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E-grāmata: Performativity, Cultural Construction, and the Graphic Narrative

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Performativity, Cultural Construction, and the Graphic Narrative draws on performance studies scholarship to understand the social impact of graphic novels and their sociopolitical function.





Addressing issues of race, gender, ethnicity, race, war, mental illness, and the environment, the volume encompasses the diversity and variety inherent in the graphic narrative medium. Informed by the scholarship of Dwight Conquergood and his model for performance praxis, this collection of essays makes links between these seemingly disparate areas of study to open new avenues of research for comics and graphic narratives. An international team of authors offer a detailed analysis of new and classical graphic texts from Britain, Iran, India, and Canada as well as the United States.





Performance, Social Construction and the Graphic Narrative draws on performance studies scholarship to understand the social impact of graphic novels and their sociopolitical function. Addressing issues of race, gender, ethnicity, race, war, mental illness, and the environment, the volume encompasses the diversity and variety inherent in the graphic narrative medium. This book will be of interest to students and scholars in the areas of communication, literature, comics studies, performance studies, sociology, languages, English, and gender studies, and anyone with an interest in deepening their acquaintance with and understanding of the potential of graphic narratives.



This book draws on performance studies scholarship to understand the social impact of graphic novels. Addressing issues of race, gender, ethnicity, race, war, mental illness, and the environment, the volume encompasses the diversity and variety inherent in the graphic narrative medium.

Chapter 1: Introduction, or Transformations and the Performance of Text
and Image Part I: Mimesis
Chapter 2: "Did You Kill Anyone?": The Pathography
of PTSD in The White Donkey
Chapter 3: I Dont Have Any Ancestors, OK? Lets
Just Drop It: Miss America and (Pan)Latinx Representation in Marvels America
Chapter 4: Space, Conflict and Memory in Shaft: A Complicated Man
Chapter 5:
Illustrating Mental Illness and Engaging Empathy Through Graphic Memoir Part
II: Poiesis
Chapter 6: Mapping the Nation and Reimagining Home in Vietnamese
American Graphic Narratives
Chapter 7: "Real Men Dont Smash Little Girls":
Inter-Hero Violence, Families, Masculinity, and Contemporary Superheroes
Chapter 8: Graphic Performances in Octavia Butlers Kindred
Chapter 9:
Austens Audience(s) and the Perils of Adaptation Part III: Kinesis
Chapter
10: Graphical, Radical Women: Revising Boundaries, Re(Image)ining Écriture
Féminine in the Novels of Bechdel and Satrapi
Chapter 11: Bridging the
Gutter: Cultural Construction of Gender Sensitivity in Select Indian Graphic
Narratives after Nirbhaya
Chapter 12: "There Are No Monsters Like Us": Gothic
Horror, Lesbianism, and the Female Body in Marguerite Bennett and Ariela
Kristantinas InSEXts
Chapter 13: (De)Forging Canadian Identity in Michael
DeForge's Sticks Angelica, Folk Hero
Chapter 14: A Killer Rhetoric of
Alternatives: Re/Framing Monstrosity in My Friend Dahmer
Chapter 15: The
Contextualization of the Palestinian Experience in Joe Saccos Comics
Journalism
Leigh Anne Howard studies the performance of personal and social identity, as well as performance methodology. She has published articles in Text and Performance Quarterly, Journal of Applied Communication Research, Communication Education, the American Behavioral Scientist, the Journal of Intercultural Communication, and the Journal of Fandom Studies.





Susanna Hoeness-Krupsaw teaches English and Humanities at the University of Southern Indiana. Her research interests include American and Canadian literature and the graphic novel. She has recently published on "The Role of Talk Story in Maxine Hong Kingston and Amy Tan," "Teaching March in the Borderlands between Social Justice and Pop Culture" and "Mary Gordon."
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