The essays are informative and varied, and in the aggregate, they function as a kind of conversation on which eavesdropping is a very engaging and, in the best chapters, thought provoking use of ones time. this one is an invitation to further scholarly and critical conversation. In the large arena of theatre representing homeswhether palaces, bourgeois houses, hovels, tenements, or squats under bridgesthere remains much room for discussion, analysis, and innovation in production. (Dorothy Chansky, Theatre Journal, Vol. 73 (2), June, 2021) Performing Dream Homes is a useful text for practitioners who want to more deeply consider their own stagings of home and for students seeking examples ofpraxis and practical critical analysis. Individual essays within the volume will also appeal to theatre scholars based on their shared interests with the contributors examples and/or approaches. (Janet Werther, Theatre Topics, Vol. 31 (1), March, 2021) Performing Dream Homes is an extremely useful collection that will benefit both scholars and theatre practitioners. It will especially be of interest to feminists, performance studies scholars, theatre artists, and material culture scholars. The essays are relatively short and very readable, making the collection easily accessible for students and non-scholars, while still presenting theoretical insights that professional scholars will value. The book admirably engages a theoretically rich, complex set of ideas. (Phillip Zapkin, Etudes, Vol. 5 (1), December, 2019)
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