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E-grāmata: Oxford Handbook of the Victorian Novel [Oxford Handbooks Online E-books]

Edited by (Associate Professor, Wellesley College)
  • Formāts: 830 pages, Four black-and-white halftones
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 11-Jul-2013
  • Izdevniecība: Oxford University Press
  • ISBN-13: 9780191749896
  • Oxford Handbooks Online E-books
  • Cena pašlaik nav zināma
  • Formāts: 830 pages, Four black-and-white halftones
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 11-Jul-2013
  • Izdevniecība: Oxford University Press
  • ISBN-13: 9780191749896
Much has been written about the Victorian novel, and for good reason. The cultural power it exerted (and, to some extent, still exerts) is beyond question. The Oxford Handbook of the Victorian Novel contributes substantially to this thriving scholarly field by offering new approaches to familiar topics (the novel and science, the Victorian Bildungroman) as well as essays on topics often overlooked (the novel and classics, the novel and the OED, the novel, and allusion). Manifesting the increasing interdisciplinarity of Victorian studies, its essays situate the novel within a complex network of relations (among, for instance, readers, editors, reviewers, and the novelists themselves; or among different cultural pressures - the religious, the commercial, the legal). The handbook's essays also build on recent bibliographic work of remarkable scope and detail, responding to the growing attention to print culture. With a detailed introduction and 36 newly commissioned chapters by leading and emerging scholars -- beginning with Peter Garside's examination of the early nineteenth-century novel and ending with two essays proposing the 'last Victorian novel' -- the handbook attends to the major themes in Victorian scholarship while at the same time creating new possibilities for further research. Balancing breadth and depth, the clearly-written, nonjargon -laden essays provide readers with overviews as well as original scholarship, an approach which will serve advanced undergraduates, graduate students, and established scholars. As the Victorians get further away from us, our versions of their culture and its novel inevitably change; this Handbook offers fresh explorations of the novel that teach us about this genre, its culture, and, by extension, our own.
List of Figures
xi
List of Tables
xiii
List of Contributors
xv
Introduction 1(20)
Lisa Rodensky
PART I BEGINNINGS
1 The Early 19th-Century English Novel, 1820-1836
21(20)
Peter Garside
2 New Histories of English Literature and the Rise of the Novel, 1835-1859
41(24)
William Mckelvy
3 Genre, Criticism, and the Early Victorian Novel
65(22)
Rebecca Edwards Newman
PART II PUBLISHING, READING, REVIEWING, QUOTING, CENSORING
4 Publishing the Victorian Novel
87(24)
Rachel Sagner Buurma
5 The Victorian Novel and Its Readers
111(18)
Debra Gettelman
6 The Victorian Novel and the Reviews
129(18)
Solveig C. Robinson
7 The Victorian Novel and the OED
147(19)
Lynda Mugglestone
8 The Novel and Censorship in Late-Victorian England
166(19)
Barbara Leckie
PART III THE VICTORIAN NOVEL ELSEWHERE
9 Victorian Novels in France
185(21)
Marie-Francoise Cachin
10 Victorian Literature and Russian Culture: Translation, Reception, Influence, Affinity
206(21)
Julie Buckler
11 The Victorian Novel and America
227(21)
Amanda Claybaugh
12 Colonial India and Victorian Storytelling
248(27)
Margery Sabin
PART IV TECHNOLOGIES: COMMUNICATION, TRAVEL, VISUALITY
13 The Victorian Novel and Communication Networks
275(14)
Richard Menke
14 Technologies of Travel and the Victorian Novel
289(24)
Alison Byerly
15 Victorian Photography and the Novel
313(24)
Jennifer Green-Lewis
PART V THE MIDDLE
16 Novels of the 1860s
337(20)
Janice Carlisle
PART VI COMMERCE, WORK, PROFESSIONS, STATUS
17 Industrialism and the Victorian Novel
357(19)
Evan Horowitz
18 The Protestant Ethic and the `Spirit' of Money: Max Weber, Silas Marner, and the Victorian Novel
376(21)
George Levine
19 The Victorian Novel and the Professions
397(16)
Jennifer Ruth
20 Gentleman's Latin, Lady's Greek
413(28)
Kenneth Haynes
PART VII THE NOVEL AND OTHER DISCIPLINES
21 The Victorian Novel and Science
441(18)
Jonathan Smith
22 The Victorian Novel and Medicine
459(24)
Meegan Kennedy
23 Naturalizing the Mind in the Victorian Novel: Consciousness in Wilkie Collins's Poor Miss Finch and Thomas Hardy's Woodlanders---Two Case Studies
483(24)
Suzy Anger
24 The Victorian Novel and the Law
507(22)
Jan-Melissa Schramm
25 The Novel and Religion: Catholicism and Victorian Women's Novels
529(20)
Patrick R. O'Malley
26 The Victorian Novel and Horticulture
549(22)
Lynn Voskuil
PART VIII DRAMA, POETRY, AND CRITICISM
27 The Victorian Novel and Theatre
571(18)
Emily Allen
28 Verse Versus the Novel
589(17)
James Najarian
29 Poetic Allusion in the Victorian Novel
606(28)
Philip Horne
30 The Novelist as Critic
634(29)
Christopher Ricks
PART IX DISTINGUISHING THE VICTORIAN NOVEL
31 The Moral Scope of the English Bildungsroman
663(16)
Julia Prewitt Brown
32 Three Matters of Style
679(24)
Mark Lambert
PART X ENDINGS
33 The Novel, Its Critics, and the University: A New Beginning?
703(26)
Anna Vaninskaya
34 The Victorian Novel and the New Woman
729(17)
Talia Schaffer
35 The Last Victorian Novel
I Slapstick Noir: The Secret Agent Works the Victorian Novel
746(9)
Rosemarie Bodenheimer
II The Quest of the Silver Fleece, by W.E.B. Du Bois
755(10)
Daniel Hack
Index 765
Lisa Rodensky is the Barbara Morris Caspersen Associate Professor in the Humanities (2011-14) at Wellesley College. She is the author of The Crime in Mind: Criminal Responsibility and the Victorian Novel (2003) and the editor of Decadent Poetry from Wilde to Naidu (2006). Her essays have appeared in Victorian Literature and Culture and Essays in Criticism. She is currently at work on an analysis of the critical vocabulary of the nineteenth-century novel review.