Atjaunināt sīkdatņu piekrišanu

E-grāmata: Pedagogical Art in Activist and Curatorial Practices [Taylor & Francis e-book]

Edited by (University of Missouri-Kansas City (UMKC), USA), Edited by (Minnesota State University Moorhead, USA.)
  • Formāts: 266 pages, 10 Halftones, color; 27 Halftones, black and white; 10 Illustrations, color; 27 Illustrations, black and white
  • Sērija : Routledge Advances in Art and Visual Studies
  • Izdošanas datums: 23-Jun-2025
  • Izdevniecība: Routledge
  • ISBN-13: 9781003473800
  • Taylor & Francis e-book
  • Cena: 155,64 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 222,34 €
  • Ietaupiet 30%
  • Formāts: 266 pages, 10 Halftones, color; 27 Halftones, black and white; 10 Illustrations, color; 27 Illustrations, black and white
  • Sērija : Routledge Advances in Art and Visual Studies
  • Izdošanas datums: 23-Jun-2025
  • Izdevniecība: Routledge
  • ISBN-13: 9781003473800
"This edited volume highlights the historical, philosophical and theoretical legacies of pedagogical art and examines its connections with various forms of activism and institutional transformation. Chapters reveal interconnected concerns related to institutional power structures, systemic racism, sexism and gender biases in art institutions, exclusionary tactics of neoliberal corporate interests, and the politicization of culture in authoritarian regimes. The volume brings together leading and emerging scholars, curators and artists who have written case studies from various geographical, cultural and political contexts. Through a range of different approaches and diverse perspectives, contributors address key debates and conversations on this topic including the lessons that can be learned from exploring global histories of critical pedagogy, the possibilities and constraints of institutional critique and transformation within museums, universities and other educational institutions, and the many ways in which contemporary pedagogical art has intersected with art and activism around the world. Through these debates, contributors investigate the potential of pedagogical art as a transformative institutional tool with the potential to activate discursivespaces for generating, sharing and amplifying knowledge as a powerful form of collective resistance. The book will be of interest to scholars working in art history, art education, and museum studies, among other fields"--

This edited volume highlights the historical, philosophical and theoretical legacies of pedagogical art and examines its connections with various forms of activism and institutional transformation.



This edited volume highlights the historical, philosophical and theoretical legacies of pedagogical art and examines its connections with various forms of activism and institutional transformation.

Chapters reveal interconnected concerns related to institutional power structures, systemic racism, sexism and gender biases in art institutions, exclusionary tactics of neoliberal corporate interests, and the politicization of culture in authoritarian regimes. The volume brings together leading and emerging scholars, curators and artists who have written case studies from various geographical, cultural and political contexts. Through a range of different approaches and diverse perspectives, contributors address key debates and conversations on this topic including the lessons that can be learned from exploring global histories of critical pedagogy, the possibilities and constraints of institutional critique and transformation within museums, universities and other educational institutions, and the many ways in which contemporary pedagogical art has intersected with art and activism around the world. Through these debates, contributors investigate the potential of pedagogical art as a transformative institutional tool with the potential to activate discursive spaces for generating, sharing and amplifying knowledge as a powerful form of collective resistance.

The book will be of interest to scholars working in art history, art education, and museum studies, among other fields.

Introduction: Pedagogical Art in Activist and Curatorial Practices Part
1: Pedagogies in Art: Histories, Theories and Philosophies
1. The Liberatory
Lecturer: Cutting Through the Educational Fault Lines in Art and Politics
2.
Teaching Across and Beyond the Waves: Mónica Mayer and the Generative
Legacies of Feminist Artistic Pedagogy in Mexico
3. Archives as Didactic
Tools: Contemporary Art and the Legacy of Emancipatory Pedagogies in
East-Central Europe
4. Radical Listening as Collective Education: Learning
from Cįdiz Carnival Music
5. Aesthetic Education in a Community Art Project
in Rural China: A Case Study of the Shijiezi Art Museum
6. Pedagogy on Stage:
Climate Change and the Performance-as-Lecture Part 2: Pedagogies as Tools in
Institutional Transformations and Counter-Institutions
7. To Let the Art Do
Its Job
8. Reading Theory to Overcome Institutional Crisis: Colectivo
Artificios Experiments in Dialogic Learning and Artistic Collaboration in El
Salvador
9. Smoke and Mirrors: Fugitive Crip Way-Finding and Artful Deception
in the Museum
10. The Classroom as Borderland: Borderlands Art Pedagogy
11.
Challenging Institutional Narratives in the 21st Century: Visibilities,
Museum Studies and the Student Experience Part 3: Pedagogies in Art and
Activist Platforms
12. Communiversity: Inside and Outside Art Education
13.
Indigenous Pedagogies in Portage: Intimate and Collaborative Learning to
Support Climate Adaptation
14. Throwing Stones at the Wall: Pedagogical Art
and the Immovability of Museums
15. Socially Engaged Art and Pedagogical
Experiments from Contemporary China
16. Edupropaganda: Education in an
Illiberal Democracy
17. A Conceptual Artist in Every School
Izabel Galliera is the Dorothy and Dale Thompson Missouri Endowed Associate Professor of Art History at the University of Missouri-Kansas City (UMKC), USA. She is the author of Socially Engaged Art After Socialism: Art and Civil Society in Central and Eastern Europe (2017 and 2022).

Noni Brynjolson is an Assistant Professor of Art History at Minnesota State University Moorhead, USA. She has published essays in a number of edited books and journals and is a member of the editorial collective of FIELD: A Journal of Socially Engaged Art Criticism.