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E-grāmata: Oxford Handbook of Synesthesia [Oxford Handbooks Online E-books]

Edited by (Assistant Professor, Assistant Professor, Department of Educational Psychology, University of Wisconsin-Madison, USA), Edited by (Reader, Reader, Department of Psychology, University of Edinburgh, UK)
  • Formāts: 1104 pages
  • Sērija : Oxford Library of Psychology
  • Izdošanas datums: 12-Dec-2013
  • Izdevniecība: Oxford University Press
  • ISBN-13: 9780191750885
  • Oxford Handbooks Online E-books
  • Cena pašlaik nav zināma
  • Formāts: 1104 pages
  • Sērija : Oxford Library of Psychology
  • Izdošanas datums: 12-Dec-2013
  • Izdevniecība: Oxford University Press
  • ISBN-13: 9780191750885
Synesthesia is a fascinating phenomenon which has captured the imagination of scientists and artists alike. This title brings together a broad body of knowledge about this condition into one definitive state-of-the-art handbook.

Synesthesia is a fascinating phenomenon which has captured the imagination of scientists and artists alike. This inherited condition gives rise to a kind of 'merging of the senses', and so for those who experience it, everyday activities like reading or listening to music trigger extraordinary impressions of colours, tastes, smells, shapes and other sensations. Synesthesia research also informs us about normal sensation because all people experience cross-sensory mappings to an implicit degree. Synesthesia has a considerably broad appeal, and in recent decades the field has experienced a resurgence of interest. These advances have painted a detailed story about the development, genetics, psychology, history, aesthetics and neuroscience of synesthesia, and provide a contemporary source of study for a new generation of scholars.

The Oxford Handbook of Synesthesia brings together this broad body of knowledge into one definitive state-of-the-art handbook. It includes a large number of concisely written chapters, under broader headings, which tackle questions about the origins of synesthesia, its neurological basis, its links with language and numbers, attention and perception, and with 'normal' sensory and linguistic processing. It asks questions about synesthesia's role in language evolution, and presents both contemporary and historical overviews of the field. It shows synaesthesia's costs and benefits (e.g., in creativity, memory, imagery) and describes how synaesthesia can provide inspiration for artists and designers. The book ends with a series of perspectives on synesthesia, including a first-hand account, and philosophical viewpoints which show how synaesthesia poses unique questions about sensation, consciousness and the nature of reality.

Papildus informācija

Highly Commended in the Psychiatry category of the BMA Book Awards 2014.
Contributors xv
Overview of terminology and findings xix
PART I ORIGINS OF SYNESTHESIA
1 The prevalence of synesthesia: The consistency revolution
3(20)
Donielle Johnson
Carrie Allison
Simon Baron-Cohen
2 The genetics and inheritance of synesthesia
23(23)
Julian E. Asher
Duncan A. Carmichael
3 Synesthesia in infants and very young children
46(18)
Daphne Maurer
Laura C. Gibson
Ferrinne Spector
4 Synesthesia in school-aged children
64(19)
Julia Simner
Edward M. Hubbard
5 Synesthesia, alphabet books, and fridge magnets
83(20)
Peter Hancock
PART II SYNESTHESIA, LANGUAGE, AND NUMBERS
6 Numbers, synesthesia, and directionality
103(20)
Roi Cohen Kadosh
Avishai Henik
7 Synesthesia, sequences, and space
123(26)
Clare Jonas
Michelle Jarick
8 The "rules" of synesthesia
149(16)
Julia Simner
9 Colored alphabets in bilingual synesthetes
165(16)
Aleksandra Mroczko-Wasowicz
Danko Nikolic
10 Synesthesia, meaning, and multilingual speakers
181(24)
Fiona N. Newell
11 Synesthesia in non-alphabetic languages
205(17)
Wan-Yu Hung
12 Synesthetic personification: The social world of graphemes
222(19)
Monika Sobczak-Edmans
Noam Sagiv
PART III ATTENTION AND PERCEPTION
13 Individual differences in synesthesia
241(24)
Tessa M. van Leeuwen
14 The role of attention in synesthesia
265(18)
Anina N. Rich
Jason B. Mattingley
15 Revisiting the perceptual reality of synesthetic color
283(34)
Chai-Youn Kim
Randolph Blake
16 Synesthesia and binding
317(17)
Bryan D. Alvarez
Lynn C. Robertson
17 Synesthesia, eye-movements, and pupillometry
334(13)
Tanja C. W. Nijboer
Bruno Laeng
18 Synesthesia, incongruence, and emotionality
347(22)
Alicia Callejas
Juan Lupianez
PART IV CONTEMPORARY AND HISTORICAL APPROACHES
19 Synesthesia in the nineteenth century: Scientific origins
369(30)
Jorg Jewanski
20 Synesthesia in the twentieth century: Synesthesia's renaissance
399(10)
Richard E. Cytowic
21 Synesthesia in the twenty-first century: Synesthesia's ascent
409(31)
Christopher T. Lovelace
22 Synesthesia in space versus the "mind's eye": How to ask the right questions
440(19)
Christine Mohr
23 Synesthesia: A psychosocial approach
459(16)
Markus Zedler
Marie Rehme
PART V NEUROLOGICAL BASIS OF SYNESTHESIA
24 Synesthesia and functional imaging
475(25)
Edward M. Hubbard
25 Synesthesia, hyperconnectivity, and diffusion tensor imaging
500(19)
Romke Rouw
26 Can gray matter studies inform theories of (grapheme-color) synesthesia?
519(11)
Peter H. Weiss
27 Synesthesia and cortical connectivity: A neurodevelopmental perspective
530(28)
Kevin J. Mitchell
28 The timing of neurophysiological events in synesthesia
558(12)
Lutz Jancke
29 The use of transcranial magnetic stimulation in the investigation of synesthesia
570(14)
Neil G. Muggleton
Elias Tsakanikos
30 Synesthesia, mirror neurons, and mirror-touch
584(23)
Michael J. Banissy
PART VI COSTS AND BENEFITS: CREATIVITY, MEMORY, AND IMAGERY
31 Synesthesia and creativity
607(24)
Catherine M. Mulvenna
32 Synesthesia in the visual arts
631(16)
Cretien van Campen
33 Synesthesia in literature
647(24)
Patricia Lynne Duffy
34 Synesthesia and the artistic process
671(21)
Carol Steen
Greta Berman
35 Synesthesia and memory
692(15)
Beat Meier
Nicolas Rothen
36 Synesthesia and savantism
707(21)
Mary Jane Spiller
Ashok S. Jansari
37 Synesthesia, imagery, and performance
728(33)
Mark C. Price
PART VII CROSS-MODALITY IN THE GENERAL POPULATION
38 Weak synesthesia in perception and language
761(29)
Lawrence E. Marks
39 Audiovisual cross-modal correspondences in the general population
790(26)
Cesare Parise
Charles Spence
40 Cross-modality in speech processing
816(21)
Argiro Vatakis
41 Magnitudes, metaphors, and modalities: A theory of magnitude revisited
837(16)
Vincent E. Walsh
42 Sensory substitution devices: Creating "artificial synesthesias"
853(16)
Laurent Renier
Anne G. de Volder
43 Synesthesia, cross-modality, and language evolution
869(34)
Christine Cuskley
Simon Kirby
PART VIII PERSPECTIVES ON SYNESTHESIA
44 Synesthesia: A first-person perspective
903(21)
Sean A. Day
45 Synesthesia and consciousness
924(17)
Noam Sagiv
Chris D. Frith
46 What exactly is a sense?
941(18)
Brian L. Keeley
47 What synesthesia isn't
959(40)
Mary-Ellen Lynall
Colin Blakemore
48 From molecules to metaphor: Outlooks on synesthesia research
999(23)
V. S. Ramachandran
David Brang
49 Synesthesia: Where have we been? Where are we going?
1022(19)
Jamie Ward
Author index 1041(18)
Subject index 1059
Dr. Julia Simner is an experimental neuropsychologist and leading expert in the field of synaesthesia research. She has a background in psychology, languages and linguistics from the Universities of Oxford, Toronto and Sussex, and she runs the Synaesthesia and Sensory Integration lab at the University of Edinburgh, Scotland. Her work focusses on the sensory, cognitive, linguistic, developmental, and historical bases of synaesthesia, and has been published in high impact science journals such as Nature, Trends in Cognitive Science and Brain. She is interested in facilitating the public's understanding of science and her work has been reported in over 100 media articles world-wide, including the NY Times, BBC, CBC, Telegraph, Times, New Scientist, Scientific American etc. In 2010 she was recognised as an outstanding European scientist by the European Commission's Atomium Culture Initiative and her science writing has been published in some of Europe's leading national newspapers.

Dr. Edward M. Hubbard is an Assistant Professor in the Department of Educational Psychology at the University of Wisconsin-Madison where he directs the Educational Neuroscience Laboratory. He received degrees from UC Berkeley and UC San Diego and completed his post-doctoral training at INSERM's Cognitive Neuroimaging Unit and Vanderbilt University. He has investigated the perceptual and neural bases of grapheme-color synesthesia and synesthetic number forms for more than a decade, and his behavioural and neuroimaging work was critical in convincing the scientific community that synaesthesia was a valid, tractable topic for investigation. More recently, he has begun to investigate the neural basis of numerical and mathematical processing in non-synesthetes, and the development of these abilities in children, to better understand the neural mechanisms that lead to the development of synesthesia in children.