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E-grāmata: Oxford Handbook of Neo-Riemannian Music Theories [Oxford Handbooks Online E-books]

Edited by (Associate Professor of Music, Williams College), Edited by (Fanny Peabody Professor of Music, Harvard University)
  • Formāts: 628 pages, 30 line illus.; 140 music examples
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 22-Dec-2011
  • Izdevniecība: Oxford University Press Inc
  • ISBN-13: 9780199940530
Citas grāmatas par šo tēmu:
  • Oxford Handbooks Online E-books
  • Cena pašlaik nav zināma
  • Formāts: 628 pages, 30 line illus.; 140 music examples
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 22-Dec-2011
  • Izdevniecība: Oxford University Press Inc
  • ISBN-13: 9780199940530
Citas grāmatas par šo tēmu:
In recent years Hugo Riemann's ideas have thoroughly captured the music-theoretical imagination, both in the United States and abroad. Neo-Riemannian theory has proven particularly adept at explaining features of chromatic music where other theoretical approaches have failed, and thereby established itself as the leading theoretical approach of our time. The Oxford Handbook of Neo-Riemannian Music Theories brings together an international group of leading proponents of Riemannian and neo-Riemannian theory for a thoroughgoing exploration of the music-analytical, systematic, and historical aspects of this important new field. The volume elucidates key aspects of the field, draws connections between Riemann's original ideas and current thought, and suggests new applications and avenues for further study. A number of essays suggest connections to other fields of inquiry, such as cognitive and mathematical music theory, as well as applications in the field of metric or melodic analysis. The selection of essays is complemented by several of Hugo Riemann's key original texts, many of which appear in English translation for the first time, and is rounded off by a glossary of key concepts for easy reference.
Acknowledgments vii
Preface ix
Contributors xvii
PART I INTELLECTUAL CONTEXTS
1 The Reception of Hugo Riemann's Music Theory
3(52)
Ludwig Holtmeier
2 "The Nature of Harmony": A Translation and Commentary
55(37)
Benjamin Steege
3 What Is a Function?
92(48)
Brian Hyer
4 Riemann and Melodic Analysis: Studies in Folk-Musical Tonality
140(27)
Matthew Gelbart
Alexander Rehding
PART II DUALISM
5 The Problem of Harmonic Dualism: A Translation and Commentary
167(27)
Ian Bent
6 Harmonic Dualism as Historical and Structural Imperative
194(24)
Henry Klumpenhouwer
7 Dualistic Forms
218(28)
Alexander Rehding
8 Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music
246(25)
Dmitri Tymoczko
PART III TONE SPACE
9 From Matrix to Map: Tonbestimmung, the Tonnetz, and Riemann's Combinatorial Conception of Interval
271(23)
Edward Gollin
10 On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564)
294(28)
Suzannah Clark
11 Tonal Pitch Space and the (Neo-)Riemannian Tonnetz
322(29)
Richard Cohn
PART IV HARMONIC SPACE
12 Neo-Riemannian Perspectives on the Harmonieschritte, with a Translation of Riemann's Systematik der Harmonieschritte
351(31)
Nora Engebretsen
13 On a Transformational Curiosity in Riemann's Schematisirung der Dissonanzen
382(18)
Edward Gollin
14 Chromaticism and the Question of Tonality
400(19)
David Kopp
PART V TEMPORAL SPACE
15 Criteria for Analysis: Perspectives on Riemann's Mature Theory of Meter
419(21)
William E. Caplin
16 Reading between the Lines: Hugo Riemann and Beethoven's Op. 31 Piano Sonatas
440(22)
Scott Burnham
17 Metric Freedoms in Brahms's Songs: A Translation and Commentary
462(25)
Paul Berry
PART VI Transformation, Analysis, Criticism
18 Riemannian Analytical Values, Paleo- and Neo-
487(25)
Steven Rings
19 Tonal Interpretation, Transformational Models, and the Chromatic Calls to Repent in Franck's Le chasseur maudit
512(36)
Robert C. Cook
20 Three Short Essays on Neo-Riemannian Theory
548(31)
Daniel Harrison
Glossary 579(4)
Selected Bibliography 583(14)
Index 597
Edward Gollin is Associate Professor of Music at Williams College. Alexander Rehding teaches music at Harvard University. His interests are in the history of music theory, and in nineteenth and twentieth century music. He is the author of Hugo Riemann and the Birth of Modern Musical Thought and Music and Monumentality, and is co-editor of Acta musicologica.