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E-grāmata: Palgrave Handbook of Artistic and Cultural Responses to War since 1914: The British Isles, the United States and Australasia

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  • Formāts: EPUB+DRM
  • Izdošanas datums: 05-Dec-2018
  • Izdevniecība: Springer International Publishing AG
  • Valoda: eng
  • ISBN-13: 9783319969862
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  • Formāts: EPUB+DRM
  • Izdošanas datums: 05-Dec-2018
  • Izdevniecība: Springer International Publishing AG
  • Valoda: eng
  • ISBN-13: 9783319969862

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This handbook explores a diverse range of artistic and cultural responses to modern conflict, from Mons in the First World War to Kabul in the twenty-first century. With over thirty chapters from an international range of contributors, ranging from the UK to the US and Australia, and working across history, art, literature, and media, it offers a significant interdisciplinary contribution to the study of modern war, and our artistic and cultural responses to it. The handbook is divided into three parts. The first part explores how communities and individuals responded to loss and grief by using art and culture to assimilate the experience as an act of survival and resilience. The second part explores how conflict exerts a powerful influence on the expression and formation of both individual, group, racial, cultural and national identities and the role played by art, literature, and education in this process. The third part moves beyond the actual experience of conflict and its connection with issues of identity to explore how individuals and society have made use of art and culture to commemorate the war. In this way, it offers a unique breadth of vision and perspective, to explore how conflicts have been both represented and remembered since the early twentieth century.
1 Introduction: Artistic and Cultural Responses to War
1(20)
Martin Kerby
Margaret Baguley
Janet McDonald
PART I Loss, Grief and Resilience
21(178)
2 No Agency: Iraq and Afghanistan at War--The Perspective of Commissioned War Artists
23(22)
Charles Green
Lyndell Brown
3 Megan Leavey and the Popular Visual Culture of the War-on-Terror
45(18)
Paul Duncurn
4 Tommy Talk: War Hospital Magazines and the Literature of Resilience and Healing
63(18)
Alice Brumby
5 Wirral and the Great War
81(18)
Stephen Roberts
6 Touring the Battlefields of the Somme with the Michelin and Somme Tourisme Guidebooks
99(18)
Caroline Winter
7 Propatria mori: A Memorial in Music
117(14)
Phillip Gearing
8 The Stamps-Baxter GI School of Music
131(16)
Jeannette Fresne
9 Witnesses to Death: Soldiers on the Western Front
147(16)
Natasha Silk
10 The Soldier as Artist: Memories of War
163(18)
Michael Armstrong
11 Icons of Horror: Three Enduring Images from the Vietnam War
181(18)
John M. Harris
PART II Identity
199(128)
12 The Weather in Our Souls: Curating a National Collection of Second World War Art at the Imperial War Museum
201(18)
Claire Brenard
13 Write Propaganda, Shut Up or Fight: Philip Gibbs and the Western Front
219(18)
Martin Kerby
Margaret Baguley
Abbey MacDonald
14 A War on Two Fronts: British Morale, Cinema and Total War, 1914-1958
237(18)
Gerard Oram
15 (Re)Writing the Second World War: United States, Russian and German National History Textbooks in the Immediate Aftermath of 1989
255(20)
Susan Santoli
16 They Wandered Far and Wide: The Scottish Soldier in the Australian Imperial Force
275(16)
Fraser Brown
17 Scottish War Resisters and Conscientious Objectors, 1914-1919
291(18)
William Kenefick
18 Australian Not by Blood, but by Character: Soldiers and Refugees in Australian Children's Picture Books
309(18)
Martin Kerby
Margaret Baguley
Nathan Lowien
Kay Ayre
PART III Commemoration
327(250)
19 War Began in Nineteen Sixty-Three: Poetic Responses to the 50th Anniversary
329(18)
Martin Malone
20 "Heroes and Their Consequences": 9/11, the War on Terror, and the Marvel Cinematic Universe
347(24)
Inga Meier
21 `Re-membering' the Past: Eyewitness and Post-battle Artistic Accounts of the Falklands War
371(20)
Paul Gough
22 The Imagined Memorial Gallery: Britain's Aspiration to Commemorate the Great War Through Art
391(16)
Alexandra Walton
23 Rectifying an Old Injustice: The Korean War Veterans Memorial in Washington, DC
407(20)
Christine Knauer
24 Lest They Forget: Exploring Commemoration and Remembrance Through Games and Digital Technologies
427(20)
Iain Donald
25 Combat Cinematography: Interpreting the Cinematographic Form of Combat Realism
447(20)
Daniel Maddock
26 Conflict and Compromise: Australia's Official War Artists and the "War on Terror"
467(18)
Kit Messham-Muir
27 Angels, Tanks, and Minerva: Reading the Memorials to the Great War in Welsh Chapels
485(26)
Gethin Matthews
28 "The Nest Kept Warm": Heaney and the Irish Soldier-Poets
511(24)
Martin Malone
29 The Theatre of War: Rememoration and the Horse
535(18)
Janet McDonald
30 Australian War Memorials: A Nation Reimagined
553(22)
Martin Kerby
Malcom Bywaters
Margaret Baguley
31 Conclusion
575(2)
Martin Kerby
Margaret Baguley
Janet McDonald
Index 577
Martin Kerby is Senior Lecturer at the University of Southern Queensland, Australia. His research areas encompass both educational and historical areas. He recently received a USQ Publication Excellence Award for Sir Philip Gibbs and English Journalism in War and Peace (Palgrave Macmillan, 2016) and is the current Editor of Australian Art Education.

Margaret Baguley is Associate Professor in Arts Education, Curriculum and Pedagogy at the University of Southern Queensland as well as the President of Art Education Australia. She has recently co-edited The Palgrave International Handbook of Global Arts Education with Georgina Barton (Palgrave Macmillan, 2017). Janet McDonald is Associate Professor of Drama and Theatre Studies in the School of Arts and Communication at the University of Southern Queensland, Australia. Her research areas include actor-training and wellbeing, localism andwellbeing, and liminal arts practices in regional areas which features prominently her in published book Creative Communities: Regional Inclusion in the Arts (2015), co-edited with Robert Mason.