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Oxford Handbook of the New Cultural History of Music [Mīkstie vāki]

Edited by (Professor of Musicology, University of Michigan)
  • Formāts: Paperback / softback, 608 pages, height x width x depth: 246x170x46 mm, weight: 939 g, 37 line drawings; 41 halftones
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 28-Nov-2013
  • Izdevniecība: Oxford University Press Inc
  • ISBN-10: 019935409X
  • ISBN-13: 9780199354092
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  • Mīkstie vāki
  • Cena: 57,55 €*
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  • Formāts: Paperback / softback, 608 pages, height x width x depth: 246x170x46 mm, weight: 939 g, 37 line drawings; 41 halftones
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 28-Nov-2013
  • Izdevniecība: Oxford University Press Inc
  • ISBN-10: 019935409X
  • ISBN-13: 9780199354092
Citas grāmatas par šo tēmu:
As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.

Recenzijas

A lush edition. * HistoryWire.com *

Contributors xiii
Introduction: Defining the New Cultural History of Music, Its Origins, Methodologies, and Lines of Inquiry 3(14)
Jane F. Fulcher
PART I CULTURAL IDENTITY AND ITS EXPRESSION: CONSTRUCTIONS, REPRESENTATIONS, AND EXCHANGES
Constructions or Representations of the Body, Gender, Sexuality, and Race
1 Gender, Performativity, and Allusion in Medieval Services for the Consecration of Virgins
17(22)
James Borders
2 Music, Violence, and the Stakes of Listening
39(29)
Richard Leppert
3 Music and Pain
68(12)
Andreas Dorschel
Subjectivity and the Shaping of the Self in Society
4 "The Road into the Open": From Narrative Closure to the Endless Performance of Subjectivity in Mahler and Freud at the Turn of the Century
80(37)
John E. Toews
5 Understanding Schoenberg as Christ
117(46)
Julie Brown
6 The Strange Landscape of Middles
163(19)
Michael Beckerman
Nationalism, Cosmopolitanism, and Transnationalism
7 The Genre of National Opera in a European Comparative Perspective
182(27)
Philipp Ther
8 Cosmopolitan, National, and Regional Identities in Eighteenth-Century European Musical Life
209(19)
William Weber
9 Mendelssohn on the Road: Music, Travel, and the Anglo-German Symbiosis
228(17)
Celia Applegate
Elite and Popular Cultural Exchanges
10 "Shooting the Keys": Musical Horseplay and High Culture
245(19)
Charles Hiroshi Garrett
11 Yvette Guilbert and the Revaluation of the Chanson populaire and Chanson ancienne during the Third Republic, 1889--1914
264(43)
Jacqueline Waeber
12 Remembrance of Jazz Past: Sidney Bechet in France
307(28)
Andy Fry
PART II CULTURAL EXPERIENCE: PRACTICES, APPROPRIATIONS, AND EVALUATIONS
Urban, Aural, and Print Culture
13 An Evening at the Opera in Seventeenth-Century Venice
335(19)
Edward Muir
14 Josquin des Prez, Renaissance Historiography, and the Cultures of Print
354(27)
Kate van Orden
15 From "the Voice of the Marechal" to Musique Concrete: Pierre Schaeffer and the Case for Cultural History
381(22)
Jane F. Fulcher
Symbols, Icons, and Sites of Collective Memory or Ritual
16 A Matter of Style: State Sacrificial Music and Cultural-Political Discourse in Southern Song China (1127--1279)
403(25)
Joseph S. C. Lam
17 Ernani Hats: Italian Opera as a Repertoire of Political Symbols during the Risorgimento
428(24)
Carlotta Sorba
18 Modalities of National Identity: Sibelius Builds a First Symphony
452(32)
James Hepokoski
Politics, Aesthetics, and Transmission
19 Beethoven, Napoleon, and Political Romanticism
484(17)
Leon Plantinga
20 Translating Herder Translating: Cultural Translation and the Making of Modernity
501(22)
Philip V. Bohlman
21 The Eye of the Needle: Music as History after the Age of Recording
523(27)
Leon Botstein
Afterword: Whose Culture? Whose History? Whose Music? 550(13)
Michael P. Steinberg
Index 563
Jane Fulcher is Professor of Musicology at the University of Michigan. She has received research awards from organizations in both the United States and Europe, including The American Council of Learned Societies, the National Endowment for the Humanities (two awards), the Wissenschaftskolleg zu Berlin, the National Humanities Center, the Institute for Advanced Study, Princeton, New Jersey (where she was the Edward T. Cone member in Music Studies for 2003-04), and The Centre National de la Recherche Scientifique. In addition, she has three times been invited to be visiting professor at the Ecole des Hautes Etudes en Sciences Sociales in Paris.