly considerations of the function of music in leisure activities ... their volume is something to behold ... Highly recommended. * J. M. Carvalho, Choice *

Contributors ix
Editors' Introduction
1 Grasping the Jellyfish of Music Making and Leisure
3(28)
Roger Mantie
Gareth Dylan Smith
Part I Relationships To And With Music
2 Creating a Framework for Music Making and Leisure: Max Kaplan Leads the Way
Marie McCarthy
3 Well-Being and Music Leisure Activities through the Lifespan: A Psychological Perspective
31(30)
Susan Hallam
Andrea Creech
Maria Varvarigou
4 Aspiring to Music Making as Leisure through the Musical Futures Classroom
61(20)
Abigail D'Amore
Gareth Dylan Smith
5 DIY Recreational Recording as Music Making
81(18)
Adam Patrick Bell
6 Contemplating Compilations: An Invitation to...
99(16)
Joseph Pate
Brian Kumm
7 "While My Guitar Gently Weeps": Music Education and Guitar as Leisure
115(16)
David Lines
8 Playing Music and Identity Development in Middle Adulthood: A Theoretical and Autoethnographic Account
131(20)
Kevin Rathunde
Russell Isabella
9 (Un)popular Music Making and Eudaimonism
151(20)
Gareth Dylan Smith
Part II Involvement And Meaning
10 "The Violin in the Attic": Investigating the Long-Term Value of Lapsed Musical Participation
171(16)
Stephanie Pitts
11 Leisure-Time Music Activities from the Perspective of Musical Agency: The Breaking Down of a Dichotomy
187(16)
Sidsel Karlsen
12 The Musical Lives of Self-Confessed Nonmusicians
203(20)
Jennie Henley
13 Popular Music Making and Young People: Leisure; Education, and Industry
223(18)
Zack Moir
14 "Perilous Blessing of Leisure": Music and Leisure in the United States, 1890-1945
241(20)
Andrew Krikun
15 A Consumer Behavior-Influenced Multidisciplinary Transcendent Model of Motivation for Music Making
261(20)
Valerie L. Vaccaro
16 Developing a Cultural Theory of Music Making and Leisure: Baudrillard, the Simulacra, and Music Consumption
281(16)
Karl Spracklen
17 Feeling Part of the Scene: Affective Experiences of Music Making Practices and Performances within Leeds's Extreme Metal Scene
297(22)
Gabby Riches
18 Motivational and Social Network Dynamics of Ensemble Music Making: A Longitudinal Investigation of a Collegiate Marching Band
319(28)
Serena Weren
Olga Kornienko
Gary W. Hill
Claire Yee
Part III Scenes, Spaces, And Places
19 Leisure Music Production: Its Spaces and Places
347(16)
Robert A. Stebbins
20 Amateur and Professional Music Making at Dartington International Summer School
363(22)
Hermione Ruck Keene
Lucy Green
21 "What's Your Name, Where Are You From, and What Have You Had?": Utopian Memories of Leeds's Acid House Culture in Two Acts
385(20)
Ronnie Richards
22 Red Light Jams: A Place Outside of All Others
405(20)
Joseph Michael Pignato
23 The Beat of a Different Drummer: Music Making as Leisure Research
425(24)
Brett Lashua
24 "FX, Drugs, and Rock 'n' Roll": Engineering the Emotional Space of the Recording Studio
449(18)
Jenna Ward
Allan Watson
25 Music Making on YouTube
467(22)
Christopher Cayari
26 Italian Amateur Pop-Rock Musicians on Facebook: Mixed Methods and New Findings in Music Making Research
489(30)
Alberto Trobia
Fabio M. Lo Verde
Part IV On The Diversity Of Music Making And Leisure
27 Entering into an Indigenous Cypher: Indigenous Music-Dance Making Sings to Western Leisure
519(22)
Karen Fox
28 Sonic Participatory Cultures within, through, and around Video Games
541(24)
Jared O'Leary
Evan S. Tobias
29 "Singer's Music": Considering Sacred Harp Singing as Musical Leisure and Lived Harmony
565(20)
Thomas Malone
30 "DJ Hit That Button": Amateur Laptop Musicians in Contemporary Music and Society
585(16)
Shara Rambarran
31 Community Music Practice: Intervention through Facilitation
601(18)
Gillian Howell
Lee Higgins
Brydie-Leigh Bartleet
32 Leisure Grooves: An Open Letter to Charles Keil
619(20)
Roger Mantie
Index 639
Roger Mantie is Assistant Professor of Music Education at Arizona State University. Gareth Dylan Smith is Facilitator of Online Learning in Music Education at Boston University.