Atjaunināt sīkdatņu piekrišanu

E-grāmata: Painting US Empire: Nineteenth-Century Art and Its Legacies

  • Formāts - EPUB+DRM
  • Cena: 49,08 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

A fresh look at the global dimensions of US painting from the 1850s to 1898.

Painting US Empire is the first book to offer a synthetic account of art and US imperialism around the globe in the nineteenth century. In this work, art historian Maggie M. Cao crafts a nuanced portrait of nineteenth-century US painters’ complicity with and resistance to ascendant US imperialism, offering eye-opening readings of canonical works, landscapes of polar expeditions and tropical tourism, still lifes of imported goods, genre paintings, and ethnographic portraiture. Revealing how the US empire was “hidden in plain sight” in the art of this period, Cao examines artists including Frederic Edwin Church and Winslow Homer who championed and expressed ambivalence toward the colonial project. She also tackles the legacy of US imperialism, examining Euro-American painters of the past alongside global artists of the present. Pairing each chapter with reflections on works by contemporary anticolonial artists including Tavares Strachan, Nicholas Galanin, and Yuki Kihara, Cao addresses important contemporary questions around representation, colonialism, and indigeneity. This book foregrounds an underacknowledged topic in the study of nineteenth-century US art and illuminates the ongoing ecological and economic effects of the US empire.

Recenzijas

The material Cao discusses in Painting US Empire and the arguments she formulates about this material are truly compelling. She draws equally, and impressively, on the form of her objects of study and on archival and historical records, which she mines with great rigor and acuity. This is an important and original work of scholarship. * Rachael Z. DeLue, Princeton University * In a transhistorical and global kaleidoscope of tropical plants and taxidermy, blocks of ice and sea-laden watercolors, Cao offers a compelling and ethically grounded rethinking of US art through imperialism. With deft art historical analysis, she demonstrates that nineteenth-century US art was shaped by imperial dreams of conquest, the legacies of which continue to shape the nation and the field of art history. Painting US Empire offers a pathway forward that will inspire others to write new tellings of American art that deploy historic artworks as vital tools to begin to redress racism and colonialism. * Jennifer Van Horn, University of Delaware *

List of Illustrations

Introduction: Empire and the American Artist
1: Growth and Decay in the Southern Tropics
Intervention 1: Germinating
2: The Politics of Ice
Intervention 2: Melting
3: Trompe loeils Global Goods
Intervention 3: Mimicking
4: Keeping and Losing Time in the Pacific
Intervention 4: Ordering
5: Perils on the Caribbean Sea
Intervention 5: Drowning and Undrowning

Acknowledgments
Notes
Index
Maggie M. Cao is associate professor of art history and the David G. Frey Scholar in American Art at the University of North Carolina at Chapel Hill. She is the author of The End of Landscape in Nineteenth-Century America.