| Introduction: Between the Creation and Disintegration of Images |
|
1 | (20) |
|
|
| Part I Essential Histories |
|
21 | (226) |
|
The Concept of the Image in the Old and New Testaments |
|
|
23 | (14) |
|
|
|
Mimesis and Simulacrum in Aristotle and Plato |
|
|
37 | (14) |
|
|
|
Iconoclastic Disputes in Byzantium |
|
|
51 | (24) |
|
|
|
Perspective, Space and Camera Obscura in the Renaissance |
|
|
75 | (18) |
|
|
|
Immanuel Kant and the Emancipation of the Image |
|
|
93 | (16) |
|
|
|
Formalism and Kunstwissenschaft: The "How" of the Image |
|
|
109 | (22) |
|
|
|
Aby Warburg and the Foundations of Image Studies |
|
|
131 | (16) |
|
|
|
|
|
Early Interactions of Static and Moving Images |
|
|
147 | (20) |
|
|
|
Iconoclasm and Creation of the Avant-Garde |
|
|
167 | (20) |
|
|
|
Planarity, Pictorial Space, and Abstraction |
|
|
187 | (16) |
|
|
|
|
|
203 | (18) |
|
|
|
Digital Images and Virtual Worlds |
|
|
221 | (12) |
|
|
|
The Martian Image (On Earth) |
|
|
233 | (14) |
|
|
|
|
| Part II Fundamental Concepts |
|
247 | (184) |
|
Intentionality, Phantasy, and Image Consciousness in Edmund Husserl |
|
|
249 | (16) |
|
|
|
Aura, Technology, and the Work of Art in Walter Benjamin |
|
|
265 | (16) |
|
|
|
Image and the Illusion of Immanence in Jean-Paul Sartre |
|
|
281 | (14) |
|
|
|
Trait, Identity, and the Gaze in Jacques Lacan |
|
|
295 | (18) |
|
|
|
Symbolic Exchange and Simulation in Jean Baudrillard |
|
|
313 | (14) |
|
|
|
Historicity of Observing and Vision in Jonathan Crary |
|
|
327 | (16) |
|
|
|
Male Gaze and Visual Pleasure in Laura Mulvey |
|
|
343 | (20) |
|
|
|
|
|
Reality, Fiction and Make-Believe in Kendall Walton |
|
|
363 | (16) |
|
|
|
The Technical Image in Vilem Flusser |
|
|
379 | (16) |
|
|
|
Im/pulse to See in Rosalind Krauss |
|
|
395 | (20) |
|
|
|
The Power of and Response to Images in David Freedberg |
|
|
415 | (16) |
|
|
| Part III Frequent Subjects |
|
431 | (192) |
|
Ontological Dispute: What Is an Image? |
|
|
433 | (16) |
|
|
|
Representation and the Scopic Regime of (Post-)Cartesianism |
|
|
449 | (18) |
|
|
|
The Iconic (In)difference |
|
|
467 | (16) |
|
|
|
Seeing-as, Seeing-in, Seeing-with: Looking Through Pictures |
|
|
483 | (18) |
|
|
|
Varieties of Transparency |
|
|
501 | (14) |
|
|
|
Photographic Images in the Digital Era |
|
|
515 | (18) |
|
|
|
|
|
533 | (14) |
|
|
|
|
|
547 | (10) |
|
|
|
|
|
557 | (18) |
|
|
|
The Beholder's Freedom: Critical Remarks on the "Will to See" |
|
|
575 | (14) |
|
|
|
Surveillance and Manipulation Versus Networking and Sharing |
|
|
589 | (20) |
|
|
|
|
|
609 | (14) |
|
|
| Part IV Related Disciplines |
|
623 | (176) |
|
Phenomenology of the Image |
|
|
625 | (16) |
|
|
|
|
|
641 | (14) |
|
|
|
Literary Iconology: Tropes and Typologies |
|
|
655 | (16) |
|
|
|
French Theory: Poststructuralism and Deconstruction |
|
|
671 | (16) |
|
|
|
Anglo-American Theory: Representation and Visual Activism |
|
|
687 | (16) |
|
|
|
German Theory: Bildwissenschaft and the Iconic Turn |
|
|
703 | (16) |
|
|
|
The Image and Neuroaesthetics |
|
|
719 | (16) |
|
|
|
|
|
735 | (24) |
|
|
|
|
|
759 | (20) |
|
|
|
Maarten Van Den Driessche |
|
|
|
|
|
|
779 | (20) |
|
|
| Part V Contemporary Thinkers |
|
799 | (166) |
|
|
|
801 | (22) |
|
|
|
|
|
823 | (18) |
|
|
|
|
|
841 | (16) |
|
|
|
|
|
857 | (16) |
|
|
|
|
|
873 | (16) |
|
|
|
|
|
889 | (16) |
|
|
|
|
|
905 | (16) |
|
|
|
|
|
921 | (16) |
|
|
|
|
|
937 | (14) |
|
|
|
|
|
951 | (14) |
|
|
| Index |
|
965 | |
