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E-grāmata: Oxford Handbook of Sound Studies [Oxford Handbooks Online E-books]

Edited by (Professor in the Department of Technology & Society Studies, Maastricht University, Maastricht, The Netherlands), Edited by (Professor in the Department of Science and Technology Studies, Cornell University, Ithaca, NY, United States)
  • Formāts: 624 pages, 39 illustrations
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 05-Jan-2012
  • Izdevniecība: Oxford University Press Inc
  • ISBN-13: 9780199940691
Citas grāmatas par šo tēmu:
  • Oxford Handbooks Online E-books
  • Cena pašlaik nav zināma
  • Formāts: 624 pages, 39 illustrations
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 05-Jan-2012
  • Izdevniecība: Oxford University Press Inc
  • ISBN-13: 9780199940691
Citas grāmatas par šo tēmu:
Written by the world's leading scholars and researchers in the emerging field of sound studies, The Oxford Handbook of Sound Studies offers new and fully engaging perspectives on the significance of sound in its material and cultural forms. The book considers sounds and music as experienced in such diverse settings as shop floors, laboratories, clinics, design studios, homes, and clubs, across an impressively broad range of historical periods and national and cultural contexts.

Science has traditionally been understood as a visual matter, a study which has historically been undertaken with optical technologies such as slides, graphs, and telescopes. This book questions that notion powerfully by showing how listening has contributed to scientific practice. Sounds have always been a part of human experience, shaping and transforming the world in which we live in ways that often go unnoticed. Sounds and music, the authors argue, are embedded in the fabric of everyday life, art, commerce, and politics in ways which impact our perception of the world. Through an extraordinarily diverse set of case studies, authors illustrate how sounds -- from the sounds of industrialization, to the sounds of automobiles, to sounds in underwater music and hip-hop, to the sounds of nanotechnology -- give rise to new forms listening practices. In addition, the book discusses the rise of new public problems such as noise pollution, hearing loss, and the "end" of the amateur musician that stem from the spread and appropriation of new sound- and music-related technologies, analog and digital, in many domains of life.

Rich in vivid and detailed examples and compelling case studies, and featuring a companion website of listening samples, this remarkable volume boldly challenges readers to rethink the way they hear and understand the world.
Contributors xi
About the companion website xiii
New Keys to the World of Sound 3(36)
Trevor Pinch
Karin Bijsterveld
SECTION I REWORKING MACHINE SOUND: SHOP FLOORS AND TEST SITES
1 The Garden in the Machine: Listening to Early American Industrialization
39(19)
Mark M. Smith
2 Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s
58(21)
Hans-Joachim Braun
3 "Sobbing, Whining, Rumbling": Listening to Automobiles as Social Practice
79(23)
Stefan Krebs
4 Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry
102(25)
Eefje Cleophas
Karin Bijsterveld
SECTION II STAGING SOUND FOR SCIENCE AND ART: THE FIELD
5 Sound Sterile: Making Scientific Field Recordings in Ornithology
127(24)
Joeri Bruyninckx
6 Underwater Music: Tuning Composition to the Sounds of Science
151(25)
Stefan Helmreich
7 A Gray Box: The Phonograph in Laboratory Experiments and Fieldwork, 1900--1920
176(25)
Julia Kursell
SECTION III STAGING SOUND FOR SCIENCE AND ART: THE LAB
8 From Scientific Instruments to Musical Instruments: The Tuning Fork, the Metronome, and the Siren
201(23)
Myles W. Jackson
9 Conversions: Sound and Sight, Military and Civilian
224(25)
Cyrus C. M. Mody
10 The Search for the "Killer Application": Drawing the Boundaries around the Sonification of Scientific Data
249(24)
Alexandra Supper
SECTION IV SPEAKING FOR THE BODY: THE CLINIC
11 Inner and Outer Sancta: Earplugs and Hospitals
273(25)
Hillel Schwartz
12 Sounding Bodies: Medical Students and the Acquisition of Stethoscopic Perspectives
298(22)
Tom Rice
13 Do Signals Have Politics? Inscribing Abilities in Cochlear Implants
320(27)
Mara Mills
SECTION V EDITING SOUND: THE DESIGN STUDIO
14 Sound and Player Immersion in Digital Games
347(20)
Mark Grimshaw
15 The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts
367(20)
William Whittington
16 The Avant-Garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s
387(24)
Timothy D. Taylor
SECTION VI CONSUMING SOUND AND MUSIC: THE HOME AND BEYOND
17 Visibly Audible: The Radio Dial as Mediating Interface
411(29)
Andreas Fickers
18 From Listening to Distribution: Nonofficial Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s
440(19)
Trever Hagen
Tia DeNora
19 The Amateur in the Age of Mechanical Music
459(21)
Mark Katz
20 Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com
480(25)
Trevor Pinch
Katherine Athanasiades
SECTION VII MOVING SOUND AND MUSIC: DIGITAL STORAGE
21 Analog Turns Digital: Hip-Hop, Technology, and the Maintenance of Racial Authenticity
505(21)
Rayvon Fouche
22 Ipod Culture: The Toxic Pleasures Of Audiotopia
526(18)
Michael Bull
23 The Recording That Never Wanted to Be Heard and Other Stories of Sonification
544(17)
Jonathan Sterne
Mitchell Akiyama
Index 561
Trevor Pinch is Professor of Science and Technology Studies at Cornell University, and author or co-author of several books including Analog Days: The Invention and Impact of the Moog Synthesizer (2002, with Frank Trocco) and The Golem at Large: What You Should Know About Technology (1993, 1998, with Harry Collins). Karin Bijsterveld is Professor in the Department of Technology & Society Studies at Maastricht University, and author of Mechanical Sound: Technology, Culture and Public Problems of Noise in the Twentieth Century (2008)