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Performance / Media / Art / Culture: Selected Essays 19832018 [Mīkstie vāki]

  • Formāts: Paperback / softback, 272 pages, height x width: 244x170 mm, 20 Plates, black and white
  • Izdošanas datums: 01-Oct-2019
  • Izdevniecība: Intellect Books
  • ISBN-10: 1789380855
  • ISBN-13: 9781789380859
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  • Cena: 42,94 €
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  • Formāts: Paperback / softback, 272 pages, height x width: 244x170 mm, 20 Plates, black and white
  • Izdošanas datums: 01-Oct-2019
  • Izdevniecība: Intellect Books
  • ISBN-10: 1789380855
  • ISBN-13: 9781789380859
Citas grāmatas par šo tēmu:
Experience the interdisciplinary performance scene of the 1980s and beyond through the eyes of one of its most compelling witnesses. Jacki Apple&;s Performance / Media / Art / Culture traces performance art, multimedia theater, audio arts, and dance in the United States from 1983 to the present. Showcasing thirty-five years of Apple&;s critical essays and reviews, the collection explores the rise and diversification of intermedia performance; how new technologies (or rehashed old technologies) influence American culture and contemporary life; the interdependence of pop and performance culture; and the politics of art and the performance of politics.
 
Apple writes with a journalist&;s attention to the immediacy of account and a historian&;s attention to structural aesthetic and personal networks, resulting in a volume brimming with big ideas but grounded in concentrated reviews of individual performances. Many of the pieces featured in this collection originally appeared in small press journals and magazines that have now gone out of print. Preserved and republished here for current and future readers, they offer a rich portrait of performance at the end of the millennium.
 

Recenzijas

'This book is a stunning piece of scholarship, authorship, curation, and artistry. A potent historical record of performance art, it would serve well as a primer for any scholar, artist, or upper-level/graduate course interested in learning this history from a primary source. At the same time, the essays combine to become an inspiring call-to-action for experimental art-making. I frequently found myself wanting to know Apple and LaPalmas current thoughts on the questions they raise, but the books true gift is the space they allow for the essays to question each other. Through their tremendous restraint in not adding additional comment, they invite readers to explore their own curiosity about performance, performance art, or whatever term comes next.' -- Daniel Bird Tobin, Ecumenica: Performance and Religion '[ Apple] seems to have done more thinking and writing about this unstable and hard-to-contain genre than anyone else on the West Coast. [ ...] As a chronicle of 35-plus years of avant-garde barricadesmanship in Los Angeles, Performance / Media / Art / Culture preserves an atmosphere of politico-aesthetic urgency, which can give the reader the off-kilter feeling that art spaces surely are the place where the world gets changed. [ ...] Its a valuable history of some very untamed goings-on over time, and a detailed chronicle of what can happen when art turns into agitprop ruled by committee. One has the feeling that Jacki Apples influence extends to many an arts professor and art performer working today; this book ensures that and also shows why. It will have a long shelf life in academic and art libraries.' -- Anthony Mostrom, Los Angeles Review of Books 'Only a handful of writers have the intellectual chops, creative intuition and vision of art history to speak holistically about performance art, but Jacki Apple consistently proves herself essential to the field and how we understand it. She digs into both the formal and the ineffable dimensions of performance with unmatched power and clarity without sacrificing honesty about the art and artists she clearly loves. Jacki stands in the evolving vortex of performance art so we can see its future.' -- Eric Gutierrez, Writer/former Executive Editor, High Performance 'In the late 1980s and early '90s, Jacki Apple's pioneering essays on radio art as an emerging practice in the U.S. stood tall. Hardly any other writers publishing texts on radio, came from an arts background let alone an interdisciplinary one. Apple did, and her voice spoke with unprecedented insight, intellectual rigour, clarity and passionate conviction on the subject. She discussed and critiqued the most innovative and inspiring art works for broadcast in the context of the politics of the industry and of contemporary American culture. This wonderful edition encompasses the full range of her critical writings.' -- Regine Beyer, writer/radio producer and editor, Germany-USA 'For several decades now, Jacki Apple's astute observations of the arts,

performance and culture in Los Angeles have added profound insight to this still

burgeoning landscape populated by the movers and shakers who flock here. Her

history as an artist in her own right expands the depth and comprehension of her

analysis. She has been an influencer in the truest sense, advancing the cultural

discussion with erudition and compassion. Among the annals of tomes

dedicated to understanding why LA is so significant, so centripetal, this is a long-

awaited addition.' -- Tony Abatemarco, Playwright, Performer, Co-Artistic Director - Skylight Theatre Company 'Writing with deep historical knowledge, compassion and generosity, Jacki Apple

is an artists critic, always seeking first to reveal and then to celebrate the heart of

a performance, no matter what the medium. Her fearless radicalism, tempered by

a refreshing sense of humour, uncovers buried roots while also posing the most

essential cultural question: how does this art help us understand who we are? I

am particularly enthralled by the final section, Concerning Nature, essential

reading during a time when ecocidal capitalism has surely reached the breaking

point.' -- Gregory Whitehead, Artist/writer 'Jacki Apples writing about the temporal arts stuns the reader with its capacity

to contextualise projects historically. She weaves together diverse cultural

interventions with an urgency about their meaning for this crucial moment in the

world.' -- Beverly Naidus, artist, author, activist and Professor of Interdisciplinary Arts, University of Washington, Tacoma 'Jacki Apple has always made works that come at you from every possible angle.

As composer, performer, writer and cultural detective, she is fearless at pushing

the boundaries of her own work, while simultaneously providing platforms for

other artists to push their own possibilities. This book has been brewing for over

35 years. It is the story of what where when why and how we are in this culture

now, told by a vital participant and invaluable witness.' -- Terry Allen, Artist 2019 'Jacki Apple is a tireless advocate for the aesthetic, the generative, for art that intervenes and illuminates. She is the rare artist who is generous and revelatory,

bringing enormous skill and knowledge to the work of fellow artists crossing

many disciplines, as do her own intricate and multifaceted creations.' -- Jeff McMahon, Performer and writer. Associate Professor, Arizona State University 'Jacki Apple has always been a fair and thoughtful advocate of the arts. There are

so few writers with her depth and knowledge around. Expansive and generous,

Jacki writes with an open, inclusive heart.' -- Ping Chong, Artistic director, Ping Chong and Company 'Jacki Apples heightened artistic perception has opened my eyes to the meaning of my early visceral raw performances from the 1980s to the present more theatrically polished ones. Her insightful critical writing not only changed the way I understood my own work and its role in pushing boundaries and breaking taboos, but also the performance work of my peers in times of political pressure. For anyone who wants to understand this history, this book is eye-opening.' -- John Fleck, Performance artist 'Jacki Apples accurate, intimate, gracious, erudite and insightful writing

provides a front row seat to an expanding cultural big-bang. This book is a gift to

those of us determined to understand the who, the where, the when, the how and

the why of the tectonic shifts that brought social interaction into the scope and

insight of art makers. Her enthusiasm for the subject coupled with a commitment

to her readers makes for learning more than history. She makes the history feel

contemporary.' -- Conrad Gleber PhD, Media artist

Acknowledgements xi
Foreword xiii
Marina LaPalma
The Tv Generation: Media Culture And Performance
1(54)
Performance in the Eighties: The TV Generation (1984)
3(9)
Psycho-Opera (1987)
12(2)
Commentary Intermedia: Performance and Video (1983)
14(4)
Sex and Technology: The Politics of Intimacy (1990)
18(2)
The Making of Cambodia: Spalding Gray and The Killing Fields (1985)
20(7)
Terry Allen's Radio Cinema (2000/2018)
27(8)
The Life and Times of Lin Hixson: The LA Years (1991)
35(20)
Spectacle, Film, Collaboration
55(32)
Time, Space, and Questions of Otherness (1989)
57(6)
Time Lost/Time Found (2017)
63(7)
Journeys to Heaven and Hell (2015)
70(4)
Life, Art, and Death in Multimedia Experimental Theater (2011)
74(5)
Light Energy, Dark Matter (2009/2015)
79(4)
Wrestling with an Age That Won't Give Back (1985)
83(4)
Crossing Cultures: Sound, Space, Gesture
87(36)
Radio Art: The Coming Sonic Boom (1990)
89(3)
The Aural Stage (1991)
92(3)
Yoshi Oida: Interrogations (1990)
95(2)
Performance and the Art of Conversation (2015)
97(2)
Listening to the Universe (1990)
99(2)
Urban Bush Women (1987)
101(2)
Tarika Sammy (1993)
103(3)
Rudy Perez Performance Ensemble: Made In LA (1991)
106(2)
Lula Washington: LA Contemporary Dance Theater (1989)
108(2)
Fulfillment in The Empty Room (2012)
110(4)
Peripheral Visions: Perspectives on Culture, Media, and Performance (2017)
114(4)
Faustin Linyekula's Journey from Darkness to Light (2017)
118(5)
History Restaged
123(54)
Plato's Symposium (1986)
125(4)
Tao, Mao, Now! (1991)
129(4)
The Sound of History Dreaming the Future (1991)
133(4)
Dancing on History's Grave (2014)
137(8)
Dancing on History's Grave: Part Two (2014)
145(6)
Mining the Past to Change the Future (2017)
151(6)
1969 Speaks For Itself (2018)
157(6)
Staging Politics: Allegory vs. Satire (2017)
163(6)
My Lai Revisited: One Man's Journey (2018)
169(4)
1984 in 2016: Big Brother is Watching
173(4)
Prophesies Past Tense
177(54)
Voyage to Prague (1991)
179(8)
Slouching Towards the Next Millennium: Some Meditations on Art and the Twenty-First Century (1989)
187(7)
The Voices of America 1992 (1992)
194(3)
Commentary Intermedia: A Bright Tomorrow? (1987/89)
197(3)
Resurrecting the Disappeared: Recollections on Artists in Absentia (1997)
200(9)
Commerce on the Edge: The Convergence of Art and Entertainment (1986)
209(10)
Performance Art is Dead: Long Live Performance Art! (1994)
219(8)
Notes on Performance and Sex(ism) (2015)
227(4)
Politics Of Culture
231(32)
Commentary Intermedia: Interdisciplinary Performance: Collaboration in the 1980s (1985)
233(4)
Politics, Performance, and the Los Angeles Festival (1991)
237(8)
Screamers (1991)
245(3)
Radiodeath: The Expulsion of Art from the Airwaves (1995)
248(3)
The Artist as Fundamentalist (1992)
251(2)
A Question of Civic and Public Responsibility (1994)
253(4)
Beauty and the (Art) Beast (1993)
257(6)
Concerning Nature
263(23)
Calls from the Deep (1990)
265(4)
Reviving the Horror (1986)
269(2)
Miwa Matreyek's Self-Made World (2014)
271(2)
Laurie Anderson's Dirtday! (2012)
273(3)
Cynthia Hopkins: This Clement World (2013)
276(3)
Meredith Monk: On Behalf of Nature (2013)
279(2)
Entangled Waters (2018)
281(5)
Afterword: A Retrospective View 286(3)
Appendix I Publications 289(3)
Appendix II Performances 292(12)
Notes 304(4)
Biographies 308(3)
Index 311
Jacki Apple is an American visual, performance and media artist, audio composer, writer, director, producer and educator whose diverse artistic career has encompassed a wide range of media and forms including multimedia installations, interdisciplinary performance, audio, radio, photography, video, film, artist books, drawings, site specific works and public art projects. 





Marina LaPalma was a founder of Kelsey Street Press in Berkeley in the 1970s and a performance artist and art critic in Los Angeles in the 1980s.