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Palimpsest: A History of the Written Word [Hardback]

2.98/5 (360 ratings by Goodreads)
(Berkman Center for Internet and Society)
  • Formāts: Hardback, 272 pages, height x width x depth: 244x165x25 mm, weight: 575 g, 15 illustrations
  • Izdošanas datums: 21-Aug-2015
  • Izdevniecība: WW Norton & Co
  • ISBN-10: 0393058859
  • ISBN-13: 9780393058857
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 30,00 €
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  • Formāts: Hardback, 272 pages, height x width x depth: 244x165x25 mm, weight: 575 g, 15 illustrations
  • Izdošanas datums: 21-Aug-2015
  • Izdevniecība: WW Norton & Co
  • ISBN-10: 0393058859
  • ISBN-13: 9780393058857
Citas grāmatas par šo tēmu:
A fascinating exploration of the relationship between humans and their unique form of expression: writing.

Writing makes history possible, as it aims to sew together a continuous record of the past. Yet its own history is elusive. Born of the capacities for attention and invention bequeathed to us by evolution, it has continually revised and expanded human consciousness, our sense of self and of others.

Writing’s origins are framed in mythology as a gift from heroes or a curse from the gods. It has been used as an instrument of power and as a channel of the divine, as a means of social bonding and of individual self-definition. Now, as the revolution once wrought by the printed word gives way to an e-revolution, many fear that the art of writing—and the nuanced thinking nurtured by writing—are under threat. But writing itself, despite striving for durability, is always in the midst of growth and transfiguration. Change is the destination our letters ever are reaching.

Recenzijas

"Anyone who can write a history of writing in fewer than 200 pages is either foolish or brilliant. Matthew Battles is brilliant. This is not an encyclopedic chronology but an extended essay that skips gracefully across the centuries, stopping wherever the most interesting stories lie." -- Anne Fadiman, author of Ex Libris: Confessions of a Common Reader "From traces in clay to photon traces on the screens that surround us today, seeing roots and bones in the shapes of letters, Matthew Battles explores the deep origins and hidden structures of our written world. Scholarly and poetic, Palimpsest is a beautiful and engaging read for anyone who loves to write." -- Ethan Zuckerman, author of Rewire: Digital Cosmopolitans in the Age of Connection "To call this book a profound meditation on what it means to be human would be to tell the truth but leave out all the fun. At once elegant and mischievous, Palimpsest is a great intellectual adventure that travels around the world on its way from the emergence of cuneiform to the future of cyberspace. It will charm and provoke any reader who has ever put pen to paper or typed into a text box, whether to attempt literature or scrawl today's to-do list." -- Elise Blackwell, author of Hunger and The Lower Quarter "This is book history as dizzying palimpsest. Traveling through centuries and across continents, Battles finds unexpected connections and echoes that resonate with our own day. Surely this is what life in Borges's endless library must be." -- Martin Puchner, professor of drama and of English and comparative literature, Harvard University "The written word changed literally everything, allowing for history, the law, and civilization itself. But rarely is it appreciated for its own sake and its own beauty. Matthew Battles has written an essential text on the essence of writing. Whether it turns out to be an ode or an elegy, we have yet to see." -- Douglas Rushkoff, author of Present Shock: When Everything Happens Now

Foreword Mind As Page 1(4)
Books In Running Brooks
5(14)
Origins And Nature
19(37)
Pictures And Things
56(31)
Writing And Power
87(33)
Holy Writ
120(35)
Logos Ex Machina
155(62)
Afterword Page As Mind 217(6)
Acknowledgments 223(4)
Notes On Sources 227(12)
Illustration Credits 239(2)
Index 241
Matthew Battles is the author of Palimpsest and Library: An Unquiet History and a program fellow at the Berkman Center of Harvard University, where he is associate director of metaLAB, a research group exploring the bounds of networked culture.