"The Passion of the Christ was the cinematic event of 2004. In the year leading up to its release it inspired one of the fiercest controversies, and perhaps the most significant exception to rules limiting the distribution of film violence and blood-letting, since the late 1960s. The film's unflinching depiction of the torture and crucifixion of Jesus was praised and deplored in equal measure as either scaling unprecedented heights of reverent iconography or plumbing new depths of gratuitous violence. Atthe same time, it provoked a nationwide storm of controversy for what many saw as its anti-Semitic portrayal of Jewish religious leaders. Neal King's study of the controversies over The Passion of the Christ explores how conservative Christians united in support of Mel Gibson and in opposition to liberal, secular and Jewish critics. The resulting public battle in the US over the editing and rating of this film generated more controversy than over any other film in recent cinematic history. By chronicling the publicity campaign that made this film the highest grossing independent production of all time, King reveals how Gibson deployed tactics that date from the days of silent movies about Jesus and the Jews. In a close look at debates over the film's classification, he shows how religious groups inspired ratings boards, media watchdogs and government censors worldwide to break their rules and guidelines about violence and the depictions of prophets and other religious figures. Finally, study of the film's narrative and visual style shows how the choices made by director, cast and crew contributed to the biggest argument over Hollywood and anti-Semitism in decades, and how longstanding patterns in the production and marketing of stories of Christ helped one filmmaker to turn his statement of faith into a partisan, blockbuster event"--
Provided by publisher.
The Passion of the Christ was the cinematic event of 2004. In the year leading up to its release it inspired one of the fiercest controversies, and perhaps the most significant exception to rules limiting the distribution of film violence and blood-letting, since the late 1960s. The film's unflinching depiction of the torture and crucifixion of Jesus was praised and deplored in equal measure as either scaling unprecedented heights of reverent iconography or plumbing new depths of gratuitous violence. At the same time, it provoked a nationwide storm of controversy for what many saw as its anti-Semitic portrayal of Jewish religious leaders.
Neal King's study of the controversies over The Passion of the Christ explores how conservative Christians united in support of Mel Gibson and in opposition to liberal, secular and Jewish critics. The resulting public battle in the US over the editing and rating of this film generated more controversy than over any other film in recent cinematic history. By chronicling the publicity campaign that made this film the highest grossing independent production of all time, King reveals how Gibson deployed tactics that date from the days of silent movies about Jesus and the Jews. In a close look at debates over the film's classification, he shows how religious groups inspired ratings boards, media watchdogs and government censors worldwide to break their rules and guidelines about violence and the depictions of prophets and other religious figures. Finally, study of the film's narrative and visual style shows how the choices made by director, cast and crew contributed to the biggest argument over Hollywood and anti-Semitism in decades, and how longstanding patterns in the production and marketing of stories of Christ helped one filmmaker to turn his statement of faith into a partisan, blockbuster event.
Recenzijas
'Neal King knows more about the making, marketing and reception of The Passion of the Christ than anyone else. He gives us an elegant and perceptive analysis of the controversies that surrounded Gibson's film and a sociological portrait of their origins in the competing objectives of polarized groups. King's book is an essential source on the making and meaning of a film that has been both celebrated and condemned.' - Stephen Prince, author of Firestorm: American Film in the Age of Terrorism 'This book is a means to reignite interest in the film and inspire debate surrounding it. Neal's resurrection of the film may help it take its rightful place in cinematic history.' - Lauren Felton, Filmwerk
Papildus informācija
'Neal King knows more about the making, marketing and reception of The Passion of the Christ than anyone else. He gives us an elegant and perceptive analysis of the controversies that surrounded Gibson's film and a sociological portrait of their origins in the competing objectives of polarized groups. King's book is an essential source on the making and meaning of a film that has been both celebrated and condemned.' - Stephen Prince, author of Firestorm: American Film in the Age of Terrorism 'This book is a means to reignite interest in the film and inspire debate surrounding it. Neal's resurrection of the film may help it take its rightful place in cinematic history.' - Lauren Felton, Filmwerk
Acknowledgments |
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vii | |
Introduction |
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ix | |
A Personal and Procedural Note |
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xiii | |
Synopsis |
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xv | |
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Part 1 Production and Marketing |
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4 | (10) |
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14 | (5) |
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19 | (10) |
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Part 2 Rating and Censorship |
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29 | (2) |
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31 | (4) |
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35 | (4) |
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39 | (5) |
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44 | (2) |
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46 | (4) |
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50 | (4) |
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Dangers of Media Violence |
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54 | (3) |
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57 | (4) |
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The Scholars and Violence |
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61 | (3) |
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Redemption through Media Violence |
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64 | (6) |
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70 | (6) |
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76 | (3) |
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79 | (5) |
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84 | (7) |
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Part 5 Key Scene Analysis |
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91 | (3) |
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94 | (8) |
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102 | (19) |
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121 | (2) |
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Appendix B Releases and Ratings |
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123 | (2) |
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Appendix C Christian Watchdog Sites |
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125 | (2) |
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127 | (4) |
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131 | (14) |
Index |
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145 | |
NEAL KING is Associate Professor of Sociology at Virginia Tech, USA. He is the author of Heroes in Hard Times: Cop Action movies in the U.S. (1999), co-editor of Reel Knockouts: Violent Women in the Movies (2001), and has published several other studies of violent film genres and social inequality.