Atjaunināt sīkdatņu piekrišanu

E-grāmata: Painting with Monet

  • Formāts: 312 pages
  • Izdošanas datums: 16-Apr-2024
  • Izdevniecība: Princeton University Press
  • Valoda: eng
  • ISBN-13: 9780691257440
  • Formāts - PDF+DRM
  • Cena: 58,54 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: 312 pages
  • Izdošanas datums: 16-Apr-2024
  • Izdevniecība: Princeton University Press
  • Valoda: eng
  • ISBN-13: 9780691257440

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

A major reassessment of the methods and meaning of impressionism

At pivotal moments in his career, Claude Monet would go out with a fellow artist, plant his easel beside his friends, and paint the same scene. Painting with Monet closely examines pairs of such works, showing how attention to this practice raises tantalizing new questions about Monets art and about impressionism as a movement.

Is impressionist painting an objective attempt to capture reality as it really is? Or is it a subjective expression of the artists unique way of perceiving things? How can artists create a movement without conformity extinguishing individuality? Harmon Siegel reveals how Monet explored problems like these in concrete, practical ways while painting alongside his teachers, Eugčne Boudin and Johan Barthold Jongkind; his friends, Frédéric Bazille and Pierre-Auguste Renoir; and his hero, Édouard Manet. At a time of major cultural upheavals, these artists asked how we can know reality beyond our personal perception. Siegel provides new insights into the aesthetic, philosophical, and ethical stakes for these painters as they responded to a rapidly changing society.

Beautifully illustrated, Painting with Monet sheds critical light on how Monet and his fellow impressionists, painting side by side, professed their capacity to know the world and affirmed their belief in what Siegel calls the reality of others.

Recenzijas

"Impressionism, in its emphasis on subjectivity, lends itself to the notion of the individual genius. Siegel delves into Monets habit of painting identical scenes alongside his peers and asks how this collaborative practice might change our understanding of the movement.

" * Apollo Magazine * "Written with real warmth, Siegel invites his readers to mindfully reflect on their own experiences with and ideas about impressionism, thus welcoming them into thoughtful conversation with him and so with Monet. Painting with Monet is a beautiful book."---Alexis Clark, Oxford Art Journal "Siegel contributes a sustained critical and theoretical inquiry into side-by-side paintings, complicating the understanding of the Impressionists objective to copy nature through nuanced discussions of relevant 19th-century concepts such as accuracy and audience, influence, and originality. . . . Highly recommended." * Choice *

Harmon Siegel is a Junior Fellow at the Harvard Society of Fellows. His writing has appeared in publications such as the Art Bulletin, Artforum, and American Art.