|
Part I Conceptualising the Screen Work: Ideas, Intentions, Contexts |
|
|
1 | (128) |
|
Creative Filmmaking Processes, Procedures and Practices: Embodied and Internalized Filmmaking Agency |
|
|
3 | (16) |
|
|
|
Commission, Position and Production: Intent and Intervention in Minority Language Programmes |
|
|
19 | (14) |
|
|
Having Something to Say and Saying It Well |
|
|
33 | (16) |
|
|
|
Understanding the Underlying Principles of the Short Film |
|
|
49 | (12) |
|
|
|
Two Screenplays, One Writer, National Voice |
|
|
61 | (14) |
|
|
Off-screen: Reimagining Animation |
|
|
75 | (12) |
|
|
|
|
The Dr Egg Adventures: Incorporating User-Generated Content and User-Testing Strategies in Pre-production Conceptualisation and Development of a Multi-Platform Storyworld |
|
|
87 | (16) |
|
|
Taking Place, Screening Place: Studying Locations in Television Drama Production |
|
|
103 | (14) |
|
|
|
Wayfaring, Co-Presence and Mobility: Conceptualising and Re-Conceptualising with Smartphones |
|
|
117 | (12) |
|
|
|
Part II Developing the Screen Work: Collaboration, Imagination, Distillation |
|
|
129 | (78) |
|
Writing Bodies: Developing and Scripting an Embodied Feature Film Screenplay |
|
|
131 | (14) |
|
|
Putting Theory into Practice: Structuring the Personal Essay Documentary, The Silences |
|
|
145 | (12) |
|
|
Work-in-Progress: The Writing of Shortchanged |
|
|
157 | (12) |
|
|
Developing Baxter and Me: Maintaining Authorial Voice Despite Industry Pressures |
|
|
169 | (12) |
|
|
Writers, Producers and Creative Entrepreneurship in Web Series Development |
|
|
181 | (12) |
|
|
|
Local Content Producers: Co-Creating Communal Stories and Community in the Big Stories, Small Towns Participatory Documentary Project |
|
|
193 | (14) |
|
|
Part III Realising the Screen Work: Practice, Process, Pragmatism |
|
|
207 | (114) |
|
Creative Practice: A Love Story |
|
|
209 | (12) |
|
|
Creating and Designing the Contemporary Soundtrack: A Case Study |
|
|
221 | (10) |
|
|
The (Braided) Documentary Voice: Theorising the Complexities of Documentary Making |
|
|
231 | (12) |
|
|
|
Editing the Observed: Evaluation and Value Creation Processes in the Editing of a Feature Documentary Film |
|
|
243 | (14) |
|
|
The Beginning of a Beautiful Relationship: A Case Study of an Immersive Filmmaking Process |
|
|
257 | (12) |
|
|
|
|
"Make it in Post": Digital Visual Effects and the Temporality of Creative Value in Post-Production |
|
|
269 | (12) |
|
|
Trapped: A Case Study of International Co-Production |
|
|
281 | (12) |
|
|
Production Practices in the Filming of German Scripted Reality Shows |
|
|
293 | (12) |
|
|
|
Embracing the TV Commercial: Charms and Challenges of Selling on Screen |
|
|
305 | (16) |
|
|
|
Part IV Exhibiting the Screen Work: Places, Spaces, Ecologies |
|
|
321 | (80) |
|
Producing the Other in International Film Festivals: Festival Fund, Address and the Making of Authenticity in Gabriel Mascaro's Neon Bull |
|
|
323 | (12) |
|
|
The Live Cinema Paradox: Continuity and Innovation in Live Film Broadcast, Exhibition and Production |
|
|
335 | (12) |
|
|
|
Digital Disruption and Innovation in Distribution: Opportunities for Research-Based Filmmaking in the New Global Screen Ecology |
|
|
347 | (16) |
|
|
|
Dispositifs at Play: Artist's Moving Image in the Gallery |
|
|
363 | (12) |
|
|
|
Mobile Reception: Materiality and Locality with Small Screens |
|
|
375 | (14) |
|
|
|
Appeasing the Trolls: Contextualising New Screen Practices with Smartphones |
|
|
389 | (12) |
|
|
|
Part V Teaching the Screen Work: Pedagogies, Practices, Approaches |
|
|
401 | (72) |
|
There Is No `E' in `Constraints': Teaching Creativity in Higher Education Screen Production |
|
|
403 | (12) |
|
|
"Is this Degree Practical or Theoretical?" Screen and Media Education, Studio-Based Teaching and Signature Pedagogies |
|
|
415 | (12) |
|
|
Teaching Screen Arts in Australia: Challenges, Opportunities and Current Trends |
|
|
427 | (16) |
|
|
VR and Screen Education: An Approach to Assist Student Understanding of Narrative Emphasis, Spatiality and Structural Elements within Narrative VR |
|
|
443 | (16) |
|
|
Teaching Screenwriting Through Script Development: Looking Beyond the Screenplay |
|
|
459 | (14) |
|
|
Index |
|
473 | |