Contributors |
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xiii | |
Introduction: Defining the New Cultural History of Music, Its Origins, Methodologies, and Lines of Inquiry |
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3 | (14) |
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PART I CULTURAL IDENTITY AND ITS EXPRESSION: CONSTRUCTIONS, REPRESENTATIONS, AND EXCHANGES |
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Constructions or Representations of the Body, Gender, Sexuality, and Race |
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1 Gender, Performativity, and Allusion in Medieval Services for the Consecration of Virgins |
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17 | (22) |
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2 Music, Violence, and the Stakes of Listening |
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39 | (29) |
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68 | (12) |
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Subjectivity and the Shaping of the Self in Society |
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4 "The Road into the Open": From Narrative Closure to the Endless Performance of Subjectivity in Mahler and Freud at the Turn of the Century |
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80 | (37) |
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5 Understanding Schoenberg as Christ |
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117 | (46) |
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6 The Strange Landscape of Middles |
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163 | (19) |
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Nationalism, Cosmopolitanism, and Transnationalism |
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7 The Genre of National Opera in a European Comparative Perspective |
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182 | (27) |
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8 Cosmopolitan, National, and Regional Identities in Eighteenth-Century European Musical Life |
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209 | (19) |
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9 Mendelssohn on the Road: Music, Travel, and the Anglo-German Symbiosis |
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228 | (17) |
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Elite and Popular Cultural Exchanges |
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10 "Shooting the Keys": Musical Horseplay and High Culture |
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245 | (19) |
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11 Yvette Guilbert and the Revaluation of the Chanson populaire and Chanson ancienne during the Third Republic, 1889--1914 |
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264 | (43) |
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12 Remembrance of Jazz Past: Sidney Bechet in France |
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307 | (28) |
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PART II CULTURAL EXPERIENCE: PRACTICES, APPROPRIATIONS, AND EVALUATIONS |
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Urban, Aural, and Print Culture |
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13 An Evening at the Opera in Seventeenth-Century Venice |
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335 | (19) |
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14 Josquin des Prez, Renaissance Historiography, and the Cultures of Print |
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354 | (27) |
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15 From "the Voice of the Marechal" to Musique Concrete: Pierre Schaeffer and the Case for Cultural History |
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381 | (22) |
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Symbols, Icons, and Sites of Collective Memory or Ritual |
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16 A Matter of Style: State Sacrificial Music and Cultural-Political Discourse in Southern Song China (1127--1279) |
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403 | (25) |
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17 Ernani Hats: Italian Opera as a Repertoire of Political Symbols during the Risorgimento |
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428 | (24) |
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18 Modalities of National Identity: Sibelius Builds a First Symphony |
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452 | (32) |
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Politics, Aesthetics, and Transmission |
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19 Beethoven, Napoleon, and Political Romanticism |
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484 | (17) |
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20 Translating Herder Translating: Cultural Translation and the Making of Modernity |
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501 | (22) |
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21 The Eye of the Needle: Music as History after the Age of Recording |
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523 | (27) |
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Afterword: Whose Culture? Whose History? Whose Music? |
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550 | (13) |
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Index |
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563 | |