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E-grāmata: Oxford Handbook of Music Revival [Oxford Handbooks Online E-books]

Edited by (Marie Curie Intra-European Fellow, Faculty of Music, Cambridge University, Cambridge, UK), Edited by (Senior Lecturer in Ethnomusicology, University of Manchester, Manchester, UK)
  • Formāts: 716 pages
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 20-Aug-2014
  • Izdevniecība: Oxford University Press Inc
  • ISBN-13: 9780199984619
  • Oxford Handbooks Online E-books
  • Cena pašlaik nav zināma
  • Formāts: 716 pages
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 20-Aug-2014
  • Izdevniecība: Oxford University Press Inc
  • ISBN-13: 9780199984619
Revivals - movements that revitalize, resuscitate, or re-indigenize traditions perceived as threatened or moribund into new temporal, spatial, or cultural contexts - have been well-documented in Western Europe and Euro-North America. Less documented are the revival processes that have been occurring and recurring elsewhere in the world. And particularly under-analyzed are the aftermaths of revivals: the new infrastructures, musical styles, performance practices, subcultural communities, and value systems that have grown out of revival movements. The Oxford Handbook of Music Revival helps us achieve a deeper understanding of the role and development of traditional, folk, roots, world, classical, and early music in modern-day postindustrial, postcolonial, and postwar contexts. The book's thirty chapters present innovative theoretical perspectives illustrated through new ethnographic case studies on diverse music cultures around the world. Together these essays reveal the potency of acts of revival, resurgence, restoration, and renewal in shaping musical landscapes and transforming social experience.

The contributors present research from Euro-America, Native America, Latin America and the Caribbean, Africa, Europe, the former Soviet bloc, Asia, Australia, and the Pacific. They enrich the field by applying approaches and insights from across the disciplines of ethnomusicology, ethnochoreology, historical musicology, folklore studies, anthropology, ethnology, sociology, and cultural studies. The book makes a powerful argument for the untapped potential of revival as a productive analytical tool in contemporary, global contexts-one that is crucial for understanding manifestations of musical heritage in postmodern, cosmopolitan societies. With its detailed treatment of authenticity, recontextualization, transmission, institutionalization, globalization, and other key concerns, the collection makes a significant impact far beyond the field of revival studies and is crucial for understanding contemporary manifestations of folk, traditional, and heritage music in today's postmodern cosmopolitan societies.
List of Contributors
ix
About the Companion Website xi
PART I TOWARDS MULTIPLE THEORIES OF MUSIC REVIVAL
1 An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change
3(40)
Juniper Hill
Caroline Bithell
2 Traditional Music, Heritage Music
43(17)
Owe Ronstrom
3 An Expanded Theory for Revivals as Cosmopolitan Participatory Music Making
60(13)
Tamara Livingston
PART II SCHOLARS AND COLLECTORS AS REVIVAL AGENTS
4 Antiquarian Nostalgia and the Institutionalization of Early Music
73(21)
John Haines
5 A Folklorist's Exploration of the Revival Metaphor
94(22)
Neil V. Rosenberg
6 A Participant-Documentarian in the American Instrumental Folk Music Revival
116(19)
Alan Jabbour
PART III INTANGIBLE CULTURAL HERITAGE, PRESERVATION, AND POLICY
7 Reviving Korean Identity through Intangible Cultural Heritage
135(25)
Keith Howard
8 Music Revival, Ca Tru Ontologies, and Intangible Cultural Heritage in Vietnam
160(22)
Barley Norton
9 The Hungarian Dance House Movement and Revival of Transylvanian String Band Music
182(23)
Colin Quigley
PART IV NATIONAL RENAISSANCE AND POSTCOLONIAL FUTURES
10 National Purity and Postcolonial Hybridity in India's Kathak Dance Revival
205(23)
Margaret E. Walker
11 Choreographic Revival, Elite Nationalism, and Postcolonial Appropriation in Senegal
228(24)
Helene Neveu Kringelbach
12 Revived Musical Practices within Uzbekistan's Evolving National Project
252(25)
Tanya Merchant
13 Two Revivalist Moments in Iranian Classical Music
277(23)
Laudan Nooshin
14 Reclaiming Choctaw and Chickasaw Cultural Identity through Music Revival
300(25)
Victoria Lindsay Levine
PART V RECOVERY FROM WAR, DISASTER, AND CULTURAL DEVASTATION
15 Revivalist Articulations of Traditional Music in War and Postwar Croatia
325(25)
Naila Ceribasic
16 Cultural Rescue and Musical Revival among the Nicaraguan Garifuna
350(22)
Annemarie Gallaugher
17 Toward a Methodology for Research into the Revival of Musical Life after War, Natural Disaster, Bans on all Music, or Neglect
372(21)
Margaret Kartomi
PART VI INNOVATIONS AND TRANSFORMATIONS
18 Innovation and Cultural Activism through the Reimagined Pasts of Finnish Music Revivals
393(25)
Juniper Hill
19 Revival Currents and Innovation on the Path from Protest Bossa to Tropicalia
418(24)
Denise Milstein
20 Bending or Breaking the Native American Flute Tradition?
442(24)
Paula J. Conlon
21 Toward an Application of Globalization Paradigms to Modern Folk Music Revivals
466(23)
Britta Sweers
PART VII FESTIVALS, MARKETING, AND MEDIA
22 Contemporary English Folk Music and the Folk Industry
489(21)
Simon Keegan-Phipps
Trish Winter
23 Ivana Kupala (St. John's Eve) Revivals as Metaphors of Sexual Morality, Fertility, and Contemporary Ukrainian Femininity
510(20)
Adriana Helbig
24 Trailing Images and Culture Branding in Post-Renaissance Hawai'i
530(21)
Jane Freeman Moulin
25 Grassroots Revitalization of North American and Western European Instrumental Music Traditions from Fiddlers Associations to Cyberspace
551(22)
Richard Blaustein
PART VIII DIASPORA AND THE GLOBAL VILLAGE
26 Georgian Polyphony and its Journeys from National Revival to Global Heritage
573(25)
Caroline Bithell
27 Irish Music Revivals Through Generations of Diaspora
598(20)
Sean Williams
28 Reviving the Reluctant Art of Iranian Dance in Iran and in the American Diaspora
618(26)
Anthony Shay
29 Musical Remembrance, Exile, and the Remaking of South African Jazz (1960--1979)
644(22)
Carol Ann Muller
30 Re-flections
666(7)
Mark Slobin
Index 673
Caroline Bithell is Senior Lecturer in Ethnomusicology at the University of Manchester, UK, where she also teaches courses in Arts Management. Her monograph Transported by Song: Corsican Voices from Oral Tradition to World Stage was published by Scarecrow Press in 2007. Her edited collection The Past in Music appeared as a special issue of the journal Ethnomusicology Forum (2007). Her new monograph on the natural voice and world song is forthcoming, together with new work on Georgian polyphony.

Juniper Hill is a senior research fellow at the University of Cambridge, and a lecturer in music at the University College Cork, Ireland. A recipient of the Marie Curie Intra-European Fellowship, the Alexander von Humboldt Fellowship, two Fulbrights, and the University of California Faculty Fellowship, her publications address topics such as creativity, pedagogy, transnationalism, and revival.