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E-grāmata: Oxford Handbook of Victorian Poetry

4.33/5 (11 ratings by Goodreads)
Edited by (University Lecturer and Fellow in English, Keble College, University of Oxford)
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  • Sērija : Oxford Handbooks
  • Izdošanas datums: 31-Oct-2013
  • Izdevniecība: Oxford University Press
  • Valoda: eng
  • ISBN-13: 9780191653025
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    • Oxford Handbooks Online e-books
  • Formāts: PDF+DRM
  • Sērija : Oxford Handbooks
  • Izdošanas datums: 31-Oct-2013
  • Izdevniecība: Oxford University Press
  • Valoda: eng
  • ISBN-13: 9780191653025

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This handbook offers an authorative collection of original essays and is an essential resource for those interested in Victorian poetry and poetics.

'I am inclined to think that we want new forms . . . as well as thoughts', confessed Elizabeth Barrett to Robert Browning in 1845. The Oxford Handbook of Victorian Poetry provides a closely-read appreciation of the vibrancy and variety of Victorian poetic forms, and attends to poems as both shaped and shaping forces. The volume is divided into four main sections. The first section on 'Form' looks at a few central innovations and engagements--'Rhythm', 'Beat', 'Address', 'Rhyme', 'Diction', 'Syntax', and 'Story'. The second section, 'Literary Landscapes', examines the traditions and writers (from classical times to the present day) that influence and take their bearings from Victorian poets. The third section provides 'Readings' of twenty-three poets by concentrating on particular poems or collections of poems, offering focused, nuanced engagements with the pleasures and challenges offered by particular styles of thinking and writing. The final section, 'The Place of Poetry', conceives and explores 'place' in a range of ways in order to situate Victorian poetry within broader contexts and discussions: the places in which poems were encountered; the poetic representation and embodiment of various sites and spaces; the location of the 'Victorian' alongside other territories and nationalities; and debates about the place - and displacement - of poetry in Victorian society. This Handbook is designed to be not only an essential resource for those interested in Victorian poetry and poetics, but also a landmark publication--a provocative, seminal volume that will offer a lasting contribution to future studies in the area.

Recenzijas

An astounding volume ... a blessing ... deeply thoughtful but eminently approachable essays ... including Bevis's concise but masterful introduction ... The Oxford Handbook should, indisputably, find its way to the shelves of every university library ... it will no doubt be a source of rich reflective scholarship for generations of researchers. * The Year's Work in English Studies * Impressive ... a substantial volume ... essays in Matthew Bevis's The Oxford Handbook of Victorian Poetry may be regarded as marking something of a breakthrough. * Victorian Poetry * All of the essays are well informed, wisely crafted, and meticulously edited. * Choice * Bevis's editorial work combines rigour with play ... [ he] gives us a book which is united by its refusal to conform to any one pattern or mould ... The essays [ on form] ... are full of flair and reflexive comedy ... The section on 'Literary Landscapes' impresses with its originality and strength ... Bevis's volume is particularly strong for the way in which it unsettles chronological and generic boundaries ... The final section on 'The Place of Poetry' offers intriguing collisions ... Perhaps the greatest pleasure of this book is the editor's resistance to simplification ... The Handbook can act as a useful scholarly touchstone, but it is much more than this. * Sophie Ratcliffe, Tennyson Research Bulletin *

Illustrations
xi
Notes on Contributors xiii
1 Introduction: At Work with Victorian Poetry
1(18)
Matthew Bevis
PART I FORM
2 Rhythm
19(17)
Michael D. Hurley
3 Beat
36(20)
Derek Attridge
4 Address
56(18)
Robert Douglas-Fairhurst
5 Rhyme
74(19)
Matthew Campbell
6 Diction
93(19)
Garrett Stewart
7 Syntax
112(18)
Isobel Armstrong
8 Story
130(19)
Herbert F. Tucker
PART II LITERARY LANDSCAPES
9 Victorian Poetry and the Classics
149(17)
Isobel Hurst
10 Victorian Medievalisms
166(18)
Matthew Townend
11 Victorian Miltons
184(17)
Erik Gray
12 Victorian Shakespeares
201(16)
Bharat Tandon
13 The Romantic Bequest: Arnold and Others
217(18)
Michael O'Neill
14 American Intersections: Poetry in the United States 1837-1901
235(19)
Elisa New
15 The Poetry of Modern Life: On the Pavement
254(19)
Peter Robinson
16 Modernist Victorianism
273(18)
Adam Piette
17 `Dispatched Dark Regions Far Afield and Farther': Contemporary Poetry and Victorianism
291(18)
David Wheatley
PART III READINGS
18 Rhyme, Rhythm, Violence: Elizabeth Barrett Browning on Slavery
309(14)
Caroline Levine
19 Tennyson: Echo and Harmony, Music and Thought
323(14)
Ruth Padel
20 Browning's Balancing Acts
337(14)
Ross Wilson
21 Edward Lear and `The fiddlediddlety of representation'
351(19)
Hugh Haughton
22 Crime and Conjecture: Emily Bronte's Poems
370(15)
Michael Wood
23 Arthur Hugh Clough: The Reception and Conception of Amours de Voyage
385(15)
Adam Phillips
24 Matthew Arnold, Out of Time
400(16)
Jane Wright
25 Modern Men and Women: Meredith's Challenge to Browning
416(13)
Andrew Elfenbein
26 Raising the Dead: Dante Gabriel Rossetti's `Willowwood' Sonnets
429(16)
J. B. Bullen
27 Christina Rossetti: Ravens, Cockatoos, and Range
445(15)
Constance W. Hassett
28 William Barnes: Views of Field Labour in Poems of Rural Life
460(15)
Marcus Waithe
29 Dreaming Reality: The Poetry of William Morris
475(17)
Clive Wilmer
30 City of Pain: The Poetry of James Thomson
492(15)
Mark Ford
31 Augusta Webster: Time and the Lyric Ideal
507(14)
Emily Harrington
32 Swinburne: The Insuperable Sea
521(15)
Simon Jarvis
33 Hardy's Imperfections
536(13)
Seamus Perry
34 Hopkins's Beauty
549(14)
Martin Dubois
35 Michael Field (Katharine Bradley & Edith Cooper): Sight and Song and Significant Form
563(16)
Linda K. Hughes
36 Alice Meynell, Again and Again
579(12)
Meredith Martin
37 Housman's Difficulty
591(14)
Janet Gezari
38 Rudyard Kipling Plays the Empire
605(16)
Peter Howarth
39 Victorian Yeats
621(19)
Peter McDonald
40 The Passion of Charlotte Mew
640(15)
Tim Kendall
PART IV THE PLACE OF POETRY
41 Marketplaces
655(18)
Samantha Matthews
42 Inner Space: Bodies and Minds
673(17)
Stephanie Kuduk Weiner
43 Outer Space: Physical Science
690(19)
Anna Henchman
44 City and Street
709(17)
Rolf P. Lessenich
45 In the Artist's Studio
726(19)
Catherine Maxwell
46 On Not Hearing: Victorian Poetry and Music
745(17)
Francis O'Gorman
47 Church Going
762(21)
Kirstie Blair
48 Irish Poetry in the Victorian Age
783(17)
Justin Quinn
49 Empire and Orientalisms
800(17)
Joseph Phelan
50 The Jokes in the Machine: Comic Verse
817(17)
James Williams
51 `The song-bird whose name is Legion': Bad Verse and its Critics
834(19)
Daniel Karlin
Index 853
Matthew Bevis is a University Lecturer and Fellow in English at Keble College, Oxford. He is the author of The Art of Eloquence: Byron, Dickens, Tennyson, Joyce (OUP, 2007) and Comedy: A Very Short Introduction (OUP, 2012). He is the editor of Some Versions of Empson (OUP, 2007).