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Painting the Eastern Shore: A Guide to Chesapeake and Delaware Places and How to Capture Them in Watercolors [Hardback]

  • Formāts: Hardback, 128 pages, height x width: 203x178 mm, weight: 454 g, 20 color illus., 11 b&w illus.
  • Izdošanas datums: 23-Jul-1999
  • Izdevniecība: Johns Hopkins University Press
  • ISBN-10: 0801862329
  • ISBN-13: 9780801862328
  • Formāts: Hardback, 128 pages, height x width: 203x178 mm, weight: 454 g, 20 color illus., 11 b&w illus.
  • Izdošanas datums: 23-Jul-1999
  • Izdevniecība: Johns Hopkins University Press
  • ISBN-10: 0801862329
  • ISBN-13: 9780801862328
Skipjacks and workboats, tidal rivers and coastal marshes, charming streetscapes, historic houses, and town parks with bandstands-picturesque subjects abound along the shores of Chesapeake Bay and have long made the region a favorite among amateur and professional artists. In Painting the Eastern Shore, accomplished artist and teacher James Drake Iams combines visits to some of the Chesapeake's most beautiful places with step-by-step lessons for learning the art of watercolor painting. This attractive volume will serve as a welcome companion for the amateur watercolorist setting out to paint on location. After offering tips on what equipment to pack, Iams gives specific directions to various Delmarva sites, tells how to set up, and suggests what to look for in a subject. He then discusses a variety of essential techniques: sketching, composition, value, color, control of the medium, capturing depth and handling perspective, wetting the paper, and methods for painting key elements such as clouds, birds, boats, sand, and water. As he introduces readers to the fundamentals of watercolor painting, Iams leads them on a rambling, thoroughly enjoyable tour of memorable places throughout Maryland and Virginia's Eastern Shore and Delaware. Painting the Eastern Shore is illustrated with 49 line drawings, halftones, and color pictures. Locations and lessons: *Kent Narrows, Maryland: Drawing *St. Michaels, Maryland: Perspective *Tilghman Island, Maryland: Skipjacks *Oxford, Maryland: Value *Blackwater National Wildlife Refuge, Maryland: Waterfowl *Deal Island, Maryland: Composition *Crisfield and Smith Island, Maryland: Color *Saxis, Virginia: Texture *Wachapreague, Virginia: Marshes *Chincoteague, Virginia: Wet paint on wet paper *Trussum Pond, Delaware: Trees *Lewes, Delaware: Reflections *Cape Henlopen State Park, Delaware: Waves, dunes, and skies *New Castle, Delaware: Architectural painting

Papildus informācija

A charming guide for the amateur watercolorist setting out to paint on location in the Chesapeake region.
Introduction vii
Kent Narrows, Maryland: Drawing
1(5)
Drawing and painting the Chesapeake workboat. What to look for. Understanding the different objects found on the boats.
St. Michaels, Maryland: Perspective
6(6)
Creating the illusion of the third dimension.
Tilghman Island, Maryland: Skipjacks
12(7)
Sketching and painting skipjacks. Studying standing and running rigging. The parts of a skipjack.
Oxford, Maryland: Value
19(8)
Studying value, dark and light, in a composition. Shadows and how they describe form. Transparency and its application.
Blackwater National Wildlife Refuge, Maryland: Waterfowl
27(11)
Understanding and drawing ducks and geese at rest and in flight.
Deal Island, Maryland: Composition
38(12)
Recognizing positive and negative space in a painting. Balance and areas of a painting to be wary of. The effects of leveling and sharpening in a composition.
Crisfield and Smith Island, Maryland: Color
50(13)
Understanding color. The color wheel and the mixing of colors. The role of color in perspective.
Saxis, Virginia: Texture
63(7)
Using the drybrush to create texture. Illustrating the illusion of texture on a surface.
Wachapreague, Virginia: Marshes
70(4)
Working with greens.
Chincoteague, Virginia: Wet into Wet
74(5)
Wetting the paper to capture the soft look. Painting the entire painting while the paper is wet.
Trussum Pond, Delaware: Trees
79(6)
Studying, sketching, and painting different types of trees. How to treat trees in the foreground and middle ground and those in the distance.
Lewes, Delaware: Reflections
85(6)
Observing and painting reflections on calm and rippled water.
Cape Henlopen State Park, Delaware: Skies, Waves, and Dunes
91(8)
Sketching and painting skies, surf, sand, and incidental figures.
New Castle, Delaware: Architectural Painting
99(5)
Sketching and painting bricks, windows, shutters, and other details of buildings.
Epilogue: A Painting Painted 104
James Drake Iams completed his first painting in the winter of 1944 for an art show in his elementary school. He won first prize for his effort but didn't paint another watercolor until his sophomore year in college. Upon graduation he accepted a position teaching art in a Baltimore County public school. Baltimore City, the Patapsco River, the harbor, and the Chesapeake Bay became his inspiration, and he hasn't stopped painting since. His willingness to share his knowledge and experience will enrich those artists seeking to capture the magic of the Chesapeake.