Contributors |
|
ix | |
Editors' Introduction |
|
|
1 Grasping the Jellyfish of Music Making and Leisure |
|
|
3 | (28) |
|
|
Part I Relationships To And With Music |
|
|
2 Creating a Framework for Music Making and Leisure: Max Kaplan Leads the Way |
|
|
|
|
3 Well-Being and Music Leisure Activities through the Lifespan: A Psychological Perspective |
|
|
31 | (30) |
|
|
|
|
4 Aspiring to Music Making as Leisure through the Musical Futures Classroom |
|
|
61 | (20) |
|
|
|
5 DIY Recreational Recording as Music Making |
|
|
81 | (18) |
|
|
6 Contemplating Compilations: An Invitation to... |
|
|
99 | (16) |
|
|
|
7 "While My Guitar Gently Weeps": Music Education and Guitar as Leisure |
|
|
115 | (16) |
|
|
8 Playing Music and Identity Development in Middle Adulthood: A Theoretical and Autoethnographic Account |
|
|
131 | (20) |
|
|
|
9 (Un)popular Music Making and Eudaimonism |
|
|
151 | (20) |
|
Part II Involvement And Meaning |
|
|
10 "The Violin in the Attic": Investigating the Long-Term Value of Lapsed Musical Participation |
|
|
171 | (16) |
|
|
11 Leisure-Time Music Activities from the Perspective of Musical Agency: The Breaking Down of a Dichotomy |
|
|
187 | (16) |
|
|
12 The Musical Lives of Self-Confessed Nonmusicians |
|
|
203 | (20) |
|
|
13 Popular Music Making and Young People: Leisure; Education, and Industry |
|
|
223 | (18) |
|
|
14 "Perilous Blessing of Leisure": Music and Leisure in the United States, 1890-1945 |
|
|
241 | (20) |
|
|
15 A Consumer Behavior-Influenced Multidisciplinary Transcendent Model of Motivation for Music Making |
|
|
261 | (20) |
|
|
16 Developing a Cultural Theory of Music Making and Leisure: Baudrillard, the Simulacra, and Music Consumption |
|
|
281 | (16) |
|
|
17 Feeling Part of the Scene: Affective Experiences of Music Making Practices and Performances within Leeds's Extreme Metal Scene |
|
|
297 | (22) |
|
|
18 Motivational and Social Network Dynamics of Ensemble Music Making: A Longitudinal Investigation of a Collegiate Marching Band |
|
|
319 | (28) |
|
|
|
|
Part III Scenes, Spaces, And Places |
|
|
19 Leisure Music Production: Its Spaces and Places |
|
|
347 | (16) |
|
|
20 Amateur and Professional Music Making at Dartington International Summer School |
|
|
363 | (22) |
|
|
|
21 "What's Your Name, Where Are You From, and What Have You Had?": Utopian Memories of Leeds's Acid House Culture in Two Acts |
|
|
385 | (20) |
|
|
22 Red Light Jams: A Place Outside of All Others |
|
|
405 | (20) |
|
|
23 The Beat of a Different Drummer: Music Making as Leisure Research |
|
|
425 | (24) |
|
|
24 "FX, Drugs, and Rock 'n' Roll": Engineering the Emotional Space of the Recording Studio |
|
|
449 | (18) |
|
|
|
25 Music Making on YouTube |
|
|
467 | (22) |
|
|
26 Italian Amateur Pop-Rock Musicians on Facebook: Mixed Methods and New Findings in Music Making Research |
|
|
489 | (30) |
|
|
Part IV On The Diversity Of Music Making And Leisure |
|
|
27 Entering into an Indigenous Cypher: Indigenous Music-Dance Making Sings to Western Leisure |
|
|
519 | (22) |
|
|
28 Sonic Participatory Cultures within, through, and around Video Games |
|
|
541 | (24) |
|
|
|
29 "Singer's Music": Considering Sacred Harp Singing as Musical Leisure and Lived Harmony |
|
|
565 | (20) |
|
|
30 "DJ Hit That Button": Amateur Laptop Musicians in Contemporary Music and Society |
|
|
585 | (16) |
|
|
31 Community Music Practice: Intervention through Facilitation |
|
|
601 | (18) |
|
|
|
|
32 Leisure Grooves: An Open Letter to Charles Keil |
|
|
619 | (20) |
|
Index |
|
639 | |